100部经典英文电影资料

100部经典英文电影资料
100部经典英文电影资料

100部经典英文电影

1、《教父》TheGodfather

2、《肖申克的救赎》TheShawshankRedemption

3《辛德勒的名单》Schindler'sList

4、《公民凯恩》CitizenKane

6、《教父续集》TheGodfather:PartII

7、《七武士》Shichininnosamurai

8、《星球大战》StarWars

9、《美国美人》AmericanBeauty

10、《飞跃疯人院》OneFlewOvertheCuckoo'sNest

11、《奇爱博士》r.Strangelove

12、《卧虎藏龙》Wohuzanglong

13、《后窗》RearWindow

14、《夺宝奇兵》RaidersoftheLostArk

15、《非常嫌疑犯》TheUsualSuspects

16、《精神病患者》Psycho

17、《星球大战之帝国反击战》TheEmpireStrikesBack

19、《记忆碎片》Memento

20、《西北偏北》NorthbyNorthwest

21、《沉默的羔羊》TheSilenceoftheLambs

22、《风云人物》It'saWonderfulLife

23、《好家伙》Goodfellas

24、《拯救大兵瑞恩》SavingPrivateRyan

25、《阿拉伯的劳伦斯》LawrenceofArabia

26、《十二怒汉》12AngryMen

27、《光荣之路》PathsofGlory

28、《杀死一只知更鸟》ToKillaMockingbird

29、《可诅咒的人》

30、《眩晕》Vertigo

31、《出租汽车司机》TaxiDriver

32、《第三个人》TheThirdMan

33、《洛城机密》L.A.Confidential

34、《美丽人生》LaVitaèbella

35、《日落大道》SunsetBlvd.

36、《玩具总动员2》ToyStory

37、《马耳他之鹰》TheMalteseFalcon

38、《灵异第六感》TheSixthSense

39、《搏击会》FightClub

40、《骇客帝国》TheMatrix

41、《潜艇风暴》DasBoot

42、《彗星美人》AllAboutEve

43、《愤怒的公牛》RaggingBull

44、《善、恶、丑》IlBuono,ilbrutto,ilcattivo

45、《雨中曲》Singin'intheRain

46、《唐人街》Chinatown

47、《超级无敌掌门狗之剃刀边缘》Wallace&Gromit:TheWrongTrousers

48、《绿野仙踪》TheWizardofOz

49、《现代启示录》ApocalypseNow

50、《热情似火》SomeLikeItHot

51、《桂河大桥》TheBridgeontheRiverKwai

52、《毒品网络》Traffic

53、《格林奇偷走圣诞节》HowtheGrinchStoleChristmas!(

54、《罗生门》Rashomon

55、《双重保险》DoubleIndemnity

56、《2001太空漫游》2001:ASpaceOdyssey

57、《邪恶的接触》TouchOfEvil

58、《将军号》TheGeneral

59、《成名在望》AlmostFamous

60、《美国X历史》AmericanHistoryX

61、《满州候选人》TheManchurianCandidate

62、《碧血金沙》TheTreasureoftheSierraMadre

63、《乱》Ran

64、《发条橘子》AClockworkOrange

65、《巨蟒与圣杯》MontyPythonandtheHolyGrail

66、《傀儡人生》BeingJohnMalkovich

67、《城市之光》CityLight

68、《疾走罗拉》Lolarennt

69、《史密斯先生到华盛顿》Mr.SmithGoestoWashington

70、《异形》Alien

71、《落水狗》ReservoirDogs

72、《勇敢的心》Braveheart

73、《冰血暴》Fargo

74、《梦之安魂曲》RequiemforaDream

75、《摩登时代》ModernTimes

76、《西部往事》C'eraunavoltailWest

77、《绿色奇迹》TheGreenMile

78、《莫扎特传》Amadeus

79、《银翼杀手》BladeRunner

80、《偷自行车的人》Ladridibiciclette

81、《骗中骗》TheSting

82、《大白鲨》Jaws

83、《鸭汤》DuckSoup

84、《岸上风云》OnTheWaterfront

85、《杀手莱昂》Léon

86、《七宗罪》Se7en

87、《那一个晚上》Festen

88、《木兰》Magnolia

89、《安妮·霍尔》AnnieHall

90、《傲慢与偏见》PrideandPrejudice

91、《斯特莱特的故事》TheStraightStory

92、《内幕新闻》TheInsider

93、《用心棒》Yojimbo又名保镖

94、《大逃亡》TheGreatEscape

95、《角斗士》Gladiator

96、《异形II》Aliens

97、《非洲皇后》TheAfricaQueen

98、《幽灵公主》MononokeHime

99、《火车怪客》StrangersonaTrain

100、《第七封印》DetSjundeinseglet

历年奥斯卡获奖最佳影片目录(1927—2013)

第1届奥斯卡(1927-1928年度)最佳影片:翼Wings

第2届奥斯卡(1928-1929年度)最佳影片:百老汇的旋律/红伶秘史The Broadway Melody 第3届奥斯卡(1929-1930年度)最佳影片:西线无战事All Quiet on the Western Front

第4届奥斯卡(1930-1931年度)最佳影片:壮志千秋Cimarron

第5届奥斯卡(1931-1932年度)最佳影片:大饭店Grand Hotel

第6届奥斯卡(1932-1933年度)最佳影片:乱世春秋Cavalcade

第7届奥斯卡(1933-1934年度)最佳影片:一夜风流It Happened One Night

第8届奥斯卡(1935-1936年度)最佳影片:叛舰喋血记Mutiny on the Bounty

第9届奥斯卡(1936-1937年度)最佳影片:歌舞大王齐格飞The Great Ziegfeld

第10届奥斯卡(1937-1938年度)最佳影片:左拉传The Life of Emile Zola

第11届奥斯卡(1938-1939年度)最佳影片:浮生若梦You Can't Take It with You

第12届奥斯卡(1939-1940年度)最佳影片:乱世佳人Gone with the Wind

第13届奥斯卡(1940-1941年度)最佳影片:蝴蝶梦Rebecca

第14届奥斯卡(1941-1942年度)最佳影片:翡翠谷How Green Was My Valley

第15届奥斯卡(1942-1943年度)最佳影片:忠勇之家Mrs. Miniver

第16届奥斯卡(1943-1944年度)最佳影片:卡萨布兰卡Casablanca

第17届奥斯卡(1944-1945年度)最佳影片:与我同行Going My Way

第18届奥斯卡(1945-1946年度)最佳影片:失去的周未The Lost Weekend

第19届奥斯卡(1946-1947年度)最佳影片:黄金时代The Best Years of Our Lives

第20届奥斯卡(1947-1948年度)最佳影片:君子协定Gentleman's Agreement

第21届奥斯卡(1948-1949年度)最佳影片:哈姆雷特Hamlet

第22届奥斯卡(1949-1950年度)最佳影片:国王的弄臣All the King's Men

第23届奥斯卡(1950-1951年度)最佳影片:彗星美人All About Eve

第24届奥斯卡(1951-1952年度)最佳影片:一个美国人在巴黎American in Paris, An

第25届奥斯卡(1952-1953年度)最佳影片:戏王之王The Greatest Show on Eart

第26届奥斯卡(1953-1954年度)最佳影片:乱世忠魂From Here to Eternity

第27届奥斯卡(1954-1955年度)最佳影片:码头风云On the Waterfront

第28届奥斯卡(1955-1956年度)最佳影片:马蒂Marty

第29届奥斯卡(1956-1957年度)最佳影片:环游地球八十天Around the World in Eighty Days 第30届奥斯卡(1957-1958年度)最佳影片:桂河大桥The Bridge on the River Kwai

第31届奥斯卡(1958-1959年度)最佳影片:金粉世界Gigi

第32届奥斯卡(1959-1960年度)最佳影片:宾虚Ben-Hur

第33届奥斯卡(1960-1961年度)最佳影片:桃色公寓The Apartment

第34届奥斯卡(1961-1962年度)最佳影片:西区故事West Side Story

第35届奥斯卡(1962-1963年度)最佳影片:阿拉伯的劳伦斯Lawrence of Arabia

第36届奥斯卡(1963-1964年度)最佳影片:汤姆琼斯Tom Jones

第37届奥斯卡(1964-1965年度)最佳影片:窈窕淑女My Fair Lady

第38届奥斯卡(1965-1966年度)最佳影片:音乐之声The Sound of Music

第39届奥斯卡(1966-1967年度)最佳影片:四季之人 A Man for All Seasons

第40届奥斯卡(1967-1968年度)最佳影片:炎热的夜晚In the Heat of the Night

第41届奥斯卡(1968-1969年度)最佳影片:雾都孤儿Oliver!

第42届奥斯卡(1969-1970年度)最佳影片:午夜牛郎Midnight Cowboy

第43届奥斯卡(1970-1971年度)最佳影片:巴顿将军Patton

第44届奥斯卡(1971-1972年度)最佳影片:法国贩毒网The French Connection

第45届奥斯卡(1972-1973年度)最佳影片:教父The Godfather

第46届奥斯卡(1973-1974年度)最佳影片:骗中骗The Sting

第47届奥斯卡(1974-1975年度)最佳影片:教父 2 The Godfather: Part II

第48届奥斯卡(1975-1976年度)最佳影片:飞越疯人院One Flew Over the Cuckoo's Nest 第49届奥斯卡(1976-1977年度)最佳影片:洛奇Rocky

第50届奥斯卡(1977-1978年度)最佳影片:安妮·霍尔Annie Hall

第51届奥斯卡(1978-1979年度)最佳影片:猎鹿人The Deer Hunter

第52届奥斯卡(1979-1980年度)最佳影片:克莱默夫妇Kramer vs. Kramer

第53届奥斯卡(1980-1981年度)最佳影片:普通人Ordinary People

第54届奥斯卡(1981-1982年度)最佳影片:火的战车Chariots of Fire

第55届奥斯卡(1982-1983年度)最佳影片:甘地传Gandhi

第56届奥斯卡(1983-1984年度)最佳影片:母女情深Terms of Endearment

第57届奥斯卡(1984-1985年度)最佳影片:莫扎特Amadeus

第58届奥斯卡(1985-1986年度)最佳影片:走出非洲Out of Africa

第59届奥斯卡(1986-1987年度)最佳影片:野战排Platoon

第60届奥斯卡(1987-1988年度)最佳影片:末代皇帝The Last Emperor

第61届奥斯卡(1988-1989年度)最佳影片:雨人Rain Man

第62届奥斯卡(1989-1990年度)最佳影片:为戴茜小姐开车Driving Miss Daisy

第63届奥斯卡(1990-1991年度)最佳影片:与狼共舞Dances with Wolves

第64届奥斯卡(1991-1992年度)最佳影片:沉默的羔羊The Silence of the Lambs

第65届奥斯卡(1992-1993年度)最佳影片:不可饶恕Unforgiven

第66届奥斯卡(1993-1994年度)最佳影片:辛德勒的名单Schindler's List

第67届奥斯卡(1994-1995年度)最佳影片:阿甘正传Forrest Gump

第68届奥斯卡(1995-1996年度)最佳影片:勇敢的心Braveheart

第69届奥斯卡(1996-1997年度)最佳影片:英国病人The English Patient

第70届奥斯卡(1997-1998年度)最佳影片:泰坦尼克号Titanic

第71届奥斯卡(1998-1999年度)最佳影片:莎翁情史Shakespeare in Love

第72届奥斯卡(1999-2000年度)最佳影片:美国丽人American Beauty

第73届奥斯卡(2000-2001年度)最佳影片:角斗士Gladiator

第74届奥斯卡(2001-2002年度)最佳影片:美丽心灵 A Beautiful Mind

第75届奥斯卡(2002-2003年度)最佳影片:芝加哥Chicago

第76届奥斯卡(2003-2004年度)最佳影片:指环王3 王者归来The Load of the Rings: the Return of the King

第77届奥斯卡(2004-2005年度)最佳影片:百万美元宝贝Million dollar baby

第78届奥斯卡(2005-2006年度)最佳影片:撞车Crash

第79届奥斯卡(2006-2007年度)最佳影片:《无间道风云》(《无间行者》)The Departed 第80届奥斯卡(2007-2008年度)最佳影片:《老无所依》(No Country for Old Men)

第81届奥斯卡(2008-2009年度)最佳影片:《贫民窟的百万富翁》(《福克斯探照灯》)(Slumdog Millionaire)

第82届奥斯卡(2009-2010年)最佳影片:《拆弹部队》The Hurt Locker

第83届奥斯卡(2010-2011年)最佳影片:《国王的演讲》(The King's Speech)第84届奥斯卡(2011-2012年)最佳影片:《艺术家》(The Artist)

第85届奥斯卡(2012-2013年)最佳影片:《逃离德黑兰》(Argo)

100部经典电影推荐

全球电影史上100部经典电影推荐 1、《教父》The Godfather 1972年科波拉黑帮经典《教父》的首部,派拉蒙公司最成功的影片之一,坐稳IMDB头把交椅应属众望所归。虽然评论界一致对《教父》系列的第2集推崇有佳,但大多数影迷似乎还是对《教父》情有独钟,这可能与马龙·白兰度极具个人魅力的表演有关,直到今天他那种含糊沙哑的声音与神秘莫测的表情都依然叫人着迷。 2、《肖申克的救赎》The Shawshank Redemption 1994年这部被称为《刺激1995》的影片在中国影迷间也有极好的口碑,可见电影超越国界的神奇之处。 3、《辛德勒的名单》Schindler’s List 1993年斯皮尔伯格在《大白鲨》、《夺宝奇兵》、《外星人》、《紫色》四次与奥斯卡失之交臂后,终于在辛德勒和无数犹太难民的帮助下捧得金像。 4、《公民凯恩》Citizen Kane 1941年无需多言的电影里程碑,神童奥逊·威尔斯可一不可再的惊世之作。 5、《卡萨布兰卡》Casablanca 1942年永远的《北非谍影》,永远的英格丽·褒曼 6、《教父续集》The Godfather: Part II 1974年《教父续集》中科里昂尼家族兴起的历史与麦克血腥的奋斗形成了完美的对仗,这种平行蒙太奇的运用深得评论界的赏识,此片的成功也巩固了艾尔·帕西诺和罗伯特·德尼罗两位意裔影帝的地位。 7、《七武士》Shichinin no samurai 1954年这可能不是大师黑泽明最出色的作品,但确实是他最好看的作品,它对世界电影的影响早已不是一个简单的东方武侠故事。 8、《星球大战》Star Wars 1977年对每个出生于50到70年代的美国人而言,他们几乎都喜欢被人被称作"Star Wars Generation"(《星球大战》的一代),星战系列应该是拥有影迷人数最多的系列电影了,还记得99年推出《星战前传》时掀起的狂潮么? 9、《美国美人》American Beauty 1999年这部电影能入选到TOP10有点叫人惊讶,美国特有的中产阶级影片。 10、《飞跃疯人院》One Flew Over the Cuckoo’s Nest 1975年米洛斯·福尔曼和杰克·尼克尔森两人共同的颠峰,一堂影视表演的必修课。 11、《奇爱博士》r.Strangelove 1964年库布里克讽刺冷战的黑色幽默经典,"未来三部曲"的首部,对一个没有那段历史经历的中国观众而言,此片未必会得到这样的高分。 12、《卧虎藏龙》Wo hu zang long 2000年李安真的拍了部了不起的电影。 13、《后窗》Rear Window 1954年8.6 希区柯克的经典,詹姆斯·斯图尔特和格蕾丝·凯莉的搭配就如同现今布拉德·彼特和朱丽娅·罗伯茨合作一样抢眼。

Journey to the Center of the Earth(地心游记)2008经典电影英文影评

Journey to the Center of the Earth(地心游记)2008 There is a part of me that will always have affection for a movie like "Journey to the Center of the Earth." It is a small part and steadily shrinking, but once I put on the 3-D glasses and settled in my seat, it started perking up. This is a fairly bad movie, and yet at the same time maybe about as good as it could be. There may not be an 8-year-old alive who would not love it. If I had seen it when I was 8, I would have remembered it with deep affection for all these years, until I saw it again and realized how little I really knew at that age. You are already familiar with the premise, that there is another land inside of our globe. You are familiar because the Jules Verne novel has inspired more than a dozen movies and countless TV productions, including a series, and has been ripped off by such as Edgar Rice Burroughs, who called it Pellucidar, and imagined that the Earth was hollow and there was another world on the inside surface. (You didn't ask, but yes, I own a copy of Tarzan at the Earth's Core with the original dust jacket.) In this version, Brendan Fraser stars as a geologist named Trevor, who defends the memory of his late brother, Max, who believed the center of the Earth could be reached through "volcanic tubes." Max disappeared on a mysterious expedition, which, if it involved volcanic tubes, should have been no surprise to him. Now Trevor has been asked to spend some time with his nephew, Max's son, who is named Sean (Josh Hutcherson). What with one thing and another, wouldn't you know they find themselves in Iceland, and peering down a volcanic tube. They are joined in this enterprise by Hannah (Anita Briem), who they find living in Max's former research headquarters near the volcano he was investigating. Now begins a series of adventures, in which the operative principle is: No matter how frequently or how far they fall, they will land without injury. They fall very frequently, and very far. The first drop lands them at the bottom of a deep cave, from which they cannot possibly climb, but they remain remarkably optimistic: "There must be a way out of here!" Sure enough, they find an abandoned mine shaft and climb aboard three cars of its miniature railway for a scene that will make you swear the filmmakers must have seen "Indiana Jones and the Temple of Doom." Just like in that movie, they hurtle down the tracks at breakneck speeds; they're in three cars, on three more or less parallel tracks, leading you to wonder why three parallel tracks were constructed at great expense and bother, but just when such questions are forming, they have to (1) leap a chasm, (2) jump from one car to another, and (3) crash. It's a funny thing about that little railway: After all these years, it still has lamps hanging over the rails, and the electricity is still on. The problem of lighting an unlit world is solved in the next cave they enter, which is inhabited by cute little birds that glow in the dark. One of them makes friends with Sean, and leads them on to the big attraction -- a world bounded by a great interior sea. This world must be a terrible place to inhabit; it has man-eating and man-strangling plants, its waters harbor giant-fanged fish and fearsome sea snakes that eat them, and on the further shore is a Tyrannosaurus rex. So do the characters despair? Would you despair, if you were trapped miles below the surface in a cave and being chased by its hungry inhabitants? Of course not. There isn't a moment in the movie when anyone seems frightened, not even during a fall straight down for thousands of feet, during which they link hands like sky-divers and carry on a conversation. Trevor gets the ball rolling: "We're still falling!" I mentioned 3-D glasses earlier in the review. Yes, the movie is available in 3-D in "selected theaters." Select those theaters to avoid. With a few exceptions (such as the authentic IMAX process), 3-D remains underwhelming to me -- a distraction, a disappointment and more often than not offering a dingy picture. I guess setting your story inside the Earth is one way to explain why it always seems to need more lighting. The movie is being shown in 2-D in most theaters, and that's how I wish I had seen it. Since there's that part of me with a certain weakness for movies like this, it's possible I would have liked it more. It would have looked brighter and clearer, and the photography wouldn't have been cluttered up with all the leaping and gnashing of teeth. Then I could have appreciated the work of the plucky actors, who do a lot of things right in this movie, of which the most heroic is keeping a straight face. 1

英文电影中的经典对白

英文电影中的经典对白 有一种鸟是永远也关不住的,因为它的每片羽翼上都沾满了自由的光辉! these walls arekind of funny like that. first you hate them, then you get used to them. enoughtime passed, get so you depend on them. that s institutionalizing. 刚入狱的时候,你痛恨周围的高墙;慢慢的,你习惯生活在其中;最终你会发现自己不得不依靠它而生存.那就是体制化.every man s got a breaking point. 每个人的忍耐都会有限度的.fear can hold you prisoner,hope can set youfree. 怯懦囚禁灵魂,希望还你自由.red: there s not a day goes by i don t feelregret. not because i m in here, or because you think i should. i look back onthe way i was then, a young, stupid kid who committed that terrible crime. iwant to talk to him. i want to try and talk some sense to him, tell him the waythings are. but i can t. that kid s long gone and this old man is all that sleft. i got to live with that. rehabilitated? it s just a bullshit word. so yougo on and stump your form, sonny, and stop wasting my time. because to tell youthe truth,i don t give a shit. red:我无时无刻不对自己的所作所为深感内疚,这不是因为我在这里(监狱),也不是讨好你们(假释官).回首曾经走过的弯路,我多么想对那个犯下重罪的愚蠢的年轻人说些什么,告诉他我现在的感受,告诉他还可以有其他的方式解决问题.可是,我做不到了.那个年轻人早已淹没在岁月的长河里,只留下一个老人孤独地面对过去.重新做人?骗人罢了!小子,别再浪费我的时间了,盖你的章吧,说实话,我不在乎.prison life consists of routine, and then moreroutine. 监狱生活充满了一段又一段的例行公事. 10.i find i m so excited. i can barely sit stillor hold a thought in my head. i think it the excitement only a free man canfeel, a free man at the start of a long journey whose conclusion is uncertain.i hope i can make it across the border. i hope to see my friend, and shake hishand. i hope the pacific is as blue as it has been in my dreams. i hope. 我发现自己是如此的激动,以至于不能安坐或思考.我想只有那些重获自由即将踏上新征程的人们才能感受到这种即将揭开未来神秘面纱 的激动心情.我希望跨越边境,与朋友相见握手.我希望太平洋的海水如同梦中一样的蓝.我希望.

五十九部精典电影对白全部英汉对照

《燃情岁月》Legend of the Fall 《美丽心灵》A Beautiful Mind 《早餐俱乐部》The Breakfast Club 《骄阳似我》Good Will Hunting 《几乎成名》Almost Famous (感兴趣摇滚乐的同学可以找来一看) 《日落之前》Before Sunset (a very smart movie,女主角的英语有点法国味儿) 《阿甘正传》Forrest Gump (发音就别从这里学了) 《我的盛大希腊婚礼》My Big Fat Greek Wedding (很有意思的文化冲突) 《大河恋》A River Runs Through it 《西雅图不眠夜》Sleepless in Seattle 《后妈》(又名《亲亲小妈》)Step Mother 《谈谈情跳跳舞》Shall We Dance 《似是故人来》Sommersby (美国南方口音,了解一下,关键是故事很感人,呵呵) 《当哈里遇见萨莉》When Harry Met Sally 《漂亮女人》Pretty Women 《爱情十日谈》How to Lose a Guy in Ten Days 《爱是妥协》Something's Gotta Give 《天使之城》City of Angel 《时尚女魔头》The Devil Wears Prada 《公主新娘》The Princess Bride 《卡萨布兰卡》Casablanca 《魂断蓝桥》Waterloo Bridge 语言相对较简单:《南极大冒险》Eight Below 《小鬼当家》Home Alone 《公主日记》The Princess Diaries 动画片: 《海底总动员》Finding Nemo 《鲨鱼黑帮》Shark Tale 《怪物史莱克》Shrek 《花木兰》Mulan 《美女与野兽》Beauty and Beast 《冰河世纪》Ice age 《熊的传说》Brother Bear 连续剧: Friends Gilmore girls(我的最爱,哈哈,中译:《吉尔摩女孩》,语速较快,文化背景较深。适合听力口语水平较高,同时对西方文化较了解的同学观看。) the Apprentice 英式发音: 《真爱至上》love actually 《傲慢与偏见》新版Pride and Prejudice 《BJ单身日记》 《英国病人》English Patient 《面纱》The Painted V eil 励志(学习男主人公永不放弃的精神): 《肖申克的救赎》Shawshank Redemption 《当幸福来敲门》The Pursuit of Happiness <中青网> 美国电影学会于近日评选出了美国电影中的一百句最佳台词,《乱世佳人》的克拉克-盖博口中的“坦白说,亲爱的,我一点也不在乎”荣膺榜首。 评选结果的影片涵盖面十分广泛,最早的可以追溯到1927年的第一步有声片《爵士歌手》,最近的则是2002年的《指环王之双塔骑兵》。其中《乱世佳人》、《卡萨布兰卡》、《绿野仙踪》等经典老片在榜上占据了不止一席之位,而《卡萨布兰卡》凭借6句经典台词居首位。 美国电影学会总监费斯登堡认为,这些经典的电影台词已经成为了美国语言文化的一个组成部分,评选的目的是为了重新激起人们对美国经典电影的热情。以下是从这一百句最佳台词中精选部分台词,英汉对照,以飨读者。(以下的序号是台词的排名号) 1. Frankly,my dear,I don't give a damn.坦白说,亲爱的,我一点也不在乎。(《乱世佳人》1939) 2. I'm going to make him an offer he can't refuse.我会给他点好处,他无法拒绝。(《教父》1972) 3. Y ou don't understand!Icoulda had class.I coulda been a contender.I could've been somebody,instead of a bum,which is what I am.你根本不能明白!我本可以获得社会地位,我本可以是个竞争者,我本可以是任何有头有脸的人而不是一个毫无价值的游民!(《码头风云》1954) 4. Toto,I've got a feeling we're not in Kansas anymore.托托,我想我们再也回不去堪萨斯了。(《绿野仙踪》1939) 5. Here's looking at you,kid.就看你的了,孩子。(《卡萨布兰卡》1942) 6. Go ahead,make my day.来吧,让我也高兴高兴。(《拨云见日》1983) 7. All right,Mr.DeMille,I'm ready for my close-up.好了,德米勒先生,我已经准备好拍摄我的特写镜头了。(《日落大道》1950)

Seven(七宗罪)1995经典电影英文影评

Seven(七宗罪)1995 David Fincher's classic tale of inventive serial killing and urban degredation, with Brad Pitt and Morgan Freeman on excellent form Who'd have thought? An absurd-sounding tale of a serial killer basing his crimes around the seven deadly sins, directed by the man behind the mess that was Alien3, turning out to be one of the most chilling and original thrillers of the 1990s. From the outset, through the film's brilliantly designed deliberate under-lighting - we see very little blood and guts - and muffled sound, the audience is encouraged to lean towards the screen, immerse itself in the film's unbearably grim world. Pitt is in career-making form as Mills, a simple cop moving with his sweet young wife (Paltrow) to a grim, anonymous city, determined to make a difference, to do some good. He is assigned to track down a vengeful killer, and works alongside Somerset (Freeman), a jaded, wise policeman on the verge of retirement. The two are that modern movie cliché -the mismatched pair thrown together by circumstance, who gradually learn mutual respect. But Fincher and Walker take these hackneyed ingredients, play with them in the context of a brilliantly cohesive plot, and present something consistently fresh - the police finding themselves with too much evidence, the premature unmasking of the killer - and very, very dark. 1

(完整word版)经典电影台词(英文带带翻译)

㈠《Shawshank Redemption肖申克的救赎》 1.You know some birds are not meant to be caged, their feathers are just too bright. 你知道,有些鸟儿是注定不会被关在牢笼里的,它们的每一片羽毛都闪耀着自由的光辉。 2.There is something inside ,that they can't get to , that they can't touch. That's yours. 那是一种内在的东西, 他们到达不了,也无法触及的,那是你的。 3.Hope is a good thing and maybe the best of things. And no good thing ever dies. 希望是一个好东西,也许是最好的,好东西是不会消亡的。 4.Fear can hold you prisoner. Hope can set you free.恐惧让你沦为囚犯。希望可以感受自由。 5.Get busy living or get busy dieing. 要么忙于活着,要么忙于死去。 6.It takes a strong man to save himself, and a great man to save another. 坚强的人只能救赎自己,伟大的人才能拯救他人。 7.forget that there are … place … in the world that are not made out of stone, there is something … inside … that they can not get to … that is hope . 不要忘了,这个世界穿透一切高墙的东西,它就在我们的内心深处,他们无法达到,也接触不到,那就是希望. ㈡《Forrest Gump 阿甘正传》 1.Life was like a box of chocolates, you never know what you're gonna get. 生命就像一盒巧克力,结果往往出人意料。 2.Stupid is as stupid does. 蠢人做蠢事,也可理解为傻人有傻福。 3.Miracles happen every day. 奇迹每天都在发生。 4.Jenny and I was like peas and carrots. 我和珍妮形影不离。 5.Have you given any thought to your future? 你有没有为将来打算过呢。 6.You just stay away from me please. 求你离开我。 7.If you are ever in trouble, don't try to be brave, just run, just run away. 你若遇上麻烦,不要逞强,你就跑,远远跑开。 8.It made me look like a duck in water. 它让我如鱼得水。 9.Death is just a part of life, something we're all destined to do. 死亡是生命的一部分,是我们注定要做的一件事。 10.I was messed up for a long time. 这些年我一塌糊涂。 11.I don't know if we each have a destiny, or if we're all just floating around accidentally―like on a breeze. 我不懂我们是否有着各自的命运,还是只是到处随风飘荡 12.To make each day count. 让每一天都有所值。 ㈢《The Lion King狮子王》 1. Everything you see exists together in a delicate balance. 世界上所有的生命都在微妙的平衡中生存。 2. I laugh in the face of danger. 越危险就越合我心意。 3. I'm only brave when I have to be. Being brave doesn't mean you go looking for trouble. 我只是在必要的时候才会勇敢,勇敢并不代表你要到处闯祸。 4. When the world turns its back on you, you turn your back on the world. 如果这个世界对你不理不睬,你也可以这样对待它。

经典英文电影台词100句

经典英文电影台词100句 美国电影学会于近日评选出了美国电影中的一百句最佳台词,《乱世佳人》的克拉克·盖博口中的“坦白说,亲爱的,我一点也不在乎”荣膺榜首。评选结果的影片涵盖面十分广泛,最早的可以追溯到1927 年的第一步有声片《爵士歌手》,最近的则是2002年的《指环王之双塔骑兵》。其中《乱世佳人》、《卡萨布兰卡》、《绿野仙踪》等经典老片在榜上占据了不止一席之位,而《卡萨布兰卡》凭借6句经典台词居首位。美国电影学会总监费斯登堡认为,这些经典的电影台词已经成为了美国语言文化的一个组成部分,评选的目的是为了重新激起人们对美国经典电影的热情。 1,Frankly,my dear,I don't give a damn. 坦白说,亲爱的,我一点也不在乎。(《乱世佳人》1939) 2,I'm going to make him an offer he can't refuse. 我会给他点好处,他无法拒绝。(《教父》1972) 3,You don't understand!Icoulda had class.I coulda been a contender.I could've been somebody,instead of a bum,which is what I am. 你根本不能明白!我本可以获得社会地位,我本可以是个竞争者,我本可以是任何有头有脸的人而不是一个毫无价值的游民!(《码头风云》1954) 4,Toto,I've got a feeling we're not in Kansas anymore. 托托,我想我们再也回不去堪萨斯了。(《绿野仙踪》1939) 5,Here's looking at you,kid. 就看你的了,孩子。(《卡萨布兰卡》1942) 6,Go ahead,make my day. 来吧,让我也高兴高兴。(《拨云见日》1983) 7,All right,Mr.DeMille,I'm ready for my close-up. 好了,德米勒先生,我已经准备好拍摄我的特写镜头了。(《日落大道》1950) 8,May the Force be with you. 愿原力与你同在。(《星球大战》1977) 9,Fasten your seatbelts. It's going to be a bumpy night. 系紧你的安全带,这将是一个颠簸的夜晚。(《彗星美人》1950)

一百部最经典电影英文全称

1. 9.0 The Godfather (1972) 117,111 教父 2. 8.9 The Shawshank Redemption (1994) 143,145 肖申克的救赎/刺激1995/月黑风高 3. 8.9 The Lord of the Rings: The Return of the King (2003) 96,833 指环王III/魔戒III:王者归来 4. 8.8 The Godfather: Part II (1974) 68,829教父II 5. 8.8 Shichinin no samurai (1954) 30,139 七武士 6. 8.7 Casablanca (1942) 64,227 卡萨布兰卡/北非谍影 7. 8.7 Schindler's List (1993) 94,598 辛德勒名单/舒特拉的名单 8. 8.7 The Lord of the Rings: The Fellowship of the Ring (2001) 152,097 指环王I/魔戒I:魔戒现身 9. 8.7 Star Wars (1977) 130,346 星球大战 10. 8.7 Citizen Kane (1941) 59,486 公民凯恩/大国民 11. 8.7 The Lord of the Rings: The Two Towers (2002) 109,535 指环王II/魔戒II:双城奇谋/双塔 12. 8.7 One Flew Over the Cuckoo's Nest (1975) 67,852 飞越疯人院/飞越杜鹃窝 13. 8.7 Pulp Fiction (1994) 126,620 低俗小说/黑色追缉令/危险人物 14. 8.6 Star Wars: Episode V - The Empire Strikes Back (1980) 100,480 帝国反击战/帝国大反击 15. 8.6 Rear Window (1954) 40,258 后窗 16. 8.6 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) 61,821 奇爱博士/密码114 17. 8.6 The Usual Suspects (1995) 100,503 嫌疑惯犯/非常嫌疑犯/普通嫌疑犯/刺激惊爆点 18. 8.6 Raiders of the Lost Ark (1981) 90,975 夺宝奇兵/法柜奇兵 19. 8.6 Buono, il brutto, il cattivo, Il (1966) 28,758 独行侠决战地狱门/好人、坏人和小丑/黄昏三镖客/地狱大决斗 20. 8.6 Cidade de Deus (2002) 22,998 无主之城 21. 8.6 12 Angry Men (1957) 28,571 十二怒汉 22. 8.6 Memento (2000) 87,022 记忆拼图/失忆/纪念品 23. 8.5 Psycho (1960) 51,959 惊魂记/精神病患者/触目惊心 24. 8.5 North by Northwest (1959) 35,239 西北偏北/谍影疑云/谍影风云/夺魄惊魂 25. 8.5 Lawrence of Arabia (1962) 30,812 阿拉伯的劳伦斯/沙漠枭雄 26. 8.5 Fabuleux destin d'Amélie Poulain, Le (2001) 56,480 天使爱美丽/艾蜜莉的异想世界 27. 8.5 C'era una volta il West (1968) 15,910 狂沙十万里/西部往事/万里狂沙万里愁 28. 8.5 The Silence of the Lambs (1991) 89,241 沉默的羔羊 29. 8.5 Goodfellas (1990) 64,892 盗亦有道/好家伙 30. 8.5 It's a Wonderful Life (1946) 40,882 风云人物/奇妙的生活/莫负少年头 31. 8.5 Sunset Blvd. (1950) 15,328 日落大道 32. 8.5 American Beauty (1999) 106,426 美国美人/美国心/玫瑰情/美丽有罪 33. 8.4 Eternal Sunshine of the Spotless Mind (2004) 40,385暖暖内含光/无痛失恋/美丽心灵的永恒阳光 34. 8.4 The Matrix (1999) 137,983黑客帝国/二十二世纪杀人网络/骇客任务 35. 8.4 Apocalypse Now (1979) 62,012 现代启示录 36. 8.4 Vertigo (1958) 33,550 迷魂记/眩晕 37. 8.4 Fight Club (1999) 106,949 搏击俱乐部/搏击会/斗阵俱乐部 38. 8.4 Paths of Glory (1957) 13,690 光荣之路/光辉的历程/突击 39. 8.4 The Third Man (1949) 17,662 第三者/黑狱亡魂 40. 8.4 To Kill a Mockingbird (1962) 29,935 杀死一只知更鸟/梅岗城的故事/怪屋疑云 41. 8.4 Sen to Chihiro no kamikakushi (2001) 22,278 千与千寻/神隐少女 42. 8.4 Singin' in the Rain (1952) 19,650 雨中曲/万花嬉春

Tess(苔丝)1979经典电影英文影评

Tess(苔丝)1979 Thomas Hardy's Tess of the D'Urbervilles, which Roman Polanski has turned into a lovely, lyrical, unexpectedly delicate movie, might at first seem to be the wrong project for Mr. Polanski in every way. As a new biography of the director reports, when Tess was shown at the Cannes Film Festival, the press pointed nastily and repeatedly to the coincidence of Mr. Polanski's having made a film about a young girl's seduction by an older man, while he himself faced criminal charges for a similar offense. This would certainly seem to cast a pall over the project. So would the fact that Hardy's novel is so very deeply rooted in English landscapes, geographical and sociological, while Mr. Polanski was brought up in Poland. Finally, Tess of the D'Urbervilles is so quintessentially Victorian a story that a believable version might seem well out of any contemporary director's reach. But if an elegant, plausible, affecting Tess sounds like more than might have been expected of Mr. Polanski, let's just say he has achieved the impossible. In fact, in the process of adapting his style to suit such a sweeping and vivid novel, he has achieved something very unlike his other work. Without Mr. Polanski's name in the credits, this lush and scenic Tess could even be mistaken for the work of David Lean. In a preface to the later editions of Tess of the D'Urbervilles, Mr. Hardy described the work as "an impression, not an argument." Mr. Polanski has taken a similar approach, removing the sting from both the story's morality and its melodrama. Tess Durbeyfield, the hearty country lass whose downfall begins when her father learns he had noble forebears, is sent to charm her rich D'Urberville relations. She learns that they aren't D'Urbervilles after all; instead, they have used their new money to purchase an old name. Tess charms them anyhow, so much that Alec D'Urberville, her imposter cousin, seduces and impregnates her. The seduction, like many of the film's key scenes, is presented in a manner both earthy and discreet. In this case, the action is set in a forest, where a gentle mist arises from the ground and envelops Tess just around the time when she is enveloped by Alec. Alec, as played by Leigh Lawson, is a slightly wooden character, unlike Angel Clare, Tess's later and truer lover, played with supreme radiance by Peter Firth. Long after Tess has borne and buried her illegitimate child, she finds and falls in love with this spirited soul mate. But when she marries Angel Clare and is at last ready to reveal the secret of her past, the story begins hurtling toward its final tragedy. When Tess becomes a murderer, the film offers its one distinctly Polanski-like moment—but even that scene has its fidelity to the novel. A housemaid listening at a door hears a "drip, drip, drip" sound, according to Hardy. Mr. Polanski has simply interpreted this with a typically mischievous flourish. Of all the unlikely strong points of Tess, which opens today for a weeklong engagement at the Baronet and which will reopen next year, the unlikeliest is Nastassja Kinski, who plays the title role. Miss Kinski powerfully resembles the young Ingrid Bergman, and she is altogether ravishing. But she's an odd choice for Tess: not quite vigorous enough, and maybe even too beautiful. She's an actress who can lose her magnetism and mystery if she's given a great deal to do (that was the case in an earlier film called Stay As You Are). But here, Mr. Polanski makes perfect use of her. Instead of a driving force, she becomes an echo of the land and the society around her, more passive than Hardy's Tess but linked just as unmistakably with natural forces. Miss Kinski's Tess has no inner life to speak of. But Mr. Polanski makes her surroundings so expressive that her placidity and reserve work very beautifully. Even at its nearly three-hour running time, Mr. Polanski's Tess cannot hope for anything approaching the range of the novel. But the deletions have been made wisely, and though the story loses some of its resonance it maintains its momentum. There are episodes—like one involving Tess's shabby boots and Mercy Chant, the more respectable girl who expects to marry Angel—that don't make the sense they should, and the action is fragmented at times. That's a small price to pay for the movie's essential rightness, for its congruence with the mood and manner of the novel. Mr. Polanski had to go to Normandy and rebuild Stonehenge to stage his last scene, according to this same biography. As is the case throughout his Tess, the results were worth the trouble. 1

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