成为简·奥斯汀_成长故事
成为简·奥斯汀
我室友D是个痴迷言情小说的女生，经常不看到昏天暗地不罢休。最高纪录曾经整整两天两夜没下床，吓得我还去探她的鼻息。D不断告诉我：“要真想火的话，应该在网上连载言情小说。”并推荐了几个高人气网站，让我用心揣摩。
浏览网站后，我才发现如今言情小说兼顾不同受众，种类五花八门：种田文、末世文、综漫文……更有内部细化，比如泛滥的穿越文，女主角们有的仍在几个阿哥间摇摆不定，有的已与拉美西斯二世谱写一曲尼罗河之恋。我揣摩了大半个月，学了不少“甜、虐、扒榜”等业内行话，最终胸有成竹地敲定写“校园纯爱”。然而更新了快十章，我还是毫无存在感可言。好不容易收到留言欣喜若狂，打开一看是招聘网管的小广告。我百思不得其解，询问专攻言情小说的D。
D自己也写，按她的说法，言情小说能否改编成电影、电视剧乃至形成产业链，关键看人气高低。所以D每天准时在流量最大的晚20点
更新；只专注读者多的当红题材；根据“粉丝”呼声改变角色归属。不仅如此，D还立志成为中国的简·；奥斯汀，写出的小说要“既有缠绵悱恻的爱情，又反映社会的整体风貌”。虽然她妈妈得知后，立刻变了脸色：“你可别给我学什么简·；奥斯汀！她一辈子没嫁人，你想愁死我啊！”
针对我的言情小说，中国的准“简·；奥斯汀”提了不少意见：所有人物名字都太俗气；男主角不够有貌有钱；备胎男二号缺乏痴情……以及题目取得太含蓄，令人一头雾水。D告诉我，看言情小说又不是搞学术研究，没人会反复品鉴，好的题目必须让读者一眼明确全文基调。于是我只好夹起尾巴做人，开始大修大改，先写了几万字存稿。想给角色取个高冷的姓，但想不出名，只好暂称“靳某某”。搞得比起“校园纯”里的温柔男主角，更像法制节目里的犯罪嫌疑人。我效仿D每日准时更新3000字，存稿很快用完。有次熬夜写得体力不支，趴在键盘上睡着了，第二天发现文档多了十几页空白，并且回车键长陷不起。连载一个多月来，男女主角衣香鬓影，光彩照人；我
蓬头垢面，憔悴无神。
逐渐读者增加，小说有了起色。网站编辑签下了我，五年卖身契。签约并无现成好处，收入大头则是按章节计费。达到这标准时，我已快写到结局了。编辑劝我多写几个番外篇来创收，又安慰道：“你还可以写第二部，男女主角步入社会后的故事，归到&lsquo:都市情感
&rsquo:那类。”在她的建议下，为了提高关注度，我还花钱找人做了个日系动漫风的封面。
之前D就跟我强调过，在网上连载言情小说，一般来说处女作的命运都是仆街，能为以后的作品聚拢人气就不错了。果然，我一共收入83元。也就是说，我写了20多万字，连载将近3个月，日均3000字，扣除封面制作费100元，不计网费电费，最终赚了-17元。
关于简奥斯丁的评论(英文)
生平和作品 THE IMPRESSION of the condition of the Church of England in the eighteenth century which is conveyed by the character and writings of Laurence Sterne receives some necessary modification from a study of the life and works of Jane Austen. Her father, the Reverend George Austen, held the two rectories of Deane and Steventon in Hampshire, having been appointed to them by the favor of a cousin and an uncle. He thus belonged to the gentry, and it seems likely that he entered the church more as a profession than a vocation. He considered that he fulfilled his functions by preaching once a week and administering the sacraments; and though he does not seem to have been a man of spiritual gifts, the decent and dignified performance of these formal duties earned him the reputation of a model pastor. His abundant leisure he occupied in farming the rectory acres, educating his children, and sharing the social life of his class. The environment of refined worldliness and good breeding thus indicated was that in which his daughter lived, and which she pictured in her books. Jane Austen was born at Steventon on December 16, 1775, the youngest of seven children. She received her education—scanty enough, by modern standards—at home. Besides the usual elementary subjects, she learned French and some Italian, sang a little, and became an expert needle-woman. Her reading extended little beyond the literature of the eighteenth century, and within that period she seems to have cared most for the novels of Richardson and Miss Burney, and the poems of Cowper and Crabbe. Dr. Johnson, too, she admired, and later was delighted with both the poetry and prose of Scott. The first twenty-five years of her life she spent at Steventon; in 1801 she moved with her family to Bath, then a great center of fashion; after the death of her father in 1805, she lived with her mother and sister, first at Southampton and then at Chawton; finally she took lodgings at Winchester to be near a doctor, and there she died on July 18, 1817, and was buried in the cathedral. Apart from a few visits to friends in London and elsewhere, and the vague report of a love affair with a gentleman who died suddenly, there is little else to chronicle in this quiet and uneventful life. But quiet and uneventful though her life was, it yet supplied her with material for half a dozen novels as perfect of their kind as any in the language. While still a young girl she had experimented with various styles of writing, and when she completed "Pride and Prejudice" at the age of twenty-two, it was clear that she had found her appropriate form. This novel, which in many respects she never surpassed, was followed a year later by "Northanger Abbey," a satire on the "Gothic" romances then in vogue; and in 1809 she finished "Sense and Sensibility," begun a dozen years before. So far she had not succeeded in having any of her works printed; but in 1811 "Sense and Sensibility" appeared in London and won enough recognition to make easy the publication of the others. Success gave stimulus, and between 1811 and 1816, she completed "Mansfield Park," "Emma," and "Persuasion." The last of these and "Northanger Abbey" were published posthumously. The most remarkable characteristic of Jane Austen as a novelist is her recognition of the limits of her knowledge of life and her determination never to go beyond these limits in her books. She describes her own class, in the part of the country with which she was acquainted; and both the types of character and the events are such as she knew from first-hand observation and experience. But to the portrayal of these she brought an extraordinary power of delicate and subtle delineation, a gift of lively dialogue, and a peculiar detachment. She abounds in humor, but it is always quiet and
走进简-奥斯汀的世界
走进简·奥斯汀的世界 ――从《傲慢与偏见》《爱玛》《理智与情感》中认识简·奥斯汀 论文概要：本文分为初识简·奥斯汀，认识简·奥斯汀，爱上简·奥斯汀，简·奥斯汀与我们四部分，从简·奥斯汀的三部作品来介绍，逐渐深入，层层剖开简·奥斯汀的世界，着重于在特定的社会背景下分析作品中的重要人物和事件，并联系简·奥斯汀的人生经历解析作品的内涵，探索简·奥斯汀的文学世界。 初识简·奥斯汀 既无曲折离奇的情节，也无波澜壮阔的场面，小小的天地，普通的男女，但就是这样的内容的作品却把它们的作者推进世界文学史上一流作家的行列，而这位作者只活了四十二岁，一生只写了六部小说，生前出的作品都用笔名，死后才公布了她的真名和身份，她，简·奥斯汀，一个响亮的名字。 简·奥斯汀于1775年出生在英国汉普郡一个名叫斯蒂文森的村子里，父亲是一位乡村牧师。她没有受过多少正规的教育，却在父亲的影响下大量涉猎各种书籍，获益良多。十四五岁就开始写短剧，小品，娱乐家人，简在二十二岁前就已经完成了两部小说，即《理智与情感》《傲慢与偏见》，后来相继写出《诺桑觉寺》《曼斯菲尔德花园》《爱玛》《劝导》等不朽的杰作。简·奥斯汀所写的都是英格兰乡村和邻近地区中产阶级的生活，完全限于自己所熟悉的那个很小的生活圈子，但她的观察细致入微，构思巧妙合理，人物刻画细腻生动，写作风格朴实无华，清秀隽永，表面上琐碎的叙述读起来颇耐人寻味。她的作品被评论家誉为“简约的艺术”。她的作品里没有声势浩大的东西，但充满理性的光芒。故事情节说不上跌宕起伏，却丝丝入扣，不断荡漾着“茶杯里的风波”。 从18世纪末到19世纪初，庸俗无聊的“感伤小说”和“哥特小说”充斥着英国文坛，而奥斯汀创作的小说则是一反常规地展现当时尚未受到资本主义冲击的英国乡村中产阶级的日常生活和田园风光。简·奥斯汀之所以能成为十九世纪最杰出的小说家之一，不仅是因为她小说天衣无缝的结构和精湛精确的刻画技巧，而且也是因为她的小说有着深刻丰富的思想内容和在英国文学史上的开创性意义。她是第一个现实地描绘日常平凡生活中平凡人物的小说家。她的作品反映了当时英国中产阶级生活的喜剧，显示了家庭文学的可能性。她以女性特有的细致入微的观察力和对细腻情感的把握，生动真实地描绘了自己周围世界的小天地，她多次探索青年女主角从恋爱到结婚中的自我发现过程，这种着力分析人物性格以及女主角和社会之间紧张关系的做法，使她的小说摆脱十八世纪的传统而接近于现代的生活。正是这种现代性，加上她的机智和风趣，她的小说能长期吸引读者。 认识简·奥斯汀 简·奥斯汀的形象在从简生活的年代到现在的200年中有各种各样的解释。有亨利·詹姆士的观点----简有无师自通的天才，几乎没有特别意识就在做针线活和探亲访友的过程中创造了完美精湛的艺术微缩品。D.H.劳伦斯和夏洛蒂·勃朗特都写到，她是一个用理智而不只用情感写作的，精明博学的单身女子。也有和蔼可亲的“简姑妈”形象，这是她家人的体会，是一位终身专于家庭，不为任何烦恼忧愁，避免谈到男人和金钱，战争话题的女性，简也被许多人认为是最初的女权主义者。简·奥斯汀笔下的女主人公都很有个性，或多或少渗透出作者本人的性格特征和看问题的方法。 伊丽莎白·贝纳特：“想要满足是她自己的事----当然快乐是她的气质”。机智活泼的伊丽莎白·贝纳特比起其他女主人公来说更像年轻时代的简·奥斯汀。“书中只要出现她这个人物，她就是快乐的”----作者给她的定语。爱玛·伍德豪斯：“思想活跃轻松，看不到事情的发生也无所谓，没有回应的事情看不到也行。”简赋予这个该受人指责的女主人公活跃
傲慢与偏见 电影观后感
为你如花美眷，似水流年 《傲慢与偏见》身着亚麻色布裙，手捧一本书，快速穿过草原，对着远方的夕阳浅浅一笑，Elizabeth的优雅从她回眸时露出的洁白锁骨流露无疑。 背景音乐是流动的钢琴曲，如丝带连缀起小屋里静坐熟读圣经的Mary，因争夺好看帽子而拌嘴的Lydia和Kitty，而玻璃上总是会浮现她们的大姐Jane平静倾城的面容。 电影“傲慢与偏见”的开场便以唯美的手法嵌入这五个鲜活的生命，阳光湖泊树，中世纪欧洲田园风光如一帧不真切的画像舒缓展开。静谧蔓延到那个信奉“凡是有财产的单身汉，必定需要娶位太太”的妈妈惊呼着尼日斐花园来了一位公子哥而戛然。 记得初中那会儿，班上青春疼痛小说泛滥，我们在作业本遮掩的空隙如饥似渴地阅读那些撩人心弦的剧情，前排一个女生旁若无人地读着这本名著，时不时还捂嘴笑。 我向来对外国文学的长名头晕眼花，对那些排斥插图密密麻麻全是字的泛黄书籍敬而远之。 那时我不懂读名著的乐趣，因为害怕无法承受严肃的思想而下意识抗拒，家里买的高尔基和雨果都被束之高阁。 直至今日，泡在图书馆同夏绿蒂和奥斯汀幸福共处一个个午后，我才真正开始震慑于经典的力量。
那些印刷的字码飘浮空中，钻入波澜肆意的脑海，看见Jane手执鹅毛笔给妹妹写信时睫毛低垂的投影，或是Darcy在花园凝视同众人嬉笑的心爱之人时那道沉默眼神。 花费漫长两周的时日，断断续续地读。最后阖上书页时，揉揉疲惫的眼球，满意地微笑。 奥斯汀太聪明，这个和知识缠绕一生的女子仿佛是女主角Elizabeth 的化身，她鬼马而幽默，在书籍字间狡黠穿梭，因而笔下的男主角Darcy示爱时诚实地说“我爱你的脑子灵活”。 俗话说，“男怕入错行，女怕嫁错郎”，婚姻是女子后半辈子的主题。奥斯汀深谙此理，其著作几乎都是和婚姻有关，而她对于爱情横溢的描述却源于自己终身未嫁的干涸，此事古难全。 或许也不失为一种幸运，正是因了现实中遇人不淑，书写中傲慢与偏见的灵魂才能相遇。 Elizabeth和Darcy的相吸很特别，两个自恃清高的人由厌恶结缘，愈发有成见而愈发想了解，愈了解愈爱慕，但被那份特别的相憎钝化了情感，所以Darcy说“等我发觉我自己开始爱上你的时候，我已经走了一半路了”。 影片里Darcy表现最多的是无声。茫茫舞池的娇艳翠容都不及Elizabeth折射于眼中的大笑，借陪同朋友之由翻山越岭只为看她一眼却没有问候，帮她的糊涂妹妹处理了所有烂摊子却把功劳移给他人，鼓起勇气闯入她的房间竟又忽而无语凝噎。
简奥斯汀
百度，输入诺觉桑寺，找到读书的网络 作家简介： 简·奥斯丁，（1775—1817）英国女作家，18世纪末19世纪初英国杰出的现实主义大师，被誉为“道德教育家”。出生于英格兰汉普郡的斯蒂文顿村，父亲是教区的主管牧师。在父兄的熏陶下，奥斯丁从小就阅读了大量的文学作品。她16岁时开始写作，是第一个通过描绘日常生活中的普通人，使小说具有鲜明现代性质的小说家。奥斯丁一生中共创作了6部长篇小说《理智与情感为（1811）、《傲慢与偏见》（1813）、《曼斯菲尔德庄园》（1814）、《爱玛》（1815）、（诺桑觉修道院》和《劝服》（后两部出版于她去世后的1818年）小说内容多是刻画当时英国乡村的风俗民情、社交和男女恋情等。她的创作开启了19世纪30年代的现实主义小说高潮，在英国小说的发展史上具有承上启下的意义。 作品目录 ·《傲慢与偏见》 《傲慢与偏见》是奥斯丁的代表作。这部作品以日常生活为素材，一反当时社会上流行的感伤小说的内 容和矫揉造作的写作方法，生动地反映了18世纪末到19世纪初处于保守和闭塞状态下的英国乡镇生活和世 态人情。这部社会风情画式的小说不仅在当时吸引着广大的读者，时至今日，仍给读者以独特的艺术享受。 ·《理智与情感》 简·奥斯丁在她诞生地汉普郡的斯蒂文顿繁荣而稳定的乡间长大，十二三岁就开始写作。她早期的习作 都是中短篇，光是十五六岁时写的，后人就编成了两部集子。一七九七年，简二十二岁，完成第一部长篇小 说《第一面印象》。接着开始写《埃莉诺与玛丽安》。这两本都是书信体小说，十多年后，分别改写成用第 三人称叙述的长篇小说《傲慢与偏见》和《理智与情感》。后者于1811年出版，等到前者于两年后问世时，后者于同年再版。所以，尽管《傲慢与偏见》的原始本子写作在前，她第一部出版的作品却是《理智与情感》。 ·《爱玛》 发表于1818年，英国女作家，奥斯丁小说。女主人公爱玛是一个“从来不在外面住宿的天下少有的女人”，孤零零的，但是充满了感情与思想，她经过一系列误会后，与男主人公先生终成佳偶。小说情节紧奏，细节描写生动、鲜明，语言就像作者歌颂... ·《曼斯菲尔德庄园》 范妮是个出身贫寒的少女，10岁时被姨父母伯特伦爵士夫妇收养。在姨父母家，除了二表哥埃德蒙处处 呵护她外，受到众人的冷落，过着寄人篱下的日子。但她始终有颗温柔善良的心肠，辨是非，明大理。她坚 决抵制大表哥等人要在家里排演有伤大雅的情节剧，毫不动摇地顶住了纨绔子弟克劳福德的无理纠缠，始终 不渝地暗恋着埃德蒙，特别是在克劳福德小姐对埃德蒙“旧情复发”时，她告诫表哥不要被她的假象所迷惑，
Becoming Jane《成为简奥斯汀》英文观后感
Becoming a woman，becoming a legend "A woman especially if she has the misfortune of knowing anything, should conceal it as well as she can." ――Jane Austen The movie, Becoming Jane, fabricates a character, the hero Tom Lefroy, to show us audience Jane Austen’s romance. It ever or never happened in Jane’s life. Nevertheless undoubtedly, the movie is a successful one. We are all moved by Jane’s sense and sensibility. Jane completes a legend by her lifetime of becoming a great woman. There are many commentaries on the film―― Her own life is her greatest inspiration. Between Sense and Sensibility and Pride and Prejudice was a life worth writing about. No one can ignore Jane’s achievement. Six immortal works about romance leave us a deep impression on the importance of being together with our true love. Relatively, few people know Austen’s own romances. She never get married. I think many people would like to consider that Jane uses her life to memorize a love and explain her understanding about love. She insists. She believes a marriage without love will never be happy, and a love without money will never be real. According to the movie, the great novel, Pride and Prejudice, is based on Jane’s love story with Tom Lefroy. The arrogant and handsome hero in the fiction insinuates Tom who is just a practical lawyer. But Darcy is rich, independent, owning authority and position, while Tom relies on his uncle and has little money. At the same time, the beautiful, clever and a little extreme Elizabeth just insinuates Jane herself. Obviously, there is an insurmountable distance between the novel and the reality. In the Pride and Prejudice, Darcy and Elizabeth get together eventually. Yet Jane and Tom Lefroy can only be friends, not lovers. In my mind, Jane is trying to give herself and Tom a happy ending in her novel which will never come true in reality. What will we do when our dream is so different from the reality? To surrender or to surmount? Maybe there can be a few people protect their love to go through their life, like Jane Austen, and never betray their love. However, the courage is not owned by everyone. Too much affection and emotion need to be called to our mind and pondered over. A Jane will live our heart, bringing us an opportunity to share the legend.
成为简.奥斯汀读后感
“I can live by my pen”.，她说，语气是那样的坚定，无论家人朋友如何反对。 “Yes, but if our love destroys your family , it will destroy itself”,她对他说，虽然很很痛心，却不得不放弃。 ---题记 我从来都不知道自己会这样被一本书、一个故事所影响，应该说是动容。她对信念的坚持与不屈，对爱情的执着与体谅，让我无法从她的身影里离开回到现实。我开始思索，在那样的年代，那样的时代背景，她，一个贫穷人家的传统女性，到底是怎样冲破一切阻碍追求理想、追求幸福。看起来，似乎只有简自己清楚，那是一段怎样艰辛的路程，因为她的思想以及观念不同于世人。她叛逆，却有着温顺的一面，独立，却也寻求能够依赖之人，渴望幸福，却因为不忍而放弃所爱。那就是为什么她说，一个人的地位完全可以取决其他因素，至于财富，一个年轻女子，应该靠她自己去取得；但是对你的爱如果会毁了你的家庭，我宁愿不爱。 她表面看来风平浪静，但是内心波涛汹涌。面对现实的压迫，她想到的不是屈服而是反抗。写小说，她从不认为只有男子才能做到，就算没人赞同她，她仍旧努力朝着自己的目标前进。从不被人注意的篇章，到后来影响世界的傲慢与偏见，从不断受到讽刺的话语，到逐渐迎来赞扬的表彰，从默默无闻的写作，到身负盛名的形象，她用信念和行动告诉世人，女性也可以有自己的梦想并实现梦想。从她的身上，我第一次体会到，生命的价值应靠自己去获取，只要无惧困难，什么也抵挡不了朝前的脚步。 简是成功的，不仅仅是在写作方面，她的爱情故事一样叫人感动。在全家人都指望她嫁入豪门以充裕家底的时候，她坚决反对嫁给自己不爱的人，尽管这样的决定遭到所有人的不满。她与他的相遇让她感受到了从未有过的欣喜，虽然其中充斥了些许矛盾。从开始的针锋相对，到后来的心心相印；从最初的惊鸿一瞥，到淡然后的默默相视。从相恋，到分手，到私奔，再到最后的无奈放弃。为了他人的生活，她选择了独守，宁愿自己痛心，也不忍伤害朋友。“结婚从来就不只是两个人的事情，有些人，不得不依靠，有些事，不得不低头，然而，即使不能在一起，我们仍有残存的骄傲，永不妥协”，可知倔强的少女，倾心的，却是谈吐间不经意显露的智慧与正义感。两人的爱情就像是一幕美丽的悲剧，因为意外的结局更加感人。我们可以看到，那些青春年少时，尚可以激情相拥的冲动，暮然垂老时，却只能静默凝望的遗憾。一波三折的感情，假装风流的绅士，
简奥斯汀小说中的反讽艺术
Irony in Jane Austen’s Novels by ****** December, 2009 *************
Abstract Irony is an important feature of Jane Austen‘s Novels, and is also the cornerstone of creation. It is used in the expressing of theme, characterization and plot development vividly and incisively. And it has its own distinct characteristics. This thesis aims to discuss the classification of irony, the use of irony in Jane Austen‘s novels and function of irony from three aspects, namely the expressing of theme, characterization and plot development. Irony in Jane Austen‘s novels is more than a stylistic device. Jane Austen criticizes the money-oriented attitude to life and marriage by use of irony. Key words: Jane Austen, Irony, Verbal Irony, Situational Irony, Structural Irony, Model Irony
中外名著经典语录
中外名著经典语录 1、即使整个世界恨你，并且相信你很坏，只要你自己问心无愧，知道你是清白的，你就不会没有朋友。——勃朗特《简爱》 2、当你为什么东西付出过劳动时，你就会爱上它的。——玛格丽特·米切尔《飘》 3、被人揭下面具是一种失败，自己揭下面具却是一种胜利。——雨果《海上劳工》 4、小院初春，大雪压桔金线柳；寒生庾岭，狂现吹折玉梅花。——施耐庵《水浒传》 5、这是一个颠倒混乱的时代，唉，倒霉的我却要负起重整乾坤的责任！——莎士比亚《哈姆雷特》 6、季莫欣上尉那因为受团长批评已弯下来的身子立刻又挺得笔直了，直的假如总司令再多瞧他几分钟的话就或许支持不住了。——列夫·托尔斯泰《**与和平》 7、最孤独的时刻，每个人的生活中，当他们观看整个世界崩溃，和所有他们能做的就是眼神茫然。——菲茨杰拉德《了不起的盖茨比》
8、其为质则金玉不足喻其贵，其为性则冰雪不足喻其洁，其为神则星日不足喻其精，其为貌则花月不足喻其色。——曹雪芹《红楼梦》 9、恰三春好处无人见。不堤防沉鱼落雁鸟惊喧，则怕的羞花闭月花愁颤。——汤显祖《牡丹亭》 10、一个不成熟男子的标志是他愿意为某种事业英勇地死去，一个成熟男子的标志是他愿意为某种事业卑贱地活着。——J·D·塞林格《麦田里的守望者》 11、我所居兮，田埂之峰；我所游兮，鸿蒙太空；我所逝兮，吾谁与从；渺渺茫兮，归彼大荒。——曹雪芹《红楼梦》 12、情不知所起，一往而深，情深之所至，人生而可以死，死而可以生。——汤显祖《牡丹亭》 13、生活好比旅行，理想是旅行的路线，失去了路线，只好停止前进。——雨果《海上劳工》 14、从恋爱到白头偕老，好比一串葡萄，总有最好的一颗，最好的只有一颗，留着做希望，多么好？——钱钟书《围城》 15、你不管做什么事，如果做得太好了，一不警惕，就会在无意中卖弄起来。那样的话，你就不再那么好了。——J·D·塞林格《麦
经典台词 成为简奥斯丁
《成为简奥斯丁》Becoming a woman. Becoming a legend. —Affection is desirable, money is absolutely indispensable.—爱情 是值得追求的，金钱是不可或缺的。—Nothing destroys like poverty.—没有什么比贫穷更能摧毁意志的了。 —How can you have him? Even with his thousands and his houses, how can you, of all people, dispose of yourself without affection? How can I dispose of myself with it? You are leaving tomorrow.— 你怎么能接受他的求婚？就算他有万贯家财，你怎么能和其他人一样和不爱的人结婚？有了爱又怎么样？你明天就要走了。 —I have no money, no property, I am entirely dependent upon that bizarre old lunatic, my uncle. I cannot yet offer marriage, but you must know what I feel. Jane, I'm yours. Gah, I'm yours, I'm yours, heart and soul. Much good that is. Let me decide that.—我既没钱，又没房产，完全仰赖我那个古怪的疯子舅舅，我还不能像你求婚，但我要你明白我的心意。简，我是你的，我是你的，是你的，全心全意，也许不值一提。这让我来决定。 —What value will there be in life if we are not together? Run away with me.—如果我们不能在一起，生活还有什么意义？跟我私奔吧。
简奥斯汀经典语录(英文版)
Memorable Quotes and quotations from Jane Austen Jane Austen English novelist (1775 - 1817) Jane Austen - Northanger Abbey - But when a young lady is to be a heroine, the perverseness of forty surrounding families cannot prevent her. Something must and will happen to throw a hero in her way. Jane Austen - Northanger Abbey - Friendship is certainly the finest balm for the pangs of disappointed love. Jane Austen - Mansfield Park - Where any one body of educated men, of whatever denomination, are condemned indiscriminately, there must be a deficiency of information, or...of something else. Jane Austen - Emma - Oh! dear; I was so miserable! I am sure I must have been as white as my gown. Jane Austen - - Where so many hours have been spent in convincing myself that I am right, is there not some reason to fear I may be wrong? Jane Austen - from a letter to her niece, November 18, 1814 - Wisdom is better than wit, and in the long run will certainly have the laugh on her side. Jane Austen - - What dreadful hot weather we have! It keeps me in a continual state of inelegance. Jane Austen - - One half of the world can not understand the pleasures of the other. Jane Austen - Mansfield Park - Everybody likes to go their own way--to choose their own time and manner of devotion.
简奥斯汀&现实主义
简·奥斯汀（英语：Jane Austen，1775年12月16日－1817年7月18日），19世纪英国小说家，世界文学史上最具影响力的女性文学家之一，其最著名的作品是《傲慢与偏见》和《理智与情感》，以细致入微的观察和活泼风趣的文字著称。 Jane Austen (16 December 1775 – 18 July 1817) was an English novelist whose works of romantic fiction, set among the landed gentry, earned her a place as one of the most widely read writers in English literature. Her realism, biting irony and social commentary have gained her historical importance among scholars and critics.[1] Austen lived her entire life as part of a close-knit family located on the lower fringes of the English landed gentry.[2]She was educated primarily by her father and older brothers as well as through her own reading. The steadfast support of her family was critical to her development as a professional writer.[3]Her artistic apprenticeship lasted from her teenage years into her thirties. During this period, she experimented with various literary forms, including the epistolary novel which she then abandoned, and wrote and extensively revised three major novels and began a fourth.[B] From 1811 until 1816, with the release of Sense and Sensibility(1811), Pride and Prejudice(1813), Mansfield Park (1814) and Emma (1816), she achieved success as a published writer. She wrote two additional novels, Northanger Abbey and Persuasion, both published posthumously in 1818, and began a third, which was eventually titled Sanditon, but died before completing it. Austen's works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century realism.[4][C] Her plots, though fundamentally comic,[5]highlight the dependence of women on marriage to secure social standing and economic security.[6] Her work brought her little personal fame and only a few positive reviews during her lifetime, but the publication in 1869 of her nephew's A Memoir of Jane Austen introduced her to a wider public, and by the 1940s she had become widely accepted in academia as a great English writer. The second half of the 20th century saw a proliferation of Austen scholarship and the emergence of a Janeite fan culture. 简1775年生于英国汉普郡，双亲是George和Cassandra，她有六个哥哥和一个姐姐Cassandra，家境尚可，父亲是一名牧师。Further information: Timeline of Jane Austen Biographical information concerning Jane Austen is "famously scarce", according to one biographer.[7] Only some personal and family letters remain (by one estimate only 160 out of Austen's 3,000 letters are extant),[8] and her sister Cassandra (to whom most of the letters were originally addressed) burned "the greater part" of the ones she kept and
简·奥斯汀英文介绍
Most of us are familiar with Jane’s works such as sense and sensibility, pride and prejudice. But little do we know about Jane. Now I will give a brief introduction to Jane. Jane Austen, born on 16 December,1775,at the rectory in the village of Steventon , in Hampshire , is one of the best-known novelists in English literature. She was tutored mainly at home by her father and brothers . Due to her poor health,she died on July,18,1817. The language in her works is simple, witty and with quiet irony, which can strike a sympathetic chord in the hearts of its audiences .Her works are mostly about love and marriage in the view of woman . But during her 42 years’ life, she didn’t get married, which shows her belief that a marriage without love will never be happy. As is reflected in the film , she was an independent woman who endeavored to live by her pen instead of marrying a rich man . What makes me desire most is her reble spirit. People valued the propriety highly in that time. But Jane played cricket ball with the male, strolled around the fair and even eloped with her lover. She broke the boundary of propriety. In 18th century, people looked down upon female writing, it was said that to have a wife who has a mind is considered not quite proper . In spite of that , she insisted on writing ,and finally succeeded.