英国文学课件copy

英国文学课件copy
英国文学课件copy

Brutus addresses the crowd, saying that while he loved Caesar, he loved Rome more. He asks them whether they would prefer it if Caesar were alive and they all slaves, or Caesar were dead and they were free? Brutus honors Caesar for his bravery but says he killed him because he was ambitious. Who wants to be a slave? he asks. Who does not love his country? He invites a response from the crowd, which cries out in support of him. Brutus concludes that he can have offended no one by his act. As Antony enters with Caesar's body, Brutus tells the crowd that he killed his best friend for the sake of Rome, and that he has the same dagger reserved for himself, when his country should need his death. He then leaves to the cheers of the crowd, insisting that everyone stay to hear Antony's speech. The crowd is convinced by Brutus's speech that Caesar was a tyrant. Antony addresses the crowd. He says he came to bury Caesar, not to praise him. Brutus has said that Caesar was ambitious, and if that was true, then it was a bad fault in Caesar, and he has fully paid for it. Antony points out that he speaks with the permission of the assassins, and he calls Brutus an honorable man, as are all they all. He says that Caesar was his friend and always behaved fairly to him. Then he repeats that Brutus said Caesar was ambitious, and Brutus is an honorable man. But then he begins to cast doubt on the case against Caesar. He points out that Caesar brought home many captives to Rome, whose ransoms increased Rome's revenues. Was that ambitious? When the poor suffered, Caesar pitied and wept with them. Did that seem ambitious? He repeats for a third time that that Brutus said Caesar was ambitious, and that Brutus is an honorable man. Next, he reminds the crowd that three times he tried to present Caesar with a crown, and each time Caesar rejected it. Was that ambitious? Once more Antony repeats the reference to Brutus and the fact that he is honorable. He claims that he is not there to disprove what Brutus has said, only to speak what he knows. He asks the crowd that since they all loved Caesar once, why can they not mourn for him? For a moment he is overcome by tears and has to pause. Antony's speech is beginning to have its effect. Convinced by the points he has made, the crowd is ready to change sides and denounce Brutus. Continuing, Antony claims it is not his intention to stir up rage against Cassius and Brutus (who are honorable men). Then he produces Caesar's will. If the people could hear it, he says, even though he does not intend to read it, they would kiss Caesar's wounds, by which he means that they would be extremely grateful to him. The crowd clamors to hear the will, but Antony says it is not good for them to know how much Caesar loved them; it will only inflame them and make them angry. The crowd continues to call for the will. Persuaded by the clamor, tells them to form a circle around Caesar's corpse. Antony points to each of the many wounds in Caesar's mantle, describing which was made by which conspirator. He makes particular play with the wound caused by Brutus, whom Caesar loved. When Caesar saw Brutus stab him, he was overcome by Brutus' ingratitude far more than any physical wounds. For the first time, Antony refers to the assassination as treason. Then he pulls back the mantle and shows Caesar's body. The crowd is shocked and calls for revenge. Antony asks them to restrain themselves, although as he explains himself, referring again to the "honorable" men who killed Caesar, and saying that he has no gift of oratory, unlike Brutus, to stir men to action. But if he were Brutus, and Brutus Antony, then he would speak with passion and call for mutiny in Rome. The crowd is about to scatter and stir up a rebellion when Antony reminds them that they have not heard the will yet. 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ruthless and with a fiercer hunger for power, would never have made if left to himself. In the game of power politics, ruthlessness pays bigger dividends than nobility.

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By prearrangement, Brutus and the other conspirators arrive to accompany Caesar, hoping to fend off any possible warnings until they have him totally in their power at the Senate. Unaware that he is surrounded by assassins and shrugging off Calphurnia’s exhortations, Caesar goes with them.Despite the conspirators’ best efforts, a warning is pressed into Caesar’s hand on the very steps of the Capitol, but he refuses to read it. Wasting no further time, the conspirators move into action. Purposely asking Caesar for a favor they know he will refuse, they move closer, as if begging a favor, and then, reaching for their hidden weapons, they kill him before the shocked eyes of the senators and spectators.Hearing of Caesar’s murder, Mark Antony, Caesar’s closest friend, begs permission to speak at Caesar’s funeral. 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These three men, known as triumvirs,have formed a group called the Second Triumvirate to pursue the common goal of gaining control of the Roman Empire.Months pass, during which the conspirators and their armies are pursued relentlessly into the far reaches of Asia Minor. When finally they decide to stop at the town of Sardis, Cassius and Brutus quarrel bitterly over finances. Their differences are resolved, however, and plans are made to meet the forces of Antony, Octavius, and Lepidus in one final battle. Against his own better judgment, Cassius allows Brutus to overrule him: Instead of holding to their well-prepared defensive positions, Brutus o rders an attack on Antony’s camp on the plains of Philippi. Just before the battle, Brutus is visited by the ghost of Caesar. “I shall see thee at Philippi,” the spirit warns him, but Brutus’ courage is unshaken and he goes on.The battle rages hotly. At fi rst, the conspirators appear to have the advantage,

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History and Anthology of English Literature Part One The Anglo-Saxon Period Beowulf Questions: 1.The earliest literature falls into two divisions ___________, and_______________. 2.Christianity brings England not only __________ and___________but also the wealth of a new language. 3.Who is Beowulf? And What is Beowulf? 4.How did Beowulf come into being? 5.Who is Grendel? And what is the result of Grendel?s fight with Beowulf? 6.How did the Jutes hold the funeral for him? Key points of this part: The most important work of old English literature is Beowulf------- the national epic of the English people. It is of Germanic heritage, perhaps the greatest Germanic epic and contains evidently pre-Christian elements existing at first in an oral tradition, the poem was passed from mouth to mouth for generations before it was written down. The manuscript preserved today was written in the Wessex tongue about 1000A.D., consisting altogether of 3183 lines. There are three episodes related to the career of Beowulf: 1.the fight with the monster, Grendel. 2.The fight with Grendel?s mother, a still more frightful she-monster. 3.The moral combat with the fire Dragon. The significance lies in the vivid portrayal of a great national hero, who is brave, courageous, selfless, and ever helpful to his people. There are three important features:: 1.Alliteration (words beginning with the same consonant sound). This is characteristic of all old English verse. 2.Metaphors and understatements. There are many compound words used in the poem to serve as indirect metaphors that are sometimes very picturesque. , e.g. “riging-giver”is used for King; “hearth-companions “for his attendant warriors; “Whale?s road” for the sea; “spear-fighter” for soldier etc. And as understatement we can see: “not troublesome”for welcome; “need not praise”for a right to condemn. This quality is often regarded as characteristic of the English people and their language. 3.Mixture of pagan and Christian elements: the observing of omen, cremation, blood-revenge, and the praise of worldly glory.

刘炳善英国文学史课件完整版

Chapter 4 Robert Browning. (1) Life: married Elizabeth Barret, a poetess. (2) Works:①< My Last Dutchess>我已故的公爵夫人 ②< Home Thoughts From Abroad>海外乡思③Pippa Passes 3) the Dramatic Monologue The dramatic monologue is a soliloquy in drama in which the voice speaking is not the poet himself, but a character invented by the poet, so that it reflects life objectively. It was imitated by many poets after Browning and brought to its most sophisticated form by T. S. Eliot in his The Love Song of J. Alfred Prufrock (1915) 4)He introduced to English poetry a new form ,the dramatic monologue He has been praised as a "a genius in courageous and high- hearted figure", well-known for buoyant optimism. Elizabeth Barrett Browing: Sonnet from the Portuguese>葡萄牙十四行诗 Chapter 5 the Rossettis and Swinburne 1 Dante Gabriel Rossetti Poem: The Blessed Damozel 2 Christina Georgina Rossetti Poem: Goblin Market 3 Fitzgerald's Rubaiyat 4 Algernon Charles Swinburne Chapter 6 William Morris Poet, artist, socialist Poem: The Defence of Guenvere The Life and Death of Jason The Early Paradise Sigurd the V olsung The aim of his works is to bring beauty into the life of his countrymen Prose: A Dream of Jhon Ball News from Nowhere Chapter 7 literary trends at the end of the century 1 naturalism: Naturalism is a literary trend prevailing in Euope. According to the naturalism, literature must be ture to life and exactly reproduce real life, including all its details without any selection. They usually write about the life of the poor and oppressed, or the slum life, they can oly represent the external appearance instead of the inner essence of real life. George Gissing,: 2 neo-romanticism Dissatisfied with the drab and ugly social reality and yet trying to avoid the positive solution of the acute social contradictions. They laid emphasis upon the invention of exciting adventures and fascinating stories to entertain the reading public. They led the novel back towards stiry-telling and to romance. Robert Louis Stevenson 金银岛 3 aestheticism the basic theory of the aesthetic –“art for art’s sake” – was set forth by a French poet, Theophile Gautier. The first Englishman who wrote about the theory of aestheticism was Walter Peter, the most important critical writer of the late Victorian period, whose most important works were studies in the History of Renaissance and Appreciations. The chief representative of the movement in England was Oscar Wilde, with his The Picture of Dorian Gray. Aestheticism places art above life, and holds that life should imitate art, not art imitate life. According to aesthetes, all artistic creation is absolutely subjective as opposed to objective. Art should be free from any influence of egoism. Only when art is for art’s sake can it be immortal. It should be restricted to contributing beauty in a highly polished style. . Oscar Wilde奥斯卡?王尔德1856~1900 (The Aesthetic Movement: Art for Art’s Sake) ① 4 Comedies: 认真的重要 温德米尔夫人的扇子 一个无足轻重的女人 理想的丈夫 ② Novel: 多利安?格雷的画像 ③ Fairy Stories: 快乐王子故事集

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Brutus addresses the crowd, saying that while he loved Caesar, he loved Rome more. He asks them whether they would prefer it if Caesar were alive and they all slaves, or Caesar were dead and they were free? Brutus honors Caesar for his bravery but says he killed him because he was ambitious. Who wants to be a slave? he asks. Who does not love his country? He invites a response from the crowd, which cries out in support of him. Brutus concludes that he can have offended no one by his act. As Antony enters with Caesar's body, Brutus tells the crowd that he killed his best friend for the sake of Rome, and that he has the same dagger reserved for himself, when his country should need his death. He then leaves to the cheers of the crowd, insisting that everyone stay to hear Antony's speech. The crowd is convinced by Brutus's speech that Caesar was a tyrant. Antony addresses the crowd. He says he came to bury Caesar, not to praise him. Brutus has said that Caesar was ambitious, and if that was true, then it was a bad fault in Caesar, and he has fully paid for it. Antony points out that he speaks with the permission of the assassins, and he calls Brutus an honorable man, as are all they all. He says that Caesar was his friend and always behaved fairly to him. Then he repeats that Brutus said Caesar was ambitious, and Brutus is an honorable man. But then he begins to cast doubt on the case against Caesar. He points out that Caesar brought home many captives to Rome, whose ransoms increased Rome's revenues. Was that ambitious? When the poor suffered, Caesar pitied and wept with them. Did that seem ambitious? He repeats for a third time that that Brutus said Caesar was ambitious, and that Brutus is an honorable man. Next, he reminds the crowd that three times he tried to present Caesar with a crown, and each time Caesar rejected it. Was that ambitious? Once more Antony repeats the reference to Brutus and the fact that he is honorable. He claims that he is not there to disprove what Brutus has said, only to speak what he knows. He asks the crowd that since they all loved Caesar once, why can they not mourn for him? For a moment he is overcome by tears and has to pause. Antony's speech is beginning to have its effect. Convinced by the points he has made, the crowd is ready to change sides and denounce Brutus. Continuing, Antony claims it is not his intention to stir up rage against Cassius and Brutus (who are honorable men). Then he produces Caesar's will. If the people could hear it, he says, even though he does not intend to read it, they would kiss Caesar's wounds, by which he means that they would be extremely grateful to him. The crowd clamors to hear the will, but Antony says it is not good for them to know how much Caesar loved them; it will only inflame them and make them angry. The crowd continues to call for the will. Persuaded by the clamor, tells them to form a circle around Caesar's corpse. Antony points to each of the many wounds in Caesar's mantle, describing which was made by which conspirator. He makes particular play with the wound caused by Brutus, whom Caesar loved. When Caesar saw Brutus stab him, he was overcome by Brutus' ingratitude far more than any physical wounds. For the first time, Antony refers to the assassination as treason. Then he pulls back the mantle and shows Caesar's body. The crowd is shocked and calls for revenge. Antony asks them to restrain themselves, although as he explains himself, referring again to the "honorable" men who killed Caesar, and saying that he has no gift of oratory, unlike Brutus, to stir men to action. But if he were Brutus, and Brutus Antony, then he would speak with passion and call for mutiny in Rome. The crowd is about to scatter and stir up a rebellion when Antony reminds them that they have not heard the will yet. Antony announces that Caesar gives to every Roman citizen the sum of seventy-five drachmaes. He has also left his forest and orchards to be public pleasure-grounds, where anyone can walk. The common people rush off, vowing to burn down the assassins' houses. Antony is satisfied at what his words have achieved and waits for whatever events unfold. A servant enters and tells Antony that Octavius, and Lepidus have arrived. He also says that Brutus and Cassius have fled Rome. Antony assumes it is because they heard of how he had stirred the people up against them. Brutus makes an effective speech that appeals to reason. But he is far surpassed by the brilliant cunning of Antony, who plays directly on the emotions of the crowd. Through the use of irony, he not only manages to suggest that Brutus and his fellow conspirators are not honorable men, he does so without violating the conditions imposed on him: that he not speak ill of the assassins. Not only are Antony's words devastating in the way they undermine Brutus's speech, he is also a master actor. The pause for tears, for example, whether sincere or not, is dramatically effective, and Antony's use of his props, the dead body-who could not be moved by the sight of Caesar's bloody corpse?-and the will, are also superb in their timing and effect. It is clear that Brutus has made a series of miscalculations. His biggest mistake is to allow Antony to speak at the funeral. He then compounds the error by leaving the scene after his own speech, which effectively gives Antony the last word. It seems that Brutus is so concerned with acting nobly (or perhaps trying to convince everyone, including himself, that he is doing so), that he makes the kind of blunders that Cassius, more

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