EG Test 2 Passage 1 阅读译文

EG Test 2 Passage 1 阅读译文
EG Test 2 Passage 1 阅读译文

A BAR AT THE FOLIES

女神游乐场的酒吧间

(Un bar auxfolies)

A One of the most critically renowned paintings of the19th-century modernist movement is the French painter Edouard Manet's masterwork,A Bar at the Folies.Originally belonging to the composer Emmanuel Chabrier, it is now in the possession of The Courtauld Gallery in London,where it has also become a favourite with the crowds.

《女神游乐场的酒吧间》是法国画家爱德华·马奈极为重要,最具声誉的作品之一,创作于19世纪现代主义运动期间。原本被作曲家埃马纽埃尔·夏布里埃所收藏,如今馆藏于伦敦考陶尔德画廊,深受参观者的喜爱。

B The painting is set late at night in a nineteenth-century Parisian nightclub.A barmaid stands alone behind her bar,fitted out in a black bodice that has a frilly white neckline,and with a spray of flowers sitting across her décolletage.She rests her hands on the bar and gazes out forlornly at a point just below the viewer,not quite making eye contact.Also on the bar are some bottles of liquor and a bowl of oranges, but much of the activity in the room takes place in the reflection of a mirror behind the barmaid.Through this mirror we see an auditorium, bustling with blurred figures and faces:men in top hats,a woman examining the scene below her through binoculars,another in long gloves,even the feet of a trapeze artist demonstrating acrobatic feats above his adoring crowd.In the foreground of the reflection a man with a thick moustache is talking with the barmaid.

画中的场景发生在19世纪巴黎的一间酒吧里。一位酒吧女侍独自站在吧台后,双手撑在吧台边,她身穿黑色的紧身衣和白色的领圈,镂空胸衣前别着花束,孤单凄凉地凝视着赏画者下方的某处,却不与对方目光相对。吧台上还有酒瓶和盛着橘子的敞口碗,但房间里更多的事物却是通过女郎背后的镜子所反映出来的。通过这面镜子我们可以模糊隐约的看到宴会厅内的人物和他们的神情:戴着大礼

帽的男子,用望远镜查看她眼下场景的女士,另一位则戴着长手套,甚至有一位荡秋千的杂耍表演者伸出双脚向围观喜爱他的观众示意。在镜像靠前的位置,一位留着小胡子的男士正在与这位女郎攀谈。

C Although the Folies(-Bergère)was an actual establishment in late nineteenth-century Paris,and the subject of the painting was a real barmaid who worked there,Manet did not attempt to recapture every detail of the bar in his rendition.The painting was largely completed in a private studio belonging to the painter,where the barmaid posed with a number of bottles,and this was then integrated with quick sketches the artist made at the Folies itself.

尽管“女神游乐厅”是真实存在于19世纪末巴黎的一间酒吧,而画中的主角也的确是在里面工作的女侍者,但马奈却并不想用自己的呈现方式还原真实中的细节。在画家的私人画室里,这位女郎在陈列好的酒瓶前摆出姿势,画家一次完成了这幅画作的很大一部分。随后马奈在“女神游乐厅”里完成了这个草图。

D Even more confounding than Manet's relaxed attention to detail, however,is the relationship in the painting between the activity in the mirrored reflection and that which we see in the unreflected foreground. In a similar vein to Diego Velazquez'much earlier work Las Meninas,Manet uses the mirror to toy with our ideas about which details are true to life and which are not.In the foreground,for example,the barmaid is positioned upright,her face betraying an expression of lonely detachment, yet in the mirrored reflection she appears to be leaning forward and to the side,apparently engaging in conversation with her moustachioed customer.As a result of this,the customer's stance is also altered.In the mirror,he should be blocked from view as a result of where the barmaid is standing,yet Manet has repositioned him to the side.The overall impact on the viewer is one of a dreamlike disjuncture between reality and illusion.

然而,相较于马奈对细节的处理,我们却对于画中的镜像事物和我们实际看到的非镜像近景的关系十分困惑。出自于迪亚哥·委拉斯盖兹的作品《宫女》创作时

间更早,创作风格相似。马奈利用镜子给在思考区分实景还是虚景细节的我们开了一个玩笑。这位女郎凝望着自己的垂直方向,流露出孤单冷感的表情,但在镜子中的她身子正往前倾,靠到一边,正在与小胡子顾客交谈。这样导致的结果是,这位顾客的姿态也有所不同。在镜子里,如果女郎这样站立,那么他会被挡住不会出现,然而马奈重新调整了他的姿势,使他出现在边上。这给人们带来了一种置于现实与错觉之间如梦似幻的朦胧分离感。

E Why would Manet engage in such deceit?Perhaps for that very reason: to depict two different states of mind or emotion.Manet seems to be conveying his understanding of the modern workplace,a place-from his perspective-of alienation,where workers felt torn from their'true' selves and forced to assume an artificial working identity.What we see in the mirrored reflection is the barmaid's working self,busy serving a customer.The front-on view,however,bears witness to how the barmaid truly feels at work:hopeless,adrift,and alone.

马奈为什么进行这样的“欺骗”呢?也许是因为他想呈现出思想与情感的两种不同状态。马奈似乎在表达他对现代工作场所的理解。对他而言,这是一个疏远孤立之地,工作者们从真我中剥离,被强迫套上虚伪的工作身份。我们从镜子映照出的内容中看到这位女郎忙于为客人服务,但近景却能看出她在工作中的真实状态:无望,茫然,孤独。

F Ever since its debut at the Paris Salon of1882,art historians have produced reams of books and journal articles disputing the positioning of the barmaid and patron in A Bar at the Folies.Some have even conducted staged representations of the painting in order to ascertain whether Manet's seemingly distorted point of view might have been possible after all.Yet while academics are understandably drawn to the compositional enigma of the painting,the layperson is always likely to see the much simpler,more human story beneath.No doubt this is the way Manet would have wanted it.

从1882年《女神游乐场的酒吧间》首次亮相巴黎沙龙后,艺术史学家们不断著书立刊讨论为画中女郎和顾客的站位争论不休。一些学者甚至将情景再现以确认

马奈扭曲的画中视角是否有成立的可能性。但当专家学者们还一心想要揭晓组合在画中的谜底时,外行人似乎以更人性的角度想得更加简单。毫无疑问,这才是马奈所希望看到的。

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Unit 1 Johnny the Explorer 约翰尼探险家 Johnny was three when he ran away from home for the first time. Somebody left the garden gate open. Johnny wandered out, crossed some fields, and two hours later, arrived in the next village. He was just able to give his name and address. 当约翰尼第一次离家出走时,他只有 3岁。有些人的花园门口敞开着。约翰尼越过这些地段就漫步出去了,接着 2个小时后,他到了下一个村子。他只能说出他的名字和地址。 By the time he was seven, Johnny used to vanish from home two to three times a year. Sometimes he covered quite long distances on foot. On other occasions he got on a bus or even a train, and simply sat there until someone asked for his ticket. Generally the police brought him home. "Why do you do it?" they used to ask. "You aren't unhappy at home, are you? .... " "Of course not," Johnny replied. "Then why?" "I just like seeing places," Johnny told them. 等到他 7岁的以后,约翰尼经常离家出走,一年内有两到三次。有时他步行到很远的地方。其他时候,他通常坐公共汽车或甚至坐火车外出,并朴素地坐在里面直到有人来买票。通常警察来带他回家。“为什么你要离家出走?” 警察们问他,“你在家里是幸福的,不是吗? .... ”“当然不是不幸福,”约翰尼回答道。“那是为什么呢?”“我只是喜欢外出探险, ”约翰尼告诉他们。 Johnny continued to "see places" although everyone tried to stop him. His parents used to watch him closely, and so did his teachers; but sooner or later Johnny managed to slip away. As he grew older, his favorite trick was to hide on a long distance truck. Sometimes he used to travel hundreds of miles before anyone discovered him.

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1.A strange thing happens to nearly everybody at night(英语阅读理解) A strange thing happens to nearly everybody at night. They turn off the lights, pull up the covers and close their eyes. Six or seven sleeping hours later, they wake up again. Strange, isn't it? 一个奇怪的事情发生在几乎每个人身上,并且都在晚上。他们关上灯,拉上了窗帘和闭上他们的眼睛。六或七小时的睡眠后,他们再次醒来。奇怪,不是吗? Sleep is a great puzzle. Scientists and doctors would like to talk about why one can't fall asleep. They are not so sure what causes sleep. 睡眠是一个伟大的谜。科学家和医生谈谈为什么不能入睡。他们不知道什么是睡眠的原因。 You will sleep best both when you are in good health and when you don't eat too much or too little. No worries and a comfortable place to sleep are important, too.你会睡得最好当你身体健康时,你不要吃太多或太少。不用担心,一个舒适的睡眠环境是重要的。 Strange things happen during sleep. For example, you often move. You would feel tired ever if you didn't move. You also dream. Part of your brain is still awake when you dream. Dreaming happens when the memory and imagination parts of your brain are still awake. 奇怪的事情发生在睡眠期间。例如,你经常搬家。你会觉得累,如果你没有动。你也做梦。你大脑的一部分仍然是清醒的时候,您也做梦。做梦时发生的记忆和想象的部分你的大脑仍然清醒。 Don't worry if you dream. Some great stories and poems were finished while the writers were dreaming. 别担心,如果你有梦想。一些伟大的故事和诗歌的作家会完成梦想。 根据短文内容,判断下列句子正(T)、误( F) 。 1. A strange thing happens to only someone at night.T 2. Scientists and doctors are both sure what causes people's sleep.F 3. When you are in good health, you can sleep very well at night.T 4. The writer means that some dreams are good for people.T 5. If you eat too much or too little before sleep, you won't sleep well.T 2. At the Barber's Shop 在理发店 Jack went to a barber's shop and had his hair cut, but when he came out, he 杰克去一家理发店剪了头发,但是当他出来时,他 was not happy with the result. When his friend Bob saw him, he laughed 是不满意的结果。当他的朋友鲍波看到他时,他笑了 and said, "What has happened to your hair,Jack?" 说,“你的头发怎么了,杰克?” Jack said, "I tried a new barber's shop today, because I wasn't quite satisfied 杰克说,“我今天尝试了新的理发店,因为我不是很满意 with my old one, but this one seems even worse." 旧的,但是这一次似乎更差。” Bob agreed. "Yes, I think you're right, Jack. Now I'll tell you what 他同意了。”是的,我想你是对的,杰克。现在我要告诉你 to do when you go into a barber's shop next time: look at all the barber's hair, 做的时候,你走进一家理发店下时间:看所有理发师的头发, find out whose hair looks worst, and then go straight to him."

研究生英语阅读教程翻译8-11

Lesson 8 IV. Translation Put the following into Chinese. 1. Every war has had its songs that whipped up patriotic fervor or, in the case of the Vietnam War that encouraged protest against it. 每场战争都有自己的歌曲来唤起人们的爱国热情或者如在越南战争中鼓励人们反战。 2. The idea is to take a song that people like or that has particular meaning or emotional association for them and use it with new words, hoping that some of the liking, meaning, or emotional associations will transfer to the new ideas being communicated. And it often works. 改词是把一首人们喜爱或者对他们具有特殊意义或感情色彩的歌曲填上新词,希望把这种喜爱、意义或感情色彩带到正在传播的新观念中。通常这种方法很奏效。 3 As a result, a number of community and national groups have applied pressure on stations to keep these songs and performers off the air. These charges also stimulated investigations by the Federal Communications Commission, the regulatory agency charged with overseeing broadcast practices. 结果一些社团和全国性团体向电台或电视台施加压力让他们禁播这些演员的节目。这些指控也促使负责广播业的监管机构联邦通讯委员会开始进行调查。 4. Does it mean a station should permit no language or ideas in a song that it would not permit on the news or in a sports program? Or does it mean the station should recognize that different forms of communication or entertainment, or programs designed for different kinds of audiences, should have different standards concerning language and ideas? 这是否意味着在广播电台或电视台播放的歌曲中不允许出现那些在新闻或体育节目中禁止出现的语言和观念?或者这是否意味着电台或电视台应该承认不同的交流或娱乐形式,或是为不同听众设计的节目,在语言和观念上应该具有不同的标准? 5. One author has suggested that popular music also serves a "rite of passage" function for young girls. The teenage singing idols may serve as non-threatening substitutes for actual boys until boys' maturation catches up with that of girls and some semblance of easy boy-girl relationships can be established. 一位作者指出流行音乐也成了女孩子们成熟的标志。在同龄男孩子成长为像女孩子那样成熟并能较容易地与女孩子建立朋友关系之前,少年歌星可能会成为不会对女孩子形成威胁的男友的替身。 V. Oral Practice and Discussion 1. How was music used during World War II and during the Vietnam War? 2. Describe peacetime uses of music. 3. List the major effects and functions of music. 4. Identify the basic issues in the FCC regulatory position. 5. What problems do you foresee in the development of record labeling plans? 6. Adaptation of popular or favorite songs is a persuasive tactic. Where is this technique used today? Cite several examples. (Hint: Advertising commercials) 7. If music shapes our perceptions and attitudes, then, should we be forced to listen to music in public places such as restaurants and shopping malls? 8. Are there other effects of music not included in this article?

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