汽车造型设计外文文献翻译、中英文翻译、外文翻译

The Car Modeling Design

For car modelling, mention the word people often can produce immediately for lenovo in the form of various body, although it is not comprehensive, because car styling is the sum of outside and inside modelling, but had to admit that the appearance of the car is the most intuitive impression of automobile modeling for people. For the automobile modeling design, it covers knowledge engineering technology, art and so on various aspects of the application and market demand, to meet the consumers' taste and functional requirements.

Literally what is undeniable is that the car modeling design is derived from the designers of creative expression, by the designer, to many human idea about the car for a reasonable attempt, constantly breakthrough self, challenge themselves. Car modelling design, whether it's like ordinary people use of household car, or royal family use limousine, or a professional driver favorite car, sports car, they all have very obvious differentiation on modelling, the people in the street to see what level of body, the brand, to the natural identity formed certain association of owners, and for different brands of automobile modeling design, which comes from different designers for car design. Car modelling design is also on the technical support of many other disciplines, here I am to have very important influence on development of automobile modeling design of some of the subject part lists are analyze.

Since the emergence of the car, bionics started inadvertently used in the design of the model. For automobile modeling, the bionic design in automobile modeling with a unique code to liberate the inherent pattern design of modelling form, interpretation of power, speed, and the symbol of status, wealth, fashion, convey the entire design concept. Nowadays, bionics become guidance and aided automobile modeling design is an important subject, bionic design also gradually become an important means of design, it not only build the people and things, harmonious coexistence between man and nature, man and society, also prompted design found a new form.

Bionic design is applied to the various design very early, so see it is not surprising that, in the car on modelling is my understanding of the bionics, it is the nature of some biological characteristics of the advantages of refining of science improving applied to other industries, it is the purpose of pursuing people to draw inspiration from the biological resources, such as car early in the development of a designer to design the "fish" car, maybe at that time did not rise up the subject of bionics, but stylist inadvertently used for fish in the water received by its own size decrease in water resistance and to speed up their swimming this, and apply onto the body modelling design, more typical case is 1952 gm buick brand "fish" type design, surface modeling is very dynamic, because the car interior ministry wide, wide field of vision, both

passengers and drivers, inside the body will feel carefree, the affinity of car body itself has an irresistible, should allow stereotyped monotonous straight line in car design, is also a very important breakthrough at the time.

There are a lot of examples, such as "viper" is a sports car, as America's most ferocious snake - "viper", has the characteristics of all nature disaster. "Viper" series of models, as a breakthrough point, the appearance of modelling design in particular the sharp front face and the spirit of the headlamps, give a person with terrible ferocity, good at dueling sensory stimulation, like soldiers courageous warrior, always ready to fight to the death, embodies the human eternal pursuit of the meaning of life. Viper, the second generation of 9 models, convey the intrinsic well. Automobile modeling bionic design with "from nature to the nature", as has been the pursuit of goals, the application of natural biological form surface is limited modelling space into endless spiritual awareness, create a bionic form of aesthetic value, to achieve the "personalized" demand and the state of "imitating the nature". Can reference on modelling human nature, The Times on the automobile modeling application development gradually, it seems to me is not only on the auto industry development and progress, is more of a human can live in the actual production of respecting nature, respect nature, from the development of bionics in the automobile modeling design process I can

read the industry further development, it is also because modelling are close to the essence of life itself.

Automobile modeling design purpose lies in the combination of function and form aesthetic feeling, to give users in a certain emotional factors influence or impact on the market, on modelling design, different automobile modeling can bring a person different emotional experience, and to convey the designer wants to make people get on a car design.

Automobile modeling design is applied art gimmick science express car function, structure and texture, and make people for its beauty. Automobile modeling design must reflect the style of the vehicle, such as streamlined can indicate the car has a higher speed, so as to shape a sporty image in the consumers' mind. Carbon fiber material can reflect the high-tech feeling and lightness of car, has a muscular body form can express powerful and protection of security. Excellent automobile modeling design can make consumers by aesthetic appreciation to deep understanding of its meaning, to produce the desire of the product. This is based on the perceptual technology this is not by many cognitive developed from cognitive psychology on the subject's important role on the automobile modeling design. It is stylist will be collected from the market information, through the analysis of consumer psychology that design more accord with human aesthetic and functional requirements of product evolutionary design, stylist is in perceptual information,

consumer psychology and rational constraints (engineering) between coordination.

In automobile product development model of "user as the center" in the early stage of the design need to study consumer's perceptual demand, and consumers to seek in the perceptual demand often from the image of the car. Such as businessman to give reliable partners to form the image of good faith, the car for business occasions, modelling is generally very grave, composed, atmosphere; Racing car, for example, has very obvious streamline on modelling design, in order to display the car performance is strong, can run very fast, with enough instances of racer; Cultural entertainment venue such as car again, the modelling is compared commonly lively, fashion, have individual character, to show the meeting activities and the characteristics of representative. These are the perceptual technology on automobile modeling design is applied to car use and the appreciation of the most common level.

Automobile modeling are actually very close to our daily life, on the streets everywhere the family car, taxi, bus, sometimes even see a cable car, luxury cars, sports car, saloon car. We have a lot of focus on automobile brand rather than modelling. But nature sense, any brand of car has its unique style of the modelling, we are to determine the brand car with its shape characteristics, such as seen in the street a lamborghini, its streamline appearance alone, we will be able to determine that it is

lamborghini car, this is the car model represented by the car culture connotation. At the end of this course, the reason I chose to automobile modeling design analysis for class papers, but also for any automobile modeling design, as far as I'm concerned, is the designer of some design ideas of cultural interpretation, any design is necessarily comes from life, no experience and observation, can't make the products can be accepted by the public. Automobile modeling is not only the appearance, also is not only a decoration, interior space how to start from the Angle of human nature, and so on these elements are necessarily involve automobile modeling. So this is a worthy art, technology and market coordination aspects of creative achievement, no matter from what Angle to design the vehicle model, the ultimate goal is to continuously improve to meet the needs of users of the product.

汽车造型设计

对于汽车造型，提到这个词时人们往往能立即产生对于各种车身形态的联想，虽然它并不全面，因为汽车造型是汽车外部和车厢内部造型的总和，但不得不承认的是，汽车的外观的确是人们对于汽车造型的最直观印象。而对于汽车造型的设计，它涵盖了对于工程技术、艺术知识和市场等各方面的应用需求，以满足广大消费者的品味和功能要求。

不可否认的是，汽车的造型设计的的确确是源自设计师之手的创意表达，通过设计师，能够将许多人类对于汽车的想法进行合理的尝试，不断的突破自我，挑战自我。汽车的造型设计，不论是像普通群众使用的家用小汽车，还是皇室贵族使用的高级轿车，或者是职业车手喜爱的赛车、跑车，都有它们在造型上非常显而易见的区分度，人们在街道上看见什么样层次的车身、品牌，能够自然的对车主身份形成一定的联想，而对不同品牌的汽车造型设计，即源于不同设计师对于汽车的设计思路。汽车的造型设计也依靠着许多其它学科的技术支撑，这里我对于对汽车造型设计发展产生非常重要影响的一些的学科技术列举了一部分进行分析。

自汽车诞生之日，仿生学便开始有意无意地运用于车型的设计上。对于汽车造型而言，仿生设计在汽车造型中以独特的代码解放着固有造型模式的设计形态，诠释着对动力、速度甚至对地位、财富、时尚的象征意义，传达着整个设计的理念。如今，仿生学成为指导与辅助汽车造型设计的一个重要学科，仿生设计也逐渐成为重要的设计手段，

它不仅营造了人与物、人与自然、人与社会之间和谐共生的局面，也促使设计找到了新的形式意义。

仿生设计很早就被应用到各种设计当中，因此在汽车造型上见到它也不足为奇，我对仿生学的理解是，它是把自然界一些生物的特征优点进行提炼改善应用到其他产业上的自然学科，它的目的是追求人从生物中获取灵感资源，诸如汽车发展的早期就有设计师设计出“鱼形”的汽车，也许当时仿生学这门学科并没有兴起，但设计师无意间利用了对于鱼类在水中通过自身的体型减小在水中收到的阻力而加快自己游动的速度这一点，并运用到了车身造型设计上，比较典型的案例是1952年美国通用汽车公司别克牌轿车的“鱼型”设计，曲面造型十分动感，由于车室内部宽大，视野范围广，无论是乘客还是驾驶员，在车身内部都会感到悠然自得，车体本身有不可抗拒的亲和力，一改往日汽车设计中刻板单调的直线条，在当时也是一个非常重要的突破。

还有很多实例，譬如“道奇蝰蛇”是一款运动型的车，作为美国最凶猛的蛇种——“蝰蛇”，具备大自然一切凶险的特征。“蝰蛇”系列车型，以此为突破口，外观的造型设计中特别突出了锐利的前脸和精神的前大灯，给人以威武凶猛、善于决斗的感官刺激，如同英勇善战的士兵，随时准备着生死的搏击，体现了人类对生命意义的永恒追求。蝰蛇第二代Viper车型，很好地传递出这一内蕴。汽车造型仿生设计以“从自然中来，到自然中去”作为一直追求的目标，生物形态天然曲面的应用是将有限的造型空间转化为无尽的精神体悟，创造出

具有审美价值的仿生形态,达到“个性化”的需求和“师法造化”的境界。人类在造型上能够借鉴自然，从古至今在汽车造型上逐渐的应用发展，在我看来不仅仅是汽车产业上的发展进步，更多的是人类能够在实际生产生活中尊重自然，敬畏自然，从仿生学在汽车造型设计上的发展过程我能读到这一产业能够更进一步的发展，这也是因为造型本身正在密切的贴近人生活的本质。

汽车造型的设计目的在于功能和形式美感相结合，为了给使用者以某种情感因素的影响或者对市场的影响，在造型设计时，不同的汽车造型会带给人不同的情感的体验，并借此来传达设计师在某款车型设计上希望使人获得的感受。

汽车造型设计是应用艺术的手法科学的表达汽车的功能、结构和质感，并使人们对其产生美感。汽车造型设计必须体现该车的风格，如流线型可以暗示该车具有比较高的速度，从而在消费者心中塑造了运动感的形象。碳纤维材质可以体现汽车的高科技感和轻巧性，具有肌肉感的车身形态可以表达动力强劲及保护安全感。优秀的汽车造型设计能使消费者由审美鉴赏提升到对其寓意的深刻理解，产生占有该产品的欲望。这便是基于感性工学这个还不被许多人认知的从认知心理学上发展而来的学科在汽车造型设计上发挥的重要作用。它是设计师将从市场上搜集来的信息整理后，通过分析消费者心理所设计出的更符合人类审美和功能需求的改良性设计产品，设计师就是在感性信息（消费者心理）和理性信息（工程约束）之间不断协调。

以“用户为中心”的汽车产品开发模型在造型设计前期需要对消

费者的感性需求进行研究，而消费者对汽车的感性需求往往从造型意象上寻求共鸣。比如商人为了给合作方形成可靠诚信的形象，其用于商务场合的车，造型一般都非常庄重、沉稳、大气；比如赛车手的车，造型上有非常明显的流线设计，为了展示这辆赛车性能很强，能跑的很快，以搭配足够实例的赛车手；再比如文化娱乐会场的汽车，造型一般比较活泼、时尚、有个性，以显示会场活动的特点和代表性。这些都是感性工学从汽车造型设计上应用于汽车使用和欣赏者的最普通的层面。

汽车造型其实非常贴近我们的日常生活，街道上随处可见的家用车、出租车、公交车，甚至偶尔见到电缆车、豪华轿车、跑车、房车。我们很多的关注汽车的品牌而不是造型。但本质意义上，任何品牌的汽车都有其独特风格的造型，我们是凭借其造型特征来判断车的品牌，譬如在街上见到一辆兰博基尼，仅凭它的外观流线我们就能判断出它是兰博基尼的车，这是汽车造型所代表的汽车文化的内涵。在这门课程结束后，之所以我选择以汽车造型的设计思路分析作为结课论文，也是因为任何汽车造型的设计，就我而言，都是设计师对某种设计思路文化的诠释，任何设计必然是来源于生活的，没有体验和观察，便无法做出能被大众所接受的汽车产品。汽车造型不仅仅是外观，也不仅仅是装饰，内部的空间从人性化的角度如何出发等等这些要素都是汽车造型上必然要涉及到的。因此这是一门值得艺术、技术、市场各个方面协调配合所产生的创造性成果，不论从什么角度出发来设计汽车造型，最终的目的都是对产品的不断完善以满足使用者的需求。