英语修辞大全

英语修辞大全
英语修辞大全

本文根据《大学英语》中出现的最常见的几种修辞格加以分析,希望有助于大家在学习英语的过程中能够恰当地选择修辞手段来丰富自己的表达。

明喻(Simile)

明喻是一种最简单、最常见的修辞方法,是以两种具有共同特征的事物或现象进行对比,表明本体和喻体的关系,两者都在对比中出现,其基本格式是“A像B”,常用的比喻词有as, like, as if, as though等。例如:

●He jumped back as if he had been stung, and the blood rushedsint oshis wrinkled face.(他往后一跳,好像被什么东西叮了一下似的,他那张布满皱纹的脸顿时涨得通红。)在《品尝家》一文中老人对“我”的慷慨施舍的反应如同被蜜蜂叮过一样,生动地刻画出一个处境凄凉内心却极度敏感的可怜老人的形象。

●The cheque fluttered to the floor like a bird with a broken wing. (支票跌落到地上,像一只断了翅膀的小鸟。)《礼物》一文中,老太太喜迎八十大寿,大女儿不来庆祝,只寄来一张支票。作者把这张支票比作断了翅膀的小鸟,形象地表达出此刻老太太希望破灭,极度伤心的心情。

暗喻(Metaphor)

暗喻也是一种比喻,但不用比喻词,因此被称作缩减了的明喻(a compressed simile)。它直接把一种事物名称用在另一事物上,从而更生动、更深刻地说明事理,增强语言的表现力。例如:

●What will parents do without the electronic baby-sitter? (如果没有这位电子保姆,父母该怎么办呢?)形象地说明了电视机的保姆功用。

●... while most of us are only too ready to apply to others the cold wind of criticism, we are somehow reluctant to give our fellows the warm sunshine of praise.(……但是我们中的很多人太容易给别人批评的冷风,而不愿意给自己的同伴赞扬

的阳光。)作者把批评比作冷风,把赞扬比作温暖的阳光,生动形象,寓意隽永。

转喻(Metonymy)

转喻(即借代)是通过相近的联想,借喻体代替本体。例如:

●My 15 students read Emerson, Thoreau, and Huxley.(我的十五位学生读了爱默生、梭罗和赫胥黎的作品。)这是典型的转喻,以人名借代作品。

●Against the Oval Earth man, the first card I can play is the analogy of the sun and moon. (面对“地球卵形说”者,我能打的第一张牌是,太阳和月亮的相似性。)文中作者用具体第一张牌来借代抽象的“第一个论据”,更加生动形象,浅显易懂,也使语言新鲜活泼,富有表现力。

拟人(Personification)

拟人是把人类的特点、特性加于外界事物上,使之人格化的修辞格。例如:

●... four evergreen shrubs stood at each corner,swheresthey struggled to survive the dust and fumes from a busy main road.(……四丛常绿灌木分别位于每个角落,它们忍受着从繁忙的大街上吹来的尘烟,挣扎着活下去。)“挣扎”是有生命的物体的动作,作者给自然的花草赋予了生命,使它人格化。

●But the houses were cold, closed, unfriendly.(可是那些房子冷漠无情,门窗紧闭,一点也不友好。)house本来是没有感情的,作者通过拟人的手法,表现房子里人的冷漠无情。

夸张(Hyperbole)

夸张是一种故意言过其实,或夸大或缩小事物的形象,借以突出事物的某种特征或品格,鲜明地表达思想情感的修辞方式。用于描写可以使形象更生动突出,渲染气氛,烘托意境,给读者留下深刻、鲜明的印象。例如:

●Vingo sat stunned, looking at the oak tree. It was covered with yellow handkerchiefs—20 of them, 30 of them, maybe hundreds.(文戈坐在那儿望着橡树惊呆了。树上挂满了黄手绢——二十条,三十条,或许几百条。)此句中20 of them, 30 of them, maybe hundreds就是运用了夸张的手法,主观地渲染了气氛。

●She gave me the impressi on ofshavingsmore teeth, white and large and even, than were necessary for any practical purpose.(她给我的印象是:她有一口洁白整齐的大牙,为数之多已超过任何实际需要。)在这里作者通过夸张的描述,使一个贪婪好吃的女性形象跃然纸上。

反语(Irony)

英语修辞格irony就是说反话,用反面的话来表达正面的意思。这种修辞格可用来进行讽刺,但多数是用来表达一种善意的幽默或俏皮,故意说出与本意相反的话,例如:

●Slowly the old lady stooped to pick it (the cheque ) up. Her present, her lovely present. With trembling fingers she tore itsintoslittle bits. (老太太慢慢地弯下腰,把支票从地上捡起来,她的礼物,她的可爱的礼物!用颤抖的手指把它撕得粉碎。)老太太八十岁寿辰那天,急切地盼望女儿回家看望她,稍稍安慰她那颗孤寂的心,然而盼来的却是女儿的一张冷冰冰的支票,这当然不是老人心爱的礼物。故此处her lovely present是典型的irony,是句反话。

●She was not so young as I expected and in appearance imposing rather than attractive.(她并不如我想象的那么年轻。她的外表与其说吸引人,不如说是令人难忘。)imposing意指因为外貌、形体而使人印象深刻,作者在此以讽刺挖苦的口吻来描述一个贪吃而肥胖的女人。

仿拟(Parody)

根据家喻户晓的成语或谚语,临时更换其中的某个部分,造成新的成语或谚语;或者根据古今名言警句,在保持其原句不变的情况下,更换其中部分词语,这种修辞方式叫仿拟。例如:

●To lie or not to lie-the doctor's dilemma(撒谎还是不撒谎——医生的难题)看到这个标题,我们不禁想起莎翁戏剧Hamlet中那个永远也解不透的句子“To be or not to be, that is the question”。显然,文章的题目由此模仿而来,给人印象深刻。

●Lady hermits who are down but not out(穷困而不潦倒的女隐士们)文中的down but not out源于down and out,原是拳击比赛的术语,后来喻指穷困潦倒的人。

矛盾修辞法(Oxymoron)

用两种不相调和,甚至截然相反的特征来形容一项事物,在矛盾中寻求哲理,以便收到奇警的修辞效果,这就是矛盾修辞法,用这种方法,语言精炼简洁,富有哲理,并产生强大的逻辑力量,产生一种出人意料,引人入胜的效果。例如:

●A miserable, merry Christmas(悲喜交加的圣诞节)。圣诞节那天,故事主人公小男孩经历了从痛苦的边缘到幸福的顶峰的过程。因此,父母精心安排的圣诞节既是最糟的,又是最好的。

头韵(Alliteration)

与前面几种修辞方式不同,头韵是一种语音修辞方式,它指一组词、一句话或一行诗中重复出现开头字母相同的单词,常用于文章的标题、诗歌及广告语中,简明生动,起到突出重点,加深印象,平衡节奏,宣泄感情的作用。例如:

●A miserable, merry Christmas

●Profits of praise

英语的修辞可以分为消极修辞和积极修辞两大类。

一、消极修辞(Passive Rhetoric Techniques)

它主要指那些没有相对固定格式的修辞性写作技巧,它与语法、语言结构和词汇的关系密切,只是为了修辞和立意新颖的缘故,对之做了一些调整。举一种情况进行说明:为了增加文采,强化文章的表现力,常常避免重复使用同一个词汇,而另选他词。这种无固定格式可循的消极修辞手段被称为Elegant Variation(求雅换词)。如在Elizabeth Razzi写的题为10 Ways to Lose Pounds 的文章中,“减肥”的表达竟有8种,文笔活泼,文采灿然:

1. Try to shed a few extra pounds?

2. Studies show these efforts may shave off the pounds quickly.

3. Here are ten simple strategies that can help melt away your fat forever.

4. …like a logical way to peel off a few pounds.

5. …roughly the amount neede d to burn off one pound.

6. You must eat less to lose weight.

7. A key obstacle to dropping extra pounds is after-dinner snacking.

8. 10 Ways to Lose Pounds.

以上8句中的斜体字让我们欣赏了英语词汇的活力与风采。遗憾的是,大部分精彩的用词不能直译。

求雅换词的手法之一是大字小用,或小词大用。如:Don’t take the low-fat label as a license to eat. 句子写得精彩,最难忘的是其中license一词。它是用途很广的大词。用在这里给人一种“头小帽大”的感觉,新颖别致。译文很难挽留此韵。(不能因为食品标明低脂肪,而敞开食用。)再如:If the term sounds unscientific to 20th-century ears, let us remember there is a definite connection between marshy lands and malaria… (如

果这个术语对生活在20世纪的人听来不科学的话,那就让我们记住在沼泽地和疟疾之间有一定的联系……)。求雅换词的手法之二是科技词汇和日常用词的“错位”。如:Na?ve rats and frogs are said to have reacted wildly to such proposed experimented situation. Na?ve用于现代生物学时的含义为:not previously subjected to experimentation or a particular experimented situation.(据说,首次用来作实验的鼠和蛙对这种设定的环境改变都有剧烈反应。)再如:However, there are plenty of people who like tennis. It is the megagame. Mega的含义是兆,百万,是一个科技英语的词缀。使用在这里新义溢出。(但是许许多多的人喜欢网球,这是一项十分普及的运动。)

二、积极修辞(Active Rhetoric Techniques)

它主要指那些有相对固定格式的修辞性写作技巧。常见分类如下:

1.词义修辞格(Lexical Stylistic Devices)

metaphor(比喻), metonymy(借代), personification(拟人), irony(反语), hyper***(夸张), understatement(低调), euphemism(委婉语), contrast(对照), oxymoron (矛盾修辞法), transferred epithet(移就), pun(双关), syllepsis(异叙), zeugma (粘连), parody(仿拟), paradox(隽语)

2.结构修辞格(Syntactical Stylistic Devices)

repetition(反复), catchword repetition(联珠), chiasmus(回文), parallelism(平行结构), antithesis(反对), rhetoric question(设问), anticlimax(突降)

3.音韵修辞格(Phonetic Stylistic Devices)

alliteration(头韵), onomatopoeia(拟声)

三、英语修辞的理解与翻译

马克.吐温在其著名游记A Tramp Abroad中,有这样一句:We had plenty of company

in the way of wagon-loads and mule-loads of tourists------and dust. 句末的-----and dust 看似寻常一笔,其实是一种不可多得的妙句,使用了英语中anticlimax的修辞格。如果不能识破,则让对照阅读原文者“饮恨”。如:同路的有许多旅客,有乘马车的,也有骑骡子的——一路尘土飞扬。/ 我们的旅伴真不少,有乘马车的,有骑骡子的,还有滚滚尘土呢。

下面就几种常见的修辞格进行讲解:

1.Parody(仿拟)如果译者功底不凡,能知作者之所“仿”,那么,理解与翻译也就“水到渠成”。如:Clearly, when it comes to marriage, practicing beforehand doesn’t make perfect. 可以译成:显然,在婚姻问题上,婚前同居并不能令婚姻生活趋于完美。再如:When flu hits below the belt, it can be a challenge to keep down anything more nourishing than tea and water. 词典对成语hits below the belt的通常解释是:用不正当手段打人(原指拳击中打对方的下身)。若是照搬,译文就会闹笑话。对待“仿拟”修辞格的方法之一是还原。所谓还原,即故意撇开成语的引申义,而“硬”用其字面义。如:若流感影响到了肠胃,那就只能饮用点茶水,要吃下其他东西就非常困难了。再如:Little John was born with a silver spoon in a mouth, which was rather curly and large. 英语成语to be born with a silver spoon in one’s mouth的含义是“出生在富贵之家”。这里,作者不用此引申义,而用字面意思。试译:小约翰嘴形弯曲,且大得出奇,好像生下来的时候嘴中含了一把银勺子似的。

2.Syllepsis(异叙)此修辞格的特点是用一个词(动词、形容词或介词)同时与两个词或者更多相搭配,巧用一词多义的特点。如:He first put a club in my hand when I was about ten. I threw a lot of tantrums in the upland hills of North Carolina, and clubs too. I was in such a rush to be good that he would urge me to “relax and enjoy the round. The game ends far too soon.” I didn’t have a clue what he meant. 试译:他第一次把高尔夫球棒放在我手里的时候,我大概十岁。在北卡罗来纳州的山中,我一次次发脾气,一次次把球棒扔掉。我急于求成,老爸总是劝我“放松点,慢慢打,比赛结束得太快了。”我一点儿也不明白他的意思。再如:By day’s end, I had drilled 4216 holes to a depth of 18

inches, and I had lost mine pounds, my hearing, feeling in both hands and the ability to lift anything heavier than the evening paper. 试译:一天快结束的时候,我已经钻了4216个深达18英寸的洞,为此,我失去了9磅体重,失去了听力,失去了双手的感觉,还失去了举起比一张晚报更重的东西的臂力。

3.metonymy(借代)借代一般可以保留原文的修辞方式,不会引起误会,同时让译文多了一份词趣。如:So, during any five-week shape-up, focus more on the tape measure than on the bathroom scale. 译文A:因此,在此五周的减肥期内,要更多地注重自己的腰围,而不是自己的体重。译文B:因此,在此五周的减肥期内,把注意力放在量腰围的卷尺上,而不是放在浴室的磅秤上。

4.pun(双关)有许多看似无法在译文中挽留的原文形式的神韵和风采在译文中却得以挽留。如:First gentleman: Thou art always figuring disease in me, but thou art full of error, I am sound. Lucio: Nay, not as one would say, healthy; but so sound as things that are hollow; impiety has made a feast of thee. (整个对话之谐趣尽系双关词汇sound。)试译:绅士甲:你总以为我有那种病,其实你大错特错,我的身体响当当的。路奇奥:响当当的,可并不结实,就像空心的东西那样响当当的,你的骨头都空了,好色的毛病把你掏空了。

5.alliteration(头韵)英语辞格押头韵的手法历来被认为是不可译的,但是,面对alliteration,并不意味译者就无所作为。如下的两段译文就做了成功的尝试。如:Change is part of life and the making of character, hon. When the things happen that you do not like, you have two choices: You get bitter or better. 试译:变化是生活的一部分,而且也塑造了人的意志品德,亲爱的。当你不喜欢的事情发生了,你有两种选择:要么痛苦不堪;要么痛快达观。再如:Predictably, the winter will be snowy, sleety, and slushy. 试译:可以预言,今年冬天将多雪,多冻雨,多泥泞。(原句当中的snowy, sleety, slushy 也是非常漂亮的押头韵,译者殚精竭虑,用心可嘉。)

6.metaphor(比喻)这个metaphor并非狭隘意义上的把A比作B的不使用比喻词(如

as, like, as if等)的暗喻,而是广义上的英语词汇的比喻义。换言之,也就是英语词汇denotation(本义)之外的connotation(转义)。Peter Newmark在A Textbook of Translation 中把英语中的比喻分成四类,令人耳目一新:I have suggested elsewhere that there are four types of metaphor: fossilized, stock, recently created and original. 第一类:有学生在作文中写出如下句子:In the middle of the picnic, it started to rain cats and dogs, and everybody got soaked. 该句子被改为:While we were busy eating a picnic, a storm cloud suddenly appeared and everybody got soaked. 在A Dictionary of American Idioms中,写道:rain cats and dogs: To rain very hard; come down in torrents------A cliché. 美国朋友说: If you use this metaphor, I will doubt i f you are my grandfather’s uncle! 第二类:stock(常用的)这是指已被收入词典,但并不属于cliché范畴的比喻。如:flood一词的用法。She was in a flood of tears. (她泪流如注。) The corridors were flooded with girls. (走廊里挤满了女孩子。) Strawberries flooded the market and prices dropped down. (草莓充斥市场,价格下跌。) 第三类的标准应该是:至少目前尚未被收入词典,同时又让人接受,并感到新意扑面。如在一篇名为Rescue of A Newborn 中有三个句子:A. I focused on a small blob in the mud amid the columns of legs and trunks. B. I suddenly came upon a wall of feeding elephants. C. …grabbed their lost baby and tugged her gently into a stockade of legs. 第四类:original这种比喻并非随处可见,唾手可得。它是灵感思维的产物。这种比喻在词典上无踪影可觅,而且连参照物可能也没有。如:Jeff Rennicke在A Promise of Spring 中开卷段是:Nothing. No tracks but my own are stitched into the dusting of fresh snow, white as birch bark, that fell during the night. No flittering shadows in the trees, not a sliver of bird song in the air. 试译:白茫茫的一片。没有别的什么踪迹,只有我的脚印如细密的针脚印在积雪上。积雪白如桦树皮,是昨夜落下的。在树上没有鸟儿轻捷的身影,在空中也听不到鸟儿一丝的啁啾。

对比喻的翻译可以分为两类:

一是保留原文的形象,即: to find an equivalent image. 如:Ani began pounding and

yelling to be let out as the car screeched from the parking lot. But rock music blaring from the radio speakers drowned him out. 试译:当汽车从停车场急速驶过时,Ani开始猛烈敲打和大声呼喊,但是从车内喇叭发出的摇滚音乐淹没了他发出的声音。再如:The policemen who patrolled the big city slum area that summer were sitting on a volcano. 那年夏天,在城市大贫民区巡逻的警察如同坐在火山口上。

二是实行翻译的“补偿原则”(compensation)。所谓以补偿方法译比喻,就是在寻找对等形象无门的情况下,使用变通的方法,尽可能地对译文中比喻形象的流失作某些补偿,以求得译文与原文大致相等的可读性。如:Cavorting and diving at breathtaking speeds, the beautiful birds (指鹰) mirrored each other in flight. A. 在空中翻飞嬉戏,时作闪电式俯冲,矫健的鹰双双携游于碧空。B. 在空中翻飞嬉戏,时作闪电式俯冲,矫健的鹰比翼齐飞,形影相随。再如:But after six years of a stormy marriage, Cewe decided to end it. She didn’t want her son to grow up thinking that kind of relationship was normal. 试译:六载婚姻生活,风雨交加,Cewe决定结束这种婚姻。她不愿让她儿子在这样的环境里长大成人,并误以为这样的关系是正常的。又如:Rudy knew they had severed the wrong rope and that it was the thick tow line that trapped him. “Try cutting the other rope!” said Rudy, his hopes, and his grip, eroding. 试译:Rudy发现他们割错了绳子,是那根粗的牵引绳缠住了他。“把另一根绳子割断!”Rudy说。此刻,他的希望,他的握力,似油将尽、灯将灭。再如:The following week was family conference, something I dreaded. This was the day the dirty laundry got hung out to air in a private session between parent, child and counselor. 试译:下周将开家长会,这正是我害怕的。在这一天,家长、孩子和辅导员将开私下的碰头会,列数孩子做的坏事。再如:The operation may not succeed; it’s a g amble whether he lives or dies. 手术不一定成功,能否保住他的生命没有把握。

英语修辞手法讲解

英语19种修辞手法解读 1.Simile 明喻 明喻是将具有共性的不同事物作对比。这种共性存在于人们的心里,而不是事物的自然属性。标志词常用like, as, seem, as if, as though, similar to, such as等。 例如: 1>.He was like a cock who thought the sun had risen to hear him crow。 2>.I wandered lonely as a cloud。 3>.Einstein only had a blanket on, as if he had just walked out of a fairy tale。 2.Metaphor 隐喻,暗喻 隐喻是简缩了的明喻,是将某一事物的名称用于另一事物,通过比较形成。 例如: 1>.Hope is a good breakfast, but it is a bad supper。 2>.Some books are to be tasted, others swallowed, and some few to be chewed and digested。 3.Metonymy 借喻,转喻 借喻不直接说出所要说的事物,而使用另一个与之相关的事物名称。 I。以容器代替内容,例如: 1>.The kettle boils. 水开了。 2>.The room sat silent. 全屋人安静地坐着。 II。以资料。工具代替事物的名称,例如: Lend me your ears, please. 请听我说。 III。以作者代替作品,例如: a complete Shakespeare 莎士比亚全集 VI。以具体事物代替抽象概念,例如: I had the muscle, and they made money out of it. 我有力气,他们就用我的力气赚钱。 4.Synecdoche 提喻 提喻用部分代替全体,或用全体代替部分,或特殊代替一般。 例如: 1>.There are about 100 hands working in his factory。(部分代整体) 他的厂里约有100名工人。 2>.He is the Newton of this century。(特殊代一般) 他是本世纪的牛顿。 3>.The fox goes very well with your cap。(整体代部分) 这狐皮围脖与你的帽子很相配。 5.Synaesthesia 通感,联觉,移觉 这种修辞法是以视。听.触。嗅.味等感觉直接描写事物。通感就是把不同感官的感觉沟通起来,借联想引起感觉转移,“以感觉写感觉”。 通感技巧的运用,能突破语言的局限,丰富表情达意的审美情趣,起到增强文采的艺术效果。比如:欣赏建筑的重复与变化的样式会联想到音乐的重复与变化的节奏;闻到酸的东西会联想到尖锐的物体;听到飘渺轻柔的音乐会联想到薄薄的半透明的纱子;又比如朱自清《荷塘月色》里的“微风过处送来缕缕清香,仿佛远处高楼上渺茫的歌声似的”。 例如: 1>.The birds sat upon a tree and poured forth their lily like voice。(用视觉形容听觉,鸟落在树上,由它发出的声音联想到百合花)

(完整版)英语中19种修辞手法和例句

1.Simile 明喻 明喻是将具有共性的不同事物作对比.这种共性存在于人们的心里,而不是事物的自然属性. 标志词常用 like, as, seem, as if, as though, similar to, such as等. 例如: 1>.He was like a cock who thought the sun had risen to hear him crow. 2>.I wandered lonely as a cloud. 3>.Einstein only had a blanket on, as if he had just walked out of a fairy tale. 2.Metaphor 隐喻,暗喻 隐喻是简缩了的明喻,是将某一事物的名称用于另一事物,通过比较形成. 例如: 1>.Hope is a good breakfast, but it is a bad supper. 2>.Some books are to be tasted, others swallowed, and some few to be chewed and digested. 3.Metonymy 借喻,转喻 借喻不直接说出所要说的事物,而使用另一个与之相关的事物名称. I.以容器代替内容,例如: 1>.The kettle boils. 水开了. 2>.The room sat silent. 全屋人安静地坐着. II.以资料.工具代替事物的名称,例如: Lend me your ears, please. 请听我说. III.以作者代替作品,例如: a complete Shakespeare 莎士比亚全集 VI.以具体事物代替抽象概念,例如: I had the muscle, and they made money out of it. 我有力气,他们就用我的力气赚钱. 4.Synecdoche 提喻 提喻用部分代替全体,或用全体代替部分,或特殊代替一般. 例如: 1>.There are about 100 hands working in his factory.(部分代整体) 他的厂里约有100名工人. 2>.He is the Newton of this century.(特殊代一般) 他是本世纪的牛顿. 3>.The fox goes very well with your cap.(整体代部分) 这狐皮围脖与你的帽子很相配. 5.Synaesthesia 通感,联觉,移觉 这种修辞法是以视.听.触.嗅.味等感觉直接描写事物.通感就是把不同感官的感觉沟通起来,借联想引起感觉转移,“以感觉写感觉”。比如朱自清《荷塘月色》里的“ 微风过处送来缕缕清香,仿佛远处高楼上渺茫的歌声似的”。 例如: 1>.The birds sat upon a tree and poured forth their lily-like voice.(用视觉形容听觉,鸟落在树上,由它发出的声音联想到百合花)鸟儿落在树上,倾泻出百合花似的声音. 2>.Taste the music of Mozart.(用嗅觉形容听觉)品尝Mozart的音乐. 6.Personification 拟人 拟人是把生命赋予无生命的事物. 例如: 1>.The night gently lays her hand at our fevered heads.(把夜拟人化) 2>.I was very happy and could hear the birds singing in the woods.(把鸟拟人化) 7.Hyperbole 夸张 夸张是以言过其实的说法表达强调的目的.它可以加强语势,增加表达效果.. 例如: 1>.I beg a thousand pardons. 2>.Love you. You are the whole world to me, and the moon and the stars. 3>.When she heard the bad news, a river of tears poured out. 8.Parallelism 排比, 平行 这种修辞法是把两个或两个以上的结构大体相同或相似,意思相关,语气一致的短语.句子排列成串,形成一个整体. 例如: 1>.No one can be perfectly free till all are free; no one can be perfectly moral till all are moral; no one

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英语中常见的修辞手法

英语中常见的修辞手法 1明喻(Simile) simile -简明英汉词典['s?m?li:] n. (使用like或as等词语的)明喻 明喻是一种最简单、最常见的修辞方法,是以两种具有共同特征的事物或现象进行对比,表明本体和喻体的关系,两者都在对比中出现,其基本格式是“A像B”,常用的比喻词有as, like, as if, as though等。如果使用得当可以把深奥的道理说得通俗、浅显、明白,使人可见可感可悟,把简单的事物表达的更为形象更为生动。例如: Like climbing a mountain, we struggle up three feet and fall back two.(正如爬山,我们费力爬上三英尺,又掉下去两英尺。)(大学英语第一册第三单元课文B) I see also the dull, drilled, docile, brutish masses of the Hun soldiery blodding on like a swarm of crawling locusts.(丘吉尔在此使用了一个恰当的比喻,把德国士兵比作蝗虫,因为二者有着共同之处-传播毁灭。) 2暗喻(the metaphor) metaphor -简明英汉词典 ['met?f?] n. 隐喻

暗喻也是一种比喻,但不用比喻词,因此被称作缩减了的明喻(a compressed simile)。它是根据两个事物间的某些共同的特征,用一事物去暗示另一事物的比喻方式。本体和喻体之间不用比喻词,只是在暗中打比方,从而更生动、更深刻地说明事理,增强语言的表现力。例如: I will do anything I can to help him through life's dangerous sea.(我将全力帮助他穿越人生的惊涛骇浪。)(第二册第三单元课文A) Consider that the same cultural soil producing the English language also nourished the great principles of freedom and right of man in the modern world.(想想吧,孕育英语的文化土壤也同样为当今世界培育了自由和人权准则。)(大学英语第二册第七单元课文A) Each letter was a seed falling on a fertile heart. A romance was budding.(每一封信就像落在肥沃土地上的种子,浪漫之花含苞待放。)(大学英语第一册地五单元课文A) 3 转喻(the metonymy) 转喻是通过相近的联想,借喻体代替本体。转喻是比隐喻更进一步的比喻,它根本不说出本体事物,直接用比喻事物代替本体事物。例如: The buses in America are on strike now.美国的公共汽车司机正在罢工(这里buses 喻指司机drivers)。“Well,”said the doctor.“I will do all that science can accomplish. But whenever my patient begins to count the carriages in her funeral porcession I subtract 50 per cent from the curative power of medicines.”(“好吧,”医生说,“我会尽力做到科学能做到的,但每当我的病人开始数自己葬礼上的马车时,药物的疗效就会减掉一半。”)(大学英语第三册第六单元课文A) 4夸张(the exaggeration) exaggeration -英汉双向大词典 D.J.[?g?z?d???re???n] - exaggeration n. 1.夸张,夸大 2.夸张的言语;夸张的手法 - Exaggeration n. 夸张;夸大 把事物的特征,有意地加以夸大或缩小,就叫夸张,即采用“言过其实”的说法,使事物的本质特征更好地呈现出来。英语中夸张修辞格,应用极为频繁。夸张的功能是突出事物的本质特征,因而给人强烈印象或警悟、启发。例如:

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英语修辞手法

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《英语修辞》作业参考答案

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英语中19种修辞手法和例句

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英语十六种修辞手法解读 文章语句有了修辞,就像给素描加上了丰富的色彩,变得曼妙动人,所以,写作造句中我们要善于使用修辞手法。英语有16种比较常用的修辞手法,今天和大家讲一下其中的8种修辞手法,以及解释和例句,它们分别是:Simile明喻 Metaphor隐喻,暗喻 Metonymy转喻 Synecdoche提喻 Synesthesia通感 Personification拟人 Hyperbole夸张 Parallelism排比,平行 Euphemism委婉,婉辞法 Allegory讽喻,比方 Irony反语 Pun双关 Rhetorical question修辞疑问 Antithesis对照,对比,对偶 Paradox似是而非 Oxymoron矛盾修饰法 Climax渐进法,层进法 Anticlimax渐降法。 1.Simile明喻 明喻是将具有共性的不同事物作对比。这种共性存在于人们的心里,而不是事物的自然属性。 标志词常用like,as,seem,as if,as though,similar to,such as等。 例如: 1>.He was like a cock who thought the sun had risen to hear him crow.

2>.I wandered lonely as a cloud. 3>.Einstein only had a blanket on,as if he had just walked out of a fairy tale. 2.Metaphor隐喻,暗喻 隐喻是简缩了的明喻,是将某一事物的名称用于另一事物,通过比较形成. 例如: 1>.Hope is a good breakfast,but it is a bad supper. 2>.Some books are to be tasted,others swallowed,and some few to be chewed and digested. 3.Metonymy转喻 借喻不直接说出所要说的事物,而使用另一个与之相关的事物名称. I.以容器代替内容,例如: 1>.The kettle boils.水开了. 2>.The room sat silent.全屋人安静地坐着. II.以工具代替事物的名称,例如: Lend me your ears,please.请听我说. III.以作者代替作品,例如: a complete Shakespeare莎士比亚全集 VI.以具体事物代替抽象概念,例如: I had the muscle,and they made money out of it.我有力气,他们就用我的力气赚钱。 3.Synecdoche提喻 提喻用部分代替全体,或用全体代替部分,或特殊代替一般. 例如: 1>.There are about100hands working in his factory.(部分代整体) 他的厂里约有100名工人. Walls have ears.隔墙有耳.

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1. 明喻simile Simile refers to a direct comparison between two or more things, normally introduced by like or as. He has been as drunk as a fiddler’s bitch. 1. 他醉得像小提琴手的母狗。 2. 他曾喝得酊名大醉/烂醉如泥。 If We haven’t got any money, we can’t buy a television.It’s as plain as the nose on your face. 1. 如果我们没有钱,就不能买电视机。这就像脸上的鼻子一样清楚明了。 2. 没有钱我们就不能买电视机。这就像秃子头上的虱子——明摆着的事。 Mr. Smith may serve as a good secretary, for he is as close as an oyster. 史密斯先生可以当个好秘书,因为他嘴巴紧得像牦蛎. 史密斯先生可以当个好秘书,因为他守口如瓶。 I see also the dull, drilled, docile, brutish masses of the Hun soldiery plodding on like a swarm of crawling locusts. 2. 隐喻metaphor Metaphor is an implied comparison between two or more things achieved by identifying one with the other. That lady tries to make sheep’s eyes at her new boss. 1. 那位女士想向新老板投去绵羊之眼。 2. 那位女士想向新老板献媚。 Little donkeys with harmoniously tinkling bells thread their way among the throngs of people entering and leaving the bazaar. It grows louder and more distinct, until you round a corner and see a fairyland of dancing flashes, as the burnished copper catches the light of innumerable lamps and braziers. The dye-market, the pottery-market, and the carpenters’ market lie elsewhere in the maze of vaulted streets which honeycomb this bazaar. It is a vast ,somber cavern of a room ,some thirty feet high and sixty feet square , and so thick with the dust of centuries that the mudbrick roof are only dimly visible. Churchill, he reverted to this theme, and I asked whether for him, the arch anti-communist, this was not bowing down in the House of Rimmon. I see the Russian soldiers standing on the threshold of their native land ,guarding the fields which their fathers have tilled from time immemorial. I see the German bombers and fighters in the sky ,street smarting from many a British whipping

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