灵异第六感影评 英文版

灵异第六感影评 英文版
灵异第六感影评 英文版

May 23, 2012

American Film

The Sixth Sense

I think the main theme of this movie is communication. The main object in this movie is ghost and that is something nobody can see except Cole.

At the beginning of this movie, Malcolm and Cole cannot even communicate with each other affectively. Because on the one hand, Cole thinks Malcolm is just another ghost who does not even know himself is already a dead man, and still thinks he is a doctor who is trying to finish his job. On the other hand, Malcolm thinks Cole is a boy got some kind of school age schizophrenia.H e thinks that if he can cure Cole, it is going to be a console for the failure patient he made who tries to kill him and suicide himself last year, Vincent. However, Malcolm cannot see ghosts. Therefore, he cannot help Cole to deal with the fear of ghosts. There is no trust and belief between them. So, that is why when Cole first saw Malcolm cross the street, he runs fast into the church trying to avoid Malcolm. Also, that is why when Cole told Malcolm that he can see dead people, in the hospital, Malcolm does not believe in what he said; instead, he understand this as a major sign of paranoia.

Also, this communication problem happened between Cole and his mother too. Cole try’s hard to get his mother to understand him, but it did not succeed until the very last scene. For example, when they were having lunch, Cole’s mother asked Cole did he take his grandmother’s bumble bee pen. Cole answered no, and he said: “sometimes, people think they lose things. They really did not lose them, it just gets

moved.” What Cole really wants to tell his mother is his grandmother is not gone, she still exists, and she is the one who put the bumble bee pen into Cole’s room. However, his mother thought Cole is the one who took the bumble bee pen and put it into his room every time, he’s statement is just an excuse to avoid telling the truth, his mother still think he is the one who took the bumble bee pen. Therefore, this conversation ends up in an upset way.

However, when Malcolm was listening to the tape which records the conversation with Vincent, he accidently found there is a ghost speaking Spanish in the tape. So he started to believe what Cole said is real, and went back to the Church to find Cole and tell him the right way to deal with this kind of ghost problem is by listening to the ghost, and help them if he can. Therefore, this is a very important part in the movie, because this is the turning point where Malcolm and Cole actually communicate with each other based on trust and belief.

In the very last of the sense, Cole and his mother sit in the car, and he told his mother that his grandmother went to see her dance which his mom thought she would not going to see when she was little, than, he told his mother the answer to the question she asked in front of his grandmother’s grave – every day, which is the answer of – do I make you pride? This is very important, because this is also a turning point, the turning point of Cole and his mother’s communication. After this conversation, Cole’s mother believes Cole can see ghost and understand how much Cole suffered from the scare ghosts and the misunderstanding caused by her, such as the misunderstanding of the “bumble bee pen”. All the unmoral actions and behavior

of his son started to make sense. I think this turning point between Cole and his mother also changed the audience’s view of ghost – not all the ghosts are scary, some of the ghosts are quite cute, such as Cole’s grandmother, the one who likes the bumble bee pen so much, and moves it around for fun.

These two turning points of communication, made the rest of the story in the movie very warm and touching.

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review on joy luck club喜福会影评

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孤儿。 母亲的去世点燃了莉兹心中奋斗的火苗。她深知能够改变自己命运的道路只有回到学校读书。于是,她在17岁时决定重返学校,凭着自信的谈吐和扎实的基础争取到了考试的权利,后来被校长赏识而重新获得了读书的机会。莉兹仍然贫困,然而贫困并没有止住莉兹前进的决心,她通过苦读而赢得了报社的奖学金,出色地完成了高中学业。后来她凭借优异成绩前往哈佛大学交流,最终考入了她梦寐以求的学府。 书中的另外一个女孩和她的命运则有了鲜明的对比,她自认为自己无法改变命运,于是她认命,她放弃,她得过且过,成年之后,她终将会离开收容所,过上沿街乞讨的生活。当我们身处困境之中时,该如何去做?是就此颓废,堕落?还是冲破黑暗,寻求光明?两条不同的路,将带来不同的人生。从莉兹身上,人们看到了一个女孩克服困境的精神以及面对逆境顽强拼搏的勇气。 莉兹说过:“我为什么要觉得可怜,这就是我的生活。我甚至要感谢它,它让我在任何情况下都必须往前走。我没有退路,我只能不停地努力向前走。我为什么不能做到?”她的话语令人惭愧,发人自省。的确,每一个人都应该问一下自己,是否有资格去抱怨生活。莉兹的命运是苦难的,悲惨的,但又是令人敬佩的。若是换成其他人,也许根本不会有如此坚定的信念与行动来改变命运。生活中很多东西都是双刃剑。挫折只能打败不够坚定的人,而打不垮勤勤恳恳,艰苦奋斗的人。机会只留给有准备的人,而不会垂青于懒懒散散,不思进

喜福会英文背景及人物赏析

The Joy Luck Club (1989) is a best-selling novel written by Amy Tan. It focuses on four Chinese American immigrant families in San Francisco, California who start a club known as "the Joy Luck Club," playing the Chinese game of mahjong for money while feasting on a variety of foods. The book is structured somewhat like a mahjong game, with four parts divided into four sections to create sixteen chapters. The three mothers and four daughters (one mother, Suyuan Woo, dies before the novel opens) share stories about their lives in the form of vignettes. Each part is preceded by a parable relating to the game. In 1993, the novel was adapted into a feature film directed by Wayne Wang and starring Ming-Na, Lauren Tom, Tamlyn Tomita, France Nguyen, Rosalind Chao, Kieu Chinh, Tsai Chin, Lisa Lu, and Vivian Wu. The screenplay was written by the author Amy Tan along with Ronald Bass. The novel was also adapted into a play, by Susan Kim, which premiered at Pan Asian Repertory Theatre in New York. Characters Mothers Suyuan Woo During the Second World War, Suyuan lives in China while her husband at the time served as an officer in Chungking (Chongqing). She starts the original Joy Luck Club with her three friends to cope with the war. There is little to eat, but they pretend it is a feast, and talk about their hopes for the future. On the day of the Japanese invasion, Suyuan leaves her house with nothing but a bag of clothes, a bag of food, and her twin baby daughters. During the long journey, Suyuan contracts such severe dysentery that she feels certain she will die. Fearing that a dead mother would doom her babies' chances of rescue, she reluctantly and emotionally leaves her daughters under a barren tree, together with all her belongings, along with a note asking anyone who might find the babies to care for them and contact the father. Suyuan then departs, expecting to die. However, she is rescued by a truck and finds out her husband has died. She later remarries, comes to America, forms a new Joy Luck Club with three other Chinese female immigrants she met at church, and gives birth to another daughter. But her abandonment of the twin girls haunts her for the rest of her life. After many years, Suyuan learns that the twins were adopted, but dies of a brain aneurysm before she can meet them. It is her American-born daughter Jing-mei who fulfills her long-cherished wish of reuniting with her elder twin half-sisters. As Suyuan dies before the novel begins, her history is told by Jing-mei, based on her knowledge of her mother's stories, anecdotes from her father, and what the other members of the Joy Luck Club tell her. An-Mei Hsu An-Mei is raised by her grandparents and other relatives during her early years in Ningbo after her widowed mother shocks the family by becoming a concubine to a middle-aged wealthy man after her first husband's death. This becomes a source of conflict for the young An-Mei, as her aunts and uncles deeply resent her mother for such a dishonorable act. They try to convince An-Mei that it is not fitting for her to live with her disgraced mother, who is now forbidden to enter the family home. An-Mei's mother, however, still wishes to be part of her daughter's life. After An-Mei's grandmother dies, An-mei moves out to live with her mother in the home of her mother's new husband, Wu-Tsing. An-Mei learns that her mother was coerced into being Wu-Tsing's concubine through the manipulations of his Second Wife, the favorite. This woman arranged for An-Mei's mother, still in mourning for her original husband, to be raped by Wu-Tsing. The stigma left An-Mei's mother with

风雨哈佛路英文影评

《Homeless to Harvard》is a touching inspirational film. Liz was born in the slums in the United States, she has an unhappy family. However, poverty is not stopped Liz forward determination. Never struggle is the eternal theme of the retreat in her life. Our parents don't drugs, we don't have to go hungry every day and don't have to live a wandering life. However, there is a moment that we should to face our life and make a choice. Someone choose to retreat, someone was rushed to the success. Every turning point of our life, we always give ourselves too much leeway. The retreat let us forget the efforts to work hard and never give in. we got too much comfort after the failure that seems to be failure is taken for granted. LIZZ "forced" himself to the success because she has not leeway. We are all in our own way, perhaps there is wind or rain, perhaps there is twists and hardships. But, we can’t give up, because this is life!

风雨哈佛路观后感500字范文

风雨哈佛路观后感500字范文 我们的命运掌握在自己的手里,现在的不幸将是对我们最大的历练,相信自己,相信明天会更好,下面内容由为大家带来的风雨哈佛路观后感500字范文,欢迎大家学习! 尽管不幸,尽管艰辛,尽管家庭四分五裂,父母都不能照顾自己,更不用说照顾丽萨。但是丽萨仍然坚强的生活着,执著的爱着自己的父母。尽管无家可回,仍然在想着自己的同样不幸的同伴克丽丝,这就是对朋友的忠实。伊娃的行动指引着丽萨,是她让丽萨看了很多有思想的书,所以,丽萨尽管每年都是最后一周往学校,仍然是100分。尽管母亲是那样的人,她依然深深爱着她,从来没有放弃过。 朝九晚五,披星戴月的生活,我们有几个人在孩提时代,初中时代就早早的经历过呢?生活的艰辛在逼迫着她,逼迫着她为生活奔波,因此,她说:我需要一个机会。不能再这样生活在自己的世界里,外面的世界更加有意义,更加丰富多彩。 压力,困境,往往给人前进的动力。因此,在现在这样的社会里,我们要想改变自己的现状,就必须不停的前进,真是有点恨我自己,在现在这样的环境里,逐渐丧失了对知识的渴求,对真理的执着,天天有很多时间,可是,却是在浪费着度过,图书馆里有很多书,但是从大二以后,似乎就没进往过,有很多理由:大学课程需要学习,需要考证,有很重要的事情要往处理。在这样的一次次对自己的借口中,大学四年,真的没读过多少书。我要改变自己的现状,不能再这样下往,整天为了一些琐事,纠结着,浪费着时间,消磨着精力,就

是在这些微笑的事情中,我失往了更多进步自己的机会,就这样,我逐渐走向了平庸,没有了前进的动力。 生活从来都不是一帆风顺的,人的一生,总是会碰到这样那样的事情,生命,也从来不是注定要平庸的。一时的挫折,并不即是是永恒的失败,得与失,也从来都是相生相克的,周而复始的过程,我们依然要努力奋斗,有时候,我们总是在抱怨着,在问为什么,实在没有那么多为什么,真的,只要你努力了,生命随时都是绚丽的。 很喜欢最后一句,“所有的不顺利,我都会把它们埋掉,燃烧,平息掉,开始新的生活。”在我们的人生中,总有一些境遇是我们始料未及的,所以,在那些困难来临的时候,我们不要抱怨,而是,要迎难而上,努力的往克服它们,总有一天,我们会成功的。我始终相信。 丽萨需要一个机会,而我们大多数人都拥有这样的机会,关键是要运用机会,努力地往成功。 从明天起,从这一刻起,我要改变自己的生活状态,努力的进步自己,为未来的我预备着,我从来都是认真的对待生活,我相信,生活也不会跟我开玩笑。努力,做最好的自己。 世界在转动,你只是一粒尘埃,没有你地球照样在转。现实是不会按照你的意志去改变的,因为别人的意志会比你的更强。 ——《风雨哈佛路》讲述了丽兹?马里八岁沿街乞讨,十五岁丧母步入社会,重回学校考取哈佛大学的故事。

影视艺术镜头分析(灵异第六感为例)

一、视点 客观镜头(摄像机作为旁观者来捕捉周围的场景): 把摄像机的取景器看作一扇窗户,趴在窗户外的人(旁观者)向里面窥到的人和事,观众同样也希望去看到这些人和事。 (柯尔回到家,麦克医生和母亲坐在沙发上) (柯尔和麦克医生走在大街上)

(柯尔和麦克医生的谈话) (柯尔和母亲的吃饭镜头) 分析:客观镜头能清晰、自然、连贯地再现场景,故在影视作品中被大量运用。但是过多地使用客观镜头,会因其过于客观、冷静地描述场景和不介入的态度易使观众失去兴趣,无法从心理和情感上驾驭观众。 主观镜头(摄像机作为剧中人物动作的参与者去观察周围的场景): 把摄像机镜头当做剧中人物的眼睛,直接“目击”场景中的人、物和事,使观众不再站在很远的“窗外”观看,而是直接参与到不断发展变化的剧情中去。

(柯尔母亲看到的照片) (柯尔看到愤怒的老师)

(柯尔在去小女孩葬礼的路上从车上看外面的风景) (麦克医生看到掉在地上的戒指) 分析:主观镜头因代表了剧中人物对场景中人或物的主观印象,带有明显的主观色彩,能带给观众真实的主观介入感,开宇驾驭观众的视觉注意、心理和情感,易使观众产生身临其境之感,从而使观众和人物进行情绪交流,与剧中人物感同身受,获得共同的情感体验。通过摄像机的运动和镜头变化,迫使观众去关注场景中的任务正在看的内容,将观众的观看欲望缝合到影片中,从而成为剧中的角色。 间接主观镜头(观众去看的观点): 不是剧中人物的主观视点,不是参与性的视点,而是通过近景、特写镜头等方式尽可能地让观众接近剧中人物。

(柯尔在恐惧愤怒的情况下说老师是结巴) (柯尔母亲在受到医生质疑是否虐待柯尔时的愤怒)

风雨哈佛路观后感优秀影评

风雨哈佛路观后感优秀影评 《风雨哈佛路》主人公丽丝出生在纽约的贫民窟,尽管父母吸毒,但莉丝仍然深爱着他们。这里给大家整理了一些有关风雨哈佛路的观后感,希望对大家有所帮助. 风雨哈佛路观后感1 今天,老师给我们了看一部名为《风雨哈佛路》的电影,很好看的,挺感动的。尤其是被主人公利兹那坚强不屈的精神所感动。15岁的利兹生长在一个十分不幸的家庭,她很小时父母就酗酒,她在父母的争吵和打骂声中长大。后来母亲珍妮开始吸毒,并因此染上了艾滋病,精神濒于崩溃。父亲酗酒,外公又不肯收留她,利兹只好流浪街头。不久,母亲去世了,利兹很受震动,她意识到如果沉沦下去,将会和母亲的结局一样悲惨。她决心告别过去,开始全新的人生。 一段非常典型的自我奋斗史,一段自强不息昂扬奋斗的生命历程。影片的前半部分,给人的感觉是利兹生活环境的如此恶劣和糟糕,小小的年纪内心的安全感却被一点点地剥夺,没人照顾,还要照顾妈妈,因为她知道,妈妈爱她,她也爱她的妈妈,尽管她酗酒,她吸毒,她双目几乎失明,她还患有精神分裂症,她犯

起毒瘾来是如此可怕。。。她依然如此深地爱她妈妈。后来,她以非凡的毅力开始了刻苦的学习。17岁到19岁,两年的时光,她学习掌握了高中四年的课程,每门学科的成绩都在A以上。1996年,上帝会让一个付出努力和艰辛的女孩收获喜悦;她的经历、她的真诚、她的论文深深打动每一位评委。10000美金的纽约时报一等奖学金,让她获得了进入哈佛的通行证——她成功了。梦寐以求的哈佛大学向她敞开了双臂。凭借着对信念的执着追求和对改变生活困境的强烈愿望,她实现了自己的诺言。 还记得利兹和父亲从学校办理完担保手续出来,她说:“爸爸,我爱你。”“我也爱你。”父亲说,“好孩子,好好上学,我这辈子是不行了,但是你可以成功。”然后她的父亲就穿着破旧的衣服走了,寒风吹着他凌乱的头发,那一刻,我真的觉得利兹,真的是一个人了,完全的一个人,所有的一切都如此冷酷地抛给她,她除了向前进,不断地奋斗别无他法。也许,生活中的我们就缺少这样一样心的境况,当所有的安全感,所有可以的依赖或者可能的依靠都统统没有,全世界只剩下你自己,也许只有这个时候你的潜力才能被最大的发掘。 同样一个金色的季节,作为哈佛大学――世界最高的学府的一员,她安静在了校园的教室中。也许只有她自己明白,她实现了自己的诺言,一个贫穷苦难的女孩用她的执着信念和顽强的毅力改变了她自己,改变了她的人生。

喜福会观后感(英文版)

《喜福会》观后感(英文版) The first time I saw the title of the film, the Joy Luck Club, I thought that it would be a film filed with joy, luck and happiness. However, out of my expectation, in the film, I saw many unpleasant things—conflicts, hardship, disappointment, sorrow, hurt, torture etc. Of course there were some moving parts, and fortunately, it was a happy ending. Anyway, I enjoyed it very much. It made me have a penetrating thinking. The Joy Luck Club tells about the conflicts between Chinese immigrant mothers and their American-raised daughters and their struggling to understand each other. The film shows us these topics: the misunderstanding of love between the mothers and the daughters, the clash between the generations and cultures, and the struggle for the women to fight for equity. Now I am going to show you my understanding of them, emphasizing on the first topic. 1.what's the cultural differences? answer : These four cases reveal that the women begin to release themselves from the restrains of being oppressed by the men and the old-fashioned thoughts as well as some Chinese traditional characters. Eventually, the women find their true value and win their own happiness. Maybe it is a common Phenomenonin america, In the United States, multicultural so-called, is to maintain the new patternconsistent sub culture and the mainstream culture, in essence, is nothing but acover up the trick, is a cover for the sub cultural assimilation and psychologicalaggression. So, like other minority women, Chinese women have only to regain the original self, to break the silence and gender culture of silence, self-esteem, self-confidence, independence in their own way to face life, to eventually enter the "joy and blessing" of the realm. 2.What impress me mostly? Answer: Take Waverly and her mother Lindo as an example. Waverly tries her best to please Lindo in everything. Whether her mother approves or not becomes the master of all her choice. Even Waverly marries a Chinese man because Lindo likes Chinese, while she doesn’t love. Waverly doesn’t understand why Lindo disapprove or criticize whatever she has done. On the other side, Lindo thinks that her daughter is ashamed of her, which is her continual internal injury after Waverly’s winning that chess contest, when Waverly shouted to Lindo if Lindo wanted to show off, won the chest by herself. Every time, Lindo’s disagreement with or indifference to Waverly directly results from the thought that Waverly feels it shameful to be her daughter. Both

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