经典悬疑电影带影评
悬疑惊悚类电影一直是很多电影迷的最爱，喜欢悬疑类电影的朋友这些影片一定要看啊~
全部电影(41)
2010-08-22 15:55:01添加1. 七宗罪Se7en
导演: David Fincher
主演: Brad Pitt/Morgan Freeman/Kevin Spacey/Gwyneth Paltrow/R. Lee Ermey/Charles
S. Dutton
评语: 宗教与犯罪的完美结合，布拉德皮特摩根弗里曼两大实力派演员完美演绎，揭示人
间七大罪恶，你犯过几条？
2010-08-22 15:55:01添加2. 第九道门The Ninth Gate
导演: Roman Polanski
主演: Johnny Depp/Frank Langella/Lena Olin/Emmanuelle Seigner
评语: 德普魅力无人能挡啊
2010-08-22 15:55:01添加3. 神秘拼图The Bone Collector
导演: Phillip Noyce
主演: Denzel Washington/Angelina Jolie/Queen Latifah/Michael Rooker/Mike McGlone
评语: 宗教与犯罪，情节紧张悬疑佳作
2010-08-22 15:55:01添加4. 失真的画Anamorph
导演: Henry Miller
主演: Willem Dafoe/Scott Speedman/Peter Stormare/Clea DuVall/Samantha MacIvor
评语: 与艺术有关的悬疑惊悚，杀人手法奇特
2011-01-07 12:18:55添加5. 盗梦空间Inception
导演: 克里斯托弗·诺兰Christopher Nolan
主演: 莱昂纳多·迪卡普里奥Leonardo DiCaprio/约瑟夫·高登-莱维特Joseph
Gordon-Levitt/艾伦·佩吉Ellen Page/渡边谦Ken Watanabe (I)/汤姆·哈迪Tom Hardy/迪利
普·劳Dileep Rao/玛丽昂·歌迪亚Marion Cotillard/希里安·墨菲Cillian Murphy/汤姆·贝伦
杰Tom Berenger/迈克尔·凯恩Michael Caine (I)/卢卡斯·哈斯Lukas Haas/皮特·波斯尔思
韦特Pete Postlethwaite
评语: 诺兰你还能再NB点吗
2010-08-22 16:31:31添加6. M就是凶手M
导演: Fritz Lang
主演: Peter Lorre/Ellen Widmann/Inge Landgut/Otto Wernicke
评语: 弗里茨朗1931年作品，以当时来讲出色的环境烘托与拍摄手法，值得一看。2010-08-22 15:55:01添加7. 万能钥匙The Skeleton Key
导演: 伊恩·索夫特雷Iain Softley
主演: Kate Hudson/Gena Rowlands/John Hurt/Peter Sarsgaard/Joy Bryant
评语: 与宗教有关的惊悚佳作
2011-01-07 12:32:33添加8. 电锯惊魂Saw
导演: James Wan
主演: Leigh Whannell/Cary Elwes/Danny Glover/Monica Potter/Mike Butters
评语: saw1是我最欣赏的一部，悬疑部分很精彩，并不是一味的血腥，前几部都还不错，其他的可以忽略不计了
2010-08-22 16:42:15添加9. 神探
导演: 杜琪峰/韦家辉
主演: 刘青云/安志杰/林家栋/林熙蕾/李国麟/李彩宁/陈慧珊/林雪/张兆辉/刘锦玲/郭少芸/郑保瑞
评语: 刘青云领衔，没个人心理都有鬼，结局很难琢磨
2012-05-01 23:11:58添加10. 调音师L'accordeur
导演: Olivier Treiner
主演: 格雷戈瓦·勒普兰斯-林盖Grégoire Leprince-Ringuet/Danièle Lebrun/格莱高利?嘉德波瓦Grégory Gadebois/Emeline Gue
评语: 神作短片，细细品味。
2010-08-22 15:56:04添加11. 心理游戏The Game
导演: David Fincher
主演: Michael Douglas/Sean Penn/Deborah Kara Unger/James Rebhorn/Carroll Baker 评语: 玩笑开大了
2011-01-07 12:22:54添加12. 睁开你的双眼Abre los ojos
导演: Alejandro Amenábar
主演: Eduardo Noriega/Penélope Cruz/Fele Martínez/Najwa Nimri/Chete Lera
评语: 被好莱坞翻拍然而却无法超越，盗梦空间也不过如此
2010-08-22 16:11:13添加13. 追随Following
导演: Christopher Nolan
主演: Jeremy Theobald/Alex Haw/Lucy Russell/John Nolan/Dick Bradsell
评语: 克里斯托弗诺兰处女座，这部电影的出现意味着一个伟大的导演的诞生
2010-08-22 15:56:33添加14. 记忆碎片Memento
导演: Christopher Nolan
主演: Guy Pearce/Carrie-Anne Moss/Joe Pantoliano/Russ Fega/Jorja Fox
评语: 冷乱的思绪拼接的一起，很有意思的电影
2010-08-22 16:13:50添加15. 杀人回忆?????
导演: 奉俊昊Joon-ho Bong
主演: 宋康昊Kang-ho Song/金相庆Sang-kyung Kim/金罗河/宋在河Jae-ho Song/朴努植No-shik Park/朴海日Hae-il Park
评语: 算是韩国最佳电影了，中国应该学习学习
2010-08-22 15:57:03添加16. 穆赫兰道Mulholland Dr.
导演: David Lynch
主演: Naomi Watts/Laura Harring/Ann Miller/Justin Theroux/Scott Coffey/梅利莎·乔治Melissa George
评语: 影片很精妙，考验你的逻辑能力
2010-08-22 15:57:51添加17. 蝴蝶效应The Butterfly Effect
导演: 埃里克.布雷斯Eric Bress/J. Mackye Gruber
主演: 阿什顿·库彻Ashton Kutcher/艾米·斯马特Amy Smart/埃尔登·汉森Elden Henson/罗根·勒曼Logan Lerman
评语: 人的一生一定是不完美的不要想去改变
2010-08-22 16:36:20添加18. 电话谋杀案Dial M for Murder
导演: Alfred Hitchcock
主演: Ray Milland/Grace Kelly/Robert Cummings
评语: 希区柯克代表作经典
红色经典读后感10篇精华版
《红色经典读后感》 红色经典读后感（一）： 《红色之旅》读后感 《红色之旅》再次把我带回到上个世纪那腥风血雨的年代：硝烟弥漫于整个大地，国家四 分五裂，国恨家仇那是一段屈辱史！然而，无数仁人志士怀着一颗赤忱的爱国心，为解救人民 为解救民族而艰苦探索在此危难时刻，中国共产党应运而生，登上历史的舞台，带领中国人民 艰苦创业，从此，中国的面貌涣然一新！ 在这段跨越时空的旅行中，我看到，从中国共产党成立到中华人民共和国建立二十八年间，党克服重重困难，在逆境中谋求发展，由五十三人的小党派一跃成为推动中国革命胜利的中坚 力量，创造出万里长征等无数震惊万世的奇迹，成为指引中国人民和中华民族的政治、经济、 文化的忠实代表，无数惊天地、泣鬼神的感人故事闪耀出璀璨的光芒。 一幕幕；一幅幅；一个个；一处处；一件件 至此，我似乎已经明白《红色之旅》为何如此振奋人心，我能不被先烈们磐石无转移的赤 诚之心为之震撼和感动吗？ 当我驻足于刘胡兰纪念馆时，刘胡兰气宇轩昂、正气凛然的雕像和生的伟大，死的光荣又 一次使我们想起这位正值妙龄的少女悲惨而悲壮的命运。时年不足十五岁的共产党员在敌人的 威逼利诱面前不为所动，毅然选取死亡，坦然躺在刀坐上，迎接死亡的到来，但刘胡兰永远活 在我们心中！ 我个人比较喜欢红色经典的小说，没事的时候也会经常看一些这样的书籍还有电影，因为 我总觉得这是我们国家诞生的标记，没有这些书籍、影音制品，我们怎样样看到我们国家一步 一步的富强？所以红色经典是十足的珍贵的。 红色经典读后感（二）： 在这个国庆长假里，我怀着崇敬的情绪读完了《党在我心中》这本书。这是一本爱国主义 教育用书，里面描述众多革命的英雄人物：爱国主义者李大钊在临死前坚贞不屈，视死如归、 民族赤子俞秀松，他舍己为人，默默无闻的把生命奉献给祖国、还有巾帼不让须眉人女英雄赵 一曼，她受尽酷刑，从不畏惧，把自我的生死置之度外，昂首挺胸的和敌人对抗到底也不屈服 在这本书中，让我最钦佩的还是舍身堵枪眼的黄继光。当他得知所在营美军为首的联合国 军和南朝鲜军激战４昼夜后，又奉命夺取上甘岭西侧５９７。９高地。黄继光挺身而出，请求 担负爆破任务。在弹药用尽的状况下，他顽强地向火力点爬去，靠近地堡射孔时，奋力扑上去，用自我的胸膛，死死地堵住了敌人正在喷射火舌的枪眼，壮烈捐躯。在黄继光英雄壮举的激励下，部队迅速攻占零号阵地，全歼守敌两个营。 我几乎是留着眼泪看完他的光辉事迹，他的大无畏英雄气概让我佩服。他的钢铁英雄形象 在我心里挥之不去。黄继光舍身堵枪眼的英雄壮举，激励和教育了几代人，虽然他己经离我们 远去了，但他永远活在我们的心中。成了我们后代人的榜样。 应对这些钦佩的同志，他们从没有什么豪言壮语，也没有向组织要求过什么，总以自我真 诚的心履行为党奉献了一生的承诺，以自我无私奉献的精神，将自我的命运同党伟大的理想绑
30部好看经典悬疑电影
盘点我心中最好看30部最好看的经典悬疑电影 盘点一下心目中的最好看的经典悬念电影，从后往前数： 30. 《心慌方》 试想像当你一觉醒来，发现独处高度精密且结构繁复，地下甚至天花也是由一个个正立方体切成的，没有食物、饮料，身上穿了囚犯般的简陋衣服，心乱如麻的你四处试探，试图逃出生天。机关找到了，推门进去，是没完没了的密室。 但是，他们面对敌人不仅仅是立方体，而是他们自己…… 29.《心理游戏》 通过心理游戏能有针对性地指导解决人们存在的自我意识、学习潜能、情绪调控、沟通交往、生存意志、心灵成长等方面的困惑，有效地帮助解决集体建设中面对的如环境适应、成功激励、合作竞争、感恩责任、创新拓展等难题。心理游戏是一种在团体情境中提供心理学帮助与指导的重要方式，它是通过团体内人际交互作用，促使个体在交往中通过观察、学习、体验，认识自我，探讨自我、接纳自我，调整和改善与他人的关系，学习新的态度和行为方式，以发展良好的生活适应的助人过程。
28. 《狙击电话亭》 广告推销员斯图在外面瞒着妻子有一个秘密情人，为了躲避妻子的电话单检查，这天他又偷偷溜到街上公用电话亭准备打电话约会情人。不料，在他进入电话亭的一刹那，电话铃 响了。虽然不知是谁打的电话，出于习惯，斯图拿起了听筒。
一把阴沉单调的男声随即响起，警告斯图不要挂掉，否则将血渐街头！斯图当然没有理会这恶作剧般的警告，马上挂了电话。这时，一声枪响，一名路人已经倒在地上。斯图吓得魂飞魄散，动也不敢动。 闻讯而来，然而他们对斯图的解释怎么也不相信，斯图还成了枪击案的主要嫌疑人。一时间，全城轰动，斯图的妻子和情人都闻讯赶来了。 27.《十二宫》 二十世纪70年代，旧金山出现了一个自称“十二宫”的杀人狂，杀人后，向媒体寄一封信，留下密码、线索，向警方挑衅，多次的阴差阳错使案件陷入僵局，警方渐渐束手无策。连环杀人案件也引起了《旧金山纪事报》的记者罗伯特（杰克?格兰恩哈尔饰）和保罗（小罗伯特?唐尼饰）的注意，他们在**大卫（马克?普法洛饰）的帮助下，开始调查这一系列的连环凶杀案件，在和“十二宫”杀手斗志斗勇的同时，他们个人的生活也面临了极大的挑战。 26.《玩命记忆》 在一座停产的密闭工厂里，五个男人从昏迷中转醒，但他们却想不起来自己身为何人，又为何在这里，唯一清楚的是，他们被困在这里，而且或被捆、或受伤，状态糟糕。与此同时，一起绑架案的赎金交接程序正在进行，歹徒依靠高明的事前准备成功拿到了钱并脱身，暗中监视的**们迅速展开了追击。厂房里的五个男人在经过搜寻模糊的记忆片段与分析后，大致理清了当下的形势：五人中有两人是被绑架的某公司总裁寇斯与同事麦肯，其他三人则是绑匪，真正的寇斯与麦肯必须在收钱的绑匪返回前脱身，否则将面临撕票的危险，但是在身份无法确定的情况下，每个人想要保住自身安全又谈何容易？
Journey to the Center of the Earth(地心游记)2008经典电影英文影评
Journey to the Center of the Earth（地心游记）2008 There is a part of me that will always have affection for a movie like "Journey to the Center of the Earth." It is a small part and steadily shrinking, but once I put on the 3-D glasses and settled in my seat, it started perking up. This is a fairly bad movie, and yet at the same time maybe about as good as it could be. There may not be an 8-year-old alive who would not love it. If I had seen it when I was 8, I would have remembered it with deep affection for all these years, until I saw it again and realized how little I really knew at that age. You are already familiar with the premise, that there is another land inside of our globe. You are familiar because the Jules Verne novel has inspired more than a dozen movies and countless TV productions, including a series, and has been ripped off by such as Edgar Rice Burroughs, who called it Pellucidar, and imagined that the Earth was hollow and there was another world on the inside surface. (You didn't ask, but yes, I own a copy of Tarzan at the Earth's Core with the original dust jacket.) In this version, Brendan Fraser stars as a geologist named Trevor, who defends the memory of his late brother, Max, who believed the center of the Earth could be reached through "volcanic tubes." Max disappeared on a mysterious expedition, which, if it involved volcanic tubes, should have been no surprise to him. Now Trevor has been asked to spend some time with his nephew, Max's son, who is named Sean (Josh Hutcherson). What with one thing and another, wouldn't you know they find themselves in Iceland, and peering down a volcanic tube. They are joined in this enterprise by Hannah (Anita Briem), who they find living in Max's former research headquarters near the volcano he was investigating. Now begins a series of adventures, in which the operative principle is: No matter how frequently or how far they fall, they will land without injury. They fall very frequently, and very far. The first drop lands them at the bottom of a deep cave, from which they cannot possibly climb, but they remain remarkably optimistic: "There must be a way out of here!" Sure enough, they find an abandoned mine shaft and climb aboard three cars of its miniature railway for a scene that will make you swear the filmmakers must have seen "Indiana Jones and the Temple of Doom." Just like in that movie, they hurtle down the tracks at breakneck speeds; they're in three cars, on three more or less parallel tracks, leading you to wonder why three parallel tracks were constructed at great expense and bother, but just when such questions are forming, they have to (1) leap a chasm, (2) jump from one car to another, and (3) crash. It's a funny thing about that little railway: After all these years, it still has lamps hanging over the rails, and the electricity is still on. The problem of lighting an unlit world is solved in the next cave they enter, which is inhabited by cute little birds that glow in the dark. One of them makes friends with Sean, and leads them on to the big attraction -- a world bounded by a great interior sea. This world must be a terrible place to inhabit; it has man-eating and man-strangling plants, its waters harbor giant-fanged fish and fearsome sea snakes that eat them, and on the further shore is a Tyrannosaurus rex. So do the characters despair? Would you despair, if you were trapped miles below the surface in a cave and being chased by its hungry inhabitants? Of course not. There isn't a moment in the movie when anyone seems frightened, not even during a fall straight down for thousands of feet, during which they link hands like sky-divers and carry on a conversation. Trevor gets the ball rolling: "We're still falling!" I mentioned 3-D glasses earlier in the review. Yes, the movie is available in 3-D in "selected theaters." Select those theaters to avoid. With a few exceptions (such as the authentic IMAX process), 3-D remains underwhelming to me -- a distraction, a disappointment and more often than not offering a dingy picture. I guess setting your story inside the Earth is one way to explain why it always seems to need more lighting. The movie is being shown in 2-D in most theaters, and that's how I wish I had seen it. Since there's that part of me with a certain weakness for movies like this, it's possible I would have liked it more. It would have looked brighter and clearer, and the photography wouldn't have been cluttered up with all the leaping and gnashing of teeth. Then I could have appreciated the work of the plucky actors, who do a lot of things right in this movie, of which the most heroic is keeping a straight face. 1
[红色经典电影观后感]爱国电影观后感(精选三篇)
[红色经典电影观后感]爱国电影观后感（精选三篇） 【--手抄报内容】 我看了《小兵张嘎》这部电影后，我受益匪浅。我被电影中的主人公张嘎不屈不挠，热爱祖国，机智勇敢的精神深深感动。 这个电影的故事内容大约是：在1934年，有个名叫嘎子的小朋友，亲眼看见自己的奶奶为掩护八路军被日本鬼子杀害，他怀着为奶奶报仇的愿望，跟游击队一起生活，一起战斗，配合游击队打败敌人。 嘎子小时生活很苦，少年时就参加了红军，他给红军带来了快乐，多次完艰巨的任务。有一次，他屁股上中了敌人一枪，但他仍不顾伤痛毅然追上去，聪明的小脑袋用一只假枪就把敌人的首领捉了回去，为红军立了大功，当时我不仅很佩服嘎子，他人小胆大。还有一次，为了打探敌情，嘎子和罗金保叔叔装扮成卖西瓜的小贩，捉了胖翻译，并缴了他的枪，为了不让队长把枪收回去，他竟然把它藏到了鸟窝里，因而受到了批评并关了禁闭，经过队长的教育，终于认识了错误。在一次战斗中，嘎子受了伤在老乡家里休养，可他知道有任务，就偷偷地跑回参战，不幸被捕了，可他面对敌人，刚强不屈，并配合部队，是战斗取得了胜利，终于成了一名出色的小侦察员。
我要多多学习张嘎不怕敌人、热爱祖国的精神。将来，如果我们国家发生了战争，我也要向张嘎一样，与敌人奋勇斗争，将敌人赶出我们的国土。 暑假期间，我观看了《地道战》这部电影，这部影片中的人物都很聪明，日本军总以为很聪明能够打败八路军，却总是聪明反被聪明误，被八路军打得落花流水。 还没有挖地道时，日本军来攻打这里，人们都躲到井旁边的密道里，日本军就把没有一个人的村子扫荡了一遍。八路军和乡亲们开始挖每家每户都连接的，四通八达的地道，利用这地道总是打胜仗。 我认为，有了困难，不仅要团结一心，还要动脑子想办法，这样才能解决难题。影片中的乡亲们不仅团结在了一起，还共同挖地道，使得日本军在明处，我军在暗处，总是让日本军摸不着头脑的吃败仗，真的好过瘾! 所以大家一起动脑想办法，打了胜仗，胜利也是大家的!我们在生活中也要有这种精神，大家一起解决困难，一起享受成功的快乐! 成功是快乐的，也需要大家共同付出。影片中第一场仗我军是失败的，虽然人都活着，但房子被毁了，所以大家吸取教训，集体的
Seven(七宗罪)1995经典电影英文影评
Seven(七宗罪)1995 David Fincher's classic tale of inventive serial killing and urban degredation, with Brad Pitt and Morgan Freeman on excellent form Who'd have thought? An absurd-sounding tale of a serial killer basing his crimes around the seven deadly sins, directed by the man behind the mess that was Alien3, turning out to be one of the most chilling and original thrillers of the 1990s. From the outset, through the film's brilliantly designed deliberate under-lighting - we see very little blood and guts - and muffled sound, the audience is encouraged to lean towards the screen, immerse itself in the film's unbearably grim world. Pitt is in career-making form as Mills, a simple cop moving with his sweet young wife (Paltrow) to a grim, anonymous city, determined to make a difference, to do some good. He is assigned to track down a vengeful killer, and works alongside Somerset (Freeman), a jaded, wise policeman on the verge of retirement. The two are that modern movie cliché -the mismatched pair thrown together by circumstance, who gradually learn mutual respect. But Fincher and Walker take these hackneyed ingredients, play with them in the context of a brilliantly cohesive plot, and present something consistently fresh - the police finding themselves with too much evidence, the premature unmasking of the killer - and very, very dark. 1
红色电影观后感(精选多篇)
红色电影观后感(精选多篇) 革命尚未成功，同志仍需努力——观看《辛亥革命》有感 最近一段时间，我怀着崇敬的心情观看完了《辛亥革命》，看完很受鼓舞。《辛亥革命》这部电影很好的描述了当年动荡的历史。辛亥革命诞生在晚清政府日益腐朽、资产阶级萌芽与日益加深帝国主义侵略共存的时代，电影把革命产生的一系列重大事件以及革命的意义做了生动细致的阐述。电影以秋瑾就义为起点，以广州起义、孙文海外游说募捐、黄兴国内领导武昌起义、晚清政府内忧外患、各省独立解放、孙文就职临时大总统、袁世凯窃取革命果实等为主线，战争、情感、事件一一俱全，让
人有梦回过去的感觉，又不乏感人至深之境。辛亥革命推翻了清王朝的统治,沉重打击了中外反动势力，为中国人民斗争的发展开辟了道路，辛亥革命结束了统治了中国两千多年的封建君主专制制度,建立了中国历史上第一个资产阶级共和政府,使民主共和观念深入人心,并在中国形成了”敢有帝制者,天下共击之”的民主主义观念，辛亥革命给人们带来了一次思想上的解放。激发了人民的爱过热情和民族觉醒，促使社会经济、思想习惯和社会风俗等方面发生了积极的变化。 今天，我们去回顾它、铭记它，并必将把它给我们传递的一种精神和历史使命延续到以后的无止尽的全心全意为人民服务中去。时光流逝，历史远去。岁月可以改变沧海桑田，但是永远无法抹去历史在此间留下的烙印，那震耳发聩的枪声将永远定格在人类历史的长河中。可以这样说，随着硝烟散去的那一刻起，人们就一直在探究这段历史
以期从中吸取有益的借鉴。想起辛亥革命，我们回到了一个世纪前，武昌首义的枪声拉开了辛亥革命的序幕，随着各省份的独立，在孙文的领导下革命最终取得成功。 一个世纪的光阴犹如弹指一挥间，历史不容假设，所以我很难想像，如果100多年前，没有这样一部分人为了心中的信念、自己的理想用抛头颅洒热血的方式执着的追寻新的希望，那么如今的中国该是怎样的一种场面？不过，既然历史没有留给我们血雨腥风的生活，没有留给我们戎马疆场的机会，那么我们就该以新的方式开拓进取，去寻找利国利民的新道路。 看完《辛亥革命》，我们倍受鼓舞，深知要不断磨砺自己的心志，懂得团队配合、精诚团结的真谛，富有辛亥革命推陈出新的胆识，学会创新，努力前行，把团队工作做得更精、更细、更好。回首过去，放眼未来，我们没有理由不去铭记那些革命先驱。我坚信，它的精神
韩国经典悬疑罪案电影推荐14部
韩国经典悬疑罪案电影推荐14部 1、（豆瓣评分6.0）黑色之家：保险公司的调查职员全俊五（黄政民饰）是个深得上司宠爱的部下，因为他工作异于常人的认真和尽职。他终日穿梭在忙碌的保险鉴定中，某天他正在审查堆积如山的请求死亡给付资料，窗外的蔚蓝天空中的云朵象是被画笔渲染一般缓慢移动中，突然接到一位陌生客户的电话。按照客户的指示，他来到阴森半朽的老宅子里，刚进门就闻到刺鼻的臭味，随后目睹了一个十多岁男孩尸体吊在半空中，依附的灯因不堪重负一起堕落到地上的惨状。不久客户就提出死亡申请的巨额赔偿申请，尽管警方已经证实了男孩是自杀身亡，但夫妇俩奇怪的态度和举止，尤其面对孩子瘦小的尸体时，爸爸忠培（姜信日饰）眼中那一缕贪婪的目光，总是让全俊五心头的疑云挥之不散——怀疑是恶毒的他杀。于是他只身开始了调查。没想到，却也一步步地陷如恶梦般的沼泽，全俊五总感觉凶手就在自己的背后窥视着自己，他开始害怕甚至绝望。这个一手制造骗取保险金命案的元凶到底是谁？最后他能否被绳之以法？
2、（豆瓣评分6.0）假面：一名男子在他的公寓里被杀害了，警方在调查中发现死者乃是运动中心的富豪，现场唯一的线索是AB型男子的毛发。在调查中，怀疑的第一个对象是酒吧女，因为她曾在案发前给死者拨过电话。警员赵京尹（金康宇Kang-woo Kim 饰）前去调查取样。然而，京尹却从同事口中得知，情况另有变化。大家开始怀疑死者与游泳中心教练是同性恋。不过随后，这个犯罪嫌疑人也惨遭杀害。警员们开始怀疑是连环杀人案与死者服兵役的经历有关。与京尹一同调查的警员朴恩珠（金敏善 Min-sun Kim 饰）是他的警校同学，虽有假小子作风，内心却渴望被呵护，而且暗恋的对象便是京尹。不过，京尹却面临更复杂的感情选择，他有固定的女友，也有藕断丝连的情人。随着抽丝剥茧，京尹发现此案隐藏着一段童年的往事……
Tess(苔丝)1979经典电影英文影评
Tess(苔丝)1979 Thomas Hardy's Tess of the D'Urbervilles, which Roman Polanski has turned into a lovely, lyrical, unexpectedly delicate movie, might at first seem to be the wrong project for Mr. Polanski in every way. As a new biography of the director reports, when Tess was shown at the Cannes Film Festival, the press pointed nastily and repeatedly to the coincidence of Mr. Polanski's having made a film about a young girl's seduction by an older man, while he himself faced criminal charges for a similar offense. This would certainly seem to cast a pall over the project. So would the fact that Hardy's novel is so very deeply rooted in English landscapes, geographical and sociological, while Mr. Polanski was brought up in Poland. Finally, Tess of the D'Urbervilles is so quintessentially Victorian a story that a believable version might seem well out of any contemporary director's reach. But if an elegant, plausible, affecting Tess sounds like more than might have been expected of Mr. Polanski, let's just say he has achieved the impossible. In fact, in the process of adapting his style to suit such a sweeping and vivid novel, he has achieved something very unlike his other work. Without Mr. Polanski's name in the credits, this lush and scenic Tess could even be mistaken for the work of David Lean. In a preface to the later editions of Tess of the D'Urbervilles, Mr. Hardy described the work as "an impression, not an argument." Mr. Polanski has taken a similar approach, removing the sting from both the story's morality and its melodrama. Tess Durbeyfield, the hearty country lass whose downfall begins when her father learns he had noble forebears, is sent to charm her rich D'Urberville relations. She learns that they aren't D'Urbervilles after all; instead, they have used their new money to purchase an old name. Tess charms them anyhow, so much that Alec D'Urberville, her imposter cousin, seduces and impregnates her. The seduction, like many of the film's key scenes, is presented in a manner both earthy and discreet. In this case, the action is set in a forest, where a gentle mist arises from the ground and envelops Tess just around the time when she is enveloped by Alec. Alec, as played by Leigh Lawson, is a slightly wooden character, unlike Angel Clare, Tess's later and truer lover, played with supreme radiance by Peter Firth. Long after Tess has borne and buried her illegitimate child, she finds and falls in love with this spirited soul mate. But when she marries Angel Clare and is at last ready to reveal the secret of her past, the story begins hurtling toward its final tragedy. When Tess becomes a murderer, the film offers its one distinctly Polanski-like moment—but even that scene has its fidelity to the novel. A housemaid listening at a door hears a "drip, drip, drip" sound, according to Hardy. Mr. Polanski has simply interpreted this with a typically mischievous flourish. Of all the unlikely strong points of Tess, which opens today for a weeklong engagement at the Baronet and which will reopen next year, the unlikeliest is Nastassja Kinski, who plays the title role. Miss Kinski powerfully resembles the young Ingrid Bergman, and she is altogether ravishing. But she's an odd choice for Tess: not quite vigorous enough, and maybe even too beautiful. She's an actress who can lose her magnetism and mystery if she's given a great deal to do (that was the case in an earlier film called Stay As You Are). But here, Mr. Polanski makes perfect use of her. Instead of a driving force, she becomes an echo of the land and the society around her, more passive than Hardy's Tess but linked just as unmistakably with natural forces. Miss Kinski's Tess has no inner life to speak of. But Mr. Polanski makes her surroundings so expressive that her placidity and reserve work very beautifully. Even at its nearly three-hour running time, Mr. Polanski's Tess cannot hope for anything approaching the range of the novel. But the deletions have been made wisely, and though the story loses some of its resonance it maintains its momentum. There are episodes—like one involving Tess's shabby boots and Mercy Chant, the more respectable girl who expects to marry Angel—that don't make the sense they should, and the action is fragmented at times. That's a small price to pay for the movie's essential rightness, for its congruence with the mood and manner of the novel. Mr. Polanski had to go to Normandy and rebuild Stonehenge to stage his last scene, according to this same biography. As is the case throughout his Tess, the results were worth the trouble. 1
红色革命电影观后感 红色电影观后感六篇
红色革命电影观后感红色电影观后感六篇各位读友大家好，此文档由网络收集而来，欢迎您下载，谢谢 红色电影曾经是陪伴了一代人走过青春岁月，也曾经是一代人童年时候的重要回忆。它们对于有些人来说是不太能够理解的历史，只是父辈口中的传说。 篇一： 当无边的黑暗蚕食着中原大地，当腐-败的统治奴役着华夏儿女，当列强的阴谋弥漫在谈笑之间，当疾苦的人民沉睡在麻木之中，有一群人，截然相反，他们高举革命的大旗，手擎希望的火把，投身革命，奋不顾身，以自身绽放绚丽，亦是甘之如饴。 秋瑾：淡然赴死，高洁如白莲 青石板上伴随着铁链划过刺耳的咣当声，一位妇人手铐木枷，脚绑铁链，却毫无惧色，就如同出于淤泥之上的白莲一般，一路平静，一路淡然……
“我此番赴死，是为革命，中国妇女还没为革命流过血，当从我秋瑾始……”明明是壮志凌云的话语，明明是慷慨激昂的蔑视，但她，只是平静的叙说，淡然到让人心疼。是啊，即使是沉重的木枷依旧困不住自由的灵魂，哪怕是坚固的脚镣依然锁不住革新的脚步。 心里，许是放不下天真可爱的孩子，心里，许是放不下眷意浓浓的亲情……面对满官的指责，她置个人情思于度外，系国家未来于心中：“我的死是为所有的孩子!”宁静温和而令众人无言以驳。 秋瑾身处麻木的社会，遭众人不解，但她依旧坚持自我，起义失败了，但革命的精神，鼓舞了民族的奋斗不息。青石板上高洁淡雅如白莲一般的人消亡了，但她的倩影，永驻在所有人的心中…… 林觉民：白衣飘袂，傲然如白梅 他，仅仅一袭白衣就足以构成残酷战争中最美的一道风景，脸上革命的骄傲足以让末路之人看不到生还的退路，
甚至望而生畏。侠肝义胆，铁骨铮铮，利落的装枪上膛，迅捷的瞄准射击，一举一动，凌厉中饱含诗意，白衣上点点血色漫延而开，踉跄的身影凝聚了毫不屈服的意志…… 这不是翩翩公子的白衣，这不是文人墨客的白衣，这是独属于林觉民的白衣，白衣之下，隐藏的是坚韧不拔的革命之志;白衣之下，跳动的是义薄云天的赤血丹心;白衣之下，燃烧的是奔流不息的民族血脉。 面冠似玉，肝胆如铁，心地赤诚如朝阳。即使沉尸于水下，嘴角依旧有浅浅的笑意，此情此景，凄美如画，可不难读出其中的深韵。也正是这个人，让我心疼，却也让更多的人看到了革命，看到了他所作的努力，相信了他所相信的一切。 一个侠骨柔情的男人，用年轻而热血的生命换取了毕生的信仰，却留下了一个支离破碎的家庭。自古情义难两全! 他们，在那个黑暗的年代，用自己
The Pursuit of Happiness(当幸福来敲门)经典电影英文影评
The Pursuit of Happiness（当幸福来敲门）2006 With a title like The Pursuit of Happiness, you expect the characters to get to the promised land. They do, but if the journey matters more than the destination, this is a movie to skip. The Pursuit of Happyness is long, dull, and depressing. It expands into two hours a story that could have been told more effectively in one. This is not the feel-good movie of the season unless you believe that a few moments of good cheer can redeem 110 minutes of gloom. Sitting through The Pursuit of Happiness is a chore. Downbeat movies aren't inherently bad (in fact, many are powerful), but this one provides artificial characters in contrived circumstances. How is it that movies "inspired by a real story" often feel more fake than those fully embedded in the realm of fiction? Will Smith has generated Oscar buzz for his portrayal of Chris Gardner, the real-life guy whose rags-to-riches story forms the basis of the movie. (Impoverished guy becomes capitalist poster boy.) While it's fair to say that this is one of the best straight performances of Smith's career, it didn't blow me away. In and of itself, the acting, while effective, is not Best Actor material, but it wouldn't surprise me if the movie's prestige factor and Smith's popularity earn him a nod. Meanwhile, his female co-star, Thandie Newton, isn't going to be considered for any award. Newton spends about 90% of her screen time doing an impersonation of a harpy: screeching, bitching, and contorting her face into unpleasant expressions. Smith's son, Jaden, is okay as the movie's child protagonist; it's unclear whether his occasional deficiencies are the result of his acting, Steven Conrad's writing, or Gabriele Muccino's direction, but there's not much personality behind the cute features and curly hair. Chris Gardner (Will Smith) is down on his luck. It's 1981 San Francisco and his self-employed business of selling portable bone density scanners isn't doing well. His wife, Linda (Thandie Newton), does nothing but yell at him and give him a cold shoulder, and the lack of domestic harmony is impacting the disposition of his beloved son, Christopher (Jaden Christopher Syre Smith). That's when Chris' life turns into a country song. His wife leaves. He is evicted from his home. He goes to jail, neither passing GO nor collecting a much-needed $200. He gets hit by a car. He is robbed. He makes his son cry. He alienates a friend over $14. He gets to spend a night in the cleanest public restroom in the history of public restrooms. But there's a bright spot, although you need a dark-adapted eye to find it. Despite having no experience, Chris applies to enter an internship program at Dean Witter. He would appear to have no chance to get in until he amazes the head of the program (Brian Howe) by solving the Rubik's Cube puzzle in the back of a taxi cab. It's a blessing that the movie doesn't use a stock villain to impede Chris' herky-jerky trip to the top, because that would have tipped the movie into the empire of the unwatchable. However, the lack of a strong conflict makes the two-hour running length seem very long. Thankfully, there's also not much in the way of overt melodrama, but that could be a byproduct of having characters who are not deeply realized and have narrow emotional ranges. It's tough to connect with Chris and his son. Although they are played by a real-life father and son, there's no chemistry between them. We're constantly told how desperately Chris loves Christopher, but it takes a long time before we begin to buy it. Most of the time, Christopher seems like an annoying piece of baggage that Chris drops off at daycare when he has other things to do. The film's most compelling scenes are those that show Chris struggling to enter the rat race. Granted, this is no Glengarry Glen Ross, but it shows the pressure these salesmen are under and how important the contact lists are. In the overall scheme of things, however, these sequences are background noise. They are neither plentiful nor lengthy. The movie spends more time following Chris on his futile sales rounds for the bone density scanner than it does accompanying him during his broker training. The moral of the story is as trite as they come: don't let anyone convince you to give up on your dreams. Disney animated films have been doing this better for decades. The Pursuit of Happyness concludes with a caption that tells us what happens to Chris after the end of the movie; it promises a better story than the one we have just watched. The film is also marred by a persistent (although not verbose) voiceover that adds nothing to the story while frequently jerking us out of the experience of watching it. I don't need Will Smith telling me: "This part of the story is called 'riding the bus.'" This is the English-language debut of Gabriele Muccino, who has made a name for himself in Italian cinema. The Pursuit of Happiness has the kind of slow, drab tone one occasionally associates with a director raised outside of the Hollywood system. What can be an asset in some circumstances is a detriment in this one. The Pursuit of Happiness isn't enjoyable, and its meager pleasures, including the eventual "payoff," aren't enough to justify the unrelenting misery. The Pursuit of Happiness is competently made and gets lots of the details right, but when it comes to the emotional core of the story, it loses the pursuit and misses the "happiness."