英语诗歌鉴赏32例

英语诗歌鉴赏32例
英语诗歌鉴赏32例

1. LOSS AND GAIN

When I compare

What I have lost with what I have gained, What I have missed with what attained,

Little room do I find for pride.

I am aware

How many days have been idly spent;

How like an arrow the good intent

Has fallen short or been turned aside.

But who shall dare

To measure loss and gain in this wise?

Defeat may be victory in disguise;

he lowest ebb is the turn of the tide.

2. SUNDOWN

The summer sun is sinking low;

Only the tree-tops redden and glow:

Only the weathercock on the spire

Of the neighboring church is a flame of fire;

All is in shadow below.

O beautiful, awful summer day,

What hast thou given, what taken away?

Life and death, and love and hate,

Homes made happy or desolate,

Hearts made sad or gay!

On the road of life one mile-stone more!

In the book of life one leaf turned o'er!

Like a red seal is the setting sun

On the good and the evil men have done,-- Naught can to-day restore!

3. My heart leaps up

My heart leaps up when I behold

A rainbow in the sky,

So was it when my life began;

So it now I am a man;

So be it when I shall grow old,

Or let me die!

The Child is father of the Man;

And I could wish my days to be

Bound each to each by natural piety.

4. When you are old

When you are old and gray and full of sleep, And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep;

How many loved your moments of glad race, And loved your beauty with love false or true, But one man loved the pilgrim soul in you, And loved the sorrows of your changing face;

And bending down beside the glowing bars, Murmur, a little sadly, how Love fled

And paced upon the mountains overhead

And hid his face amid a crowd of stars.

5. Get Up and Bar the Door

IT fell about the Martinmas time,

And a gay time it was then,

When our goodwife got puddings to make, And she?s boiled them in the pan.

The wind so cold blew south and north, And blew into the floor;

Quoth our goodman to our goodwife, “Go out and bar the door.”

“My hand is in my hussyfscap,

Goodman, as ye may see;

If it should not be barr?d this hundred year, It’s no be barr’d for me.”

They made a paction ?tween them two, They made it firm and sure,

That the first word whoe’er should speak, Should rise and bar the door.

Then by there came two gentlemen,

At twelve o’clock at night,

And they could neither see house nor hall, Nor coal nor candle-light.

“Now whether is this a rich man?s house, Or whether is it a poor?”

But ne?er a word would one of them speak, For barring of the door.

And first they ate the white puddings,

And then they ate the black;

Tho? much thought the goodwife to herself, Yet ne?er a word she spake.

Then said the one unto the other,

“Here, man, take ye my knife;

Do ye take off the old man?s beard,

And I’ll kiss the goodwife.”

“But there?s no water in the house,

And what shall we do then?”

“What ails thee at the pud ding-broth,

That boils into the pan?”

O, up then started our goodman,

An angry man was he:

“Will ye kiss my wife before my eye, And scald me with pudding-broth?”

Then up and started our goodwife,

made three skips on the floor: “Goodman, you?ve spoken the foremost word, Get up and bar the door.”

6. She dwelt among the untrodden ways She dwelt among the untrodden ways

Beside the springs of Dove,

A Maid whom there were none to praise

And very few to love:

A violet by a mossy stone

Half hidden from the eye!

--Fair as a star, when only one

Is shining in the sky.

She lived unknown, and few could know When Lucy ceased to be;

But she is in her grave, and, oh,

The difference to me!

I travelled among unknown men

7. I travelled among unknown men

I travelled among unknown men

In lands beyond the sea;

Nor, England! did I know till then

What love I bore to thee.

'Tis past, that melancholy dream!

Nor will I quit thy shore

A second time; for still I seem

To love thee more and more.

Among thy mountains did I feel

The joy of my desire;

And she I cherished turned her wheel Beside an English fire.

Thy mornings showed, thy nights concealed, The bowers where Lucy played;

And thine too is the last green field

That Lucy's eyes surveyed.

8. To the Cuckoo

O blithe newcomer! I have heard,

I hear thee and rejoice:

O Cuckoo! shall I call thee bird,

Or but a wandering V oice?

While I am lying on the grass

Thy twofold shout I hear;

From hill to hill it seems to pass,

At once far off and near.

Though babbling only to the vale

Of sunshine and of flowers,

Thou bringest unto me a tale

Of visionary hours.

Thrice welcome, darling of the Spring! Even yet thou art to me

No bird, but an invisible thing,

A voice, a mystery;

The same whom in my schoolboy days

I listened to; that Cry

Which made me look a thousand ways

In bush, and tree, and sky.

To seek thee did I often rove

Through woods and on the green;

And thou wert still a hope, a love;

Still longed for, never seen!

And I can listen to thee yet;

Can lie upon the plain

And listen, till I do beget

That golden time again.

O blessed birth! the earth we pace

Again appears to be

An unsubstantial, fairy place,

That is fit home for Thee!

9. A Pause

They made the chamber sweet with flowers and leaves, And the bed sweet with flowers on which I lay;

While my soul, love-bound, loitered on its way.

I did not hear the birds about the eaves,

Nor hear the reapers talk among the sheaves:

Only my soul kept watch from day to day,

My thirsty soul kept watch for one away:---- Perhaps he loves, I thought, remembers, grieves,

At length there came the step upon the stair,

Upon the lock the old familiar hand:

Then first my spirit seemed to scent the air

Of paradise; then first the tardy sand

Of time ran golden; and I felt my hair

Put on a glory, and my soul expand.

10. When my love swears that she is made of truth When my love swears that she is made of truth

I do believe her, though I know she lies,

That she might think me some untutor?d youth, Unlearned in the world?s false subtleties.

Thus vainly thinking that she thinks me young, Although she knows my days are past the best, Simply I credit her false speaking tongue:

On both sides thus is simple truth suppress’d.

But wherefore says she not she is unjust?

And wherefore say not I that I am old?

O, love?s best habit is in seeming trust,

And age in love loves not to have years told: Therefore I lie with her and she with me,

And in our faults by lies we flatter?d be.

11.Shall I compare thee to a summer's day? Shall I compare thee to a summer's day?

Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometime too hot the eye of heaven shines,

And often is his gold complexion dimmed,

And every fair from fair sometime declines,

By chance, or nature's changing course untrimmed: But thy eternal summer shall not fade,

Nor lose possession of that fair thou ow'st,

Nor shall death brag thou wander'st in his shade, When in eternal lines to time thou grow'st,

So long as men can breathe, or eyes can see,

So long lives this, and this gives life to thee.

12. Richard Cory

We people on the pavement looked at him:

He was a gentleman from sole to crown,

Clean favored, and imperially slim.

And he was always quietly arrayed,

And he was always human when he talked;

But still he fluttered pulses when he said, "Good-morning," and he glittered when he walked. And he was rich - yes, richer than a king -

And admirably schooled in every grace;

In fine we thought that he was everything

To make us wish that we were in his place.

So on we worked, and waited for the light,

And went without the meat, and cursed the bread; And Richard Cory, one calm summer night,

Went home and put a bullet through his head.

13. Miniver Cheevy

Miniver Cheevy, child of scorn,

Grew lean while he assailed the seasons

He wept that he was ever born,

And he had reasons.

Miniver loved the days of old

When swords were bright and steeds were prancing; The vision of a warrior bold

Would send him dancing.

Miniver sighed for what was not,

And dreamed, and rested from his labors;

He dreamed of Thebes and Camelot,

And Priam's neighbors.

Miniver mourned the ripe renown

That made so many a name so fragrant;

He mourned Romance, now on the town,

And Art, a vagrant.

Miniver loved the Medici,

Albeit he had never seen one;

He would have sinned incessantly

Could he have been one.

Miniver cursed the commonplace

And eyed a khaki suit with loathing:

He missed the medieval grace

Of iron clothing.

Miniver scorned the gold he sought,

But sore annoyed was he without it;

Miniver thought, and thought, and thought,

And thought about it.

Miniver Cheevy, born too late,

Scratched his head and kept on thinking;

Miniver coughed, and called it fate,

And kept on drinking.

14. Who's Who

A shilling life will give you all the facts:

How Father beat him, how he ran away,

What were the struggles of his youth, what acts Made him the greatest figure of his day;

Of how he fought, fished, hunted, worked all night, Though giddy, climbed new mountains; named a sea;

Some of the last researchers even write

Love made him weep his pints like you and me.

With all his honors on, he sighed for one Who, say astonished critics, lived at home;

Did little jobs about the house with skill

And nothing else; could whistle; would sit still Or potter round the garden; answered some

Of his long marvelous letters but kept none.

15. In a Station of the Metro

The apparition of these faces in the crowd; Petals on a wet, black bough.

16. Heat

O wind, rend open the heat,

cut apart the heat,

rend it to tatters.

Fruit cannot drop

through this thick air--

fruit cannot fall into heat

that presses up and blunts

the points of pears

and rounds the grapes.

Cut the heat--

plough through it,

turning it on either side

of your path.

17. Oread

Whirl up, sea --

whirl your pointed pines, splash your great pines

on our rocks,

hurl your green over us, cover us with your pools of fir.

18. FOG

The fog comes

on little cat feet.

It sits looking

over harbor and city

on silent haunches

and then moves on.

19. London

London, my beautiful,

it is not the sunset

nor the pale green sky shimmering through the curtain of the silver birch

not the quietness;

It is not the hopping

of birds

upon the lawn,

nor the darkness

stealing over all things

that moves me.

But as the moon creeps slowly over the tree-tops

among the stars,

I think of her

and the glow her passing sheds of men.

London, my beautiful,

I will climb

into the branches

to the moonlit tree-tops, that my blood may be cooled by the wind.

20. The Red Wheelbarrow so much depends

upon a red wheel

barrow

glazed with rain

water

beside the white chickens.

21.

l(a

le

af

fa

ll

s)

one

l

iness

22. The Flea

Mark but this flea, and mark in this,

How little that which thou deniest me is;

Me it sucked first, and now sucks thee,

And in this flea our two bloods mingled be;

Thou know’st that this cannot be said

A sin, or a shame, or loss of maidenhead,

Yet this enjoys before it woo,

And pampered swells with one blood made of two, And this ,alas, is more than we would do.

Oh stay, three lives in one flea spare,

Where we almost, nay more than married are. This flea is you and I, and this

Our marriage bed and marriage temple is; Though parents grudge, and you, we are met.

And cloistered in these living walls of jet. Though use make you apt to kill me

Let not to that, self-murder added be,

And sacrilege, three sins in killing three.

Cruel and sudden, hast thou since

Purpled thy nail in blood of innocence?

Wherein could this flea guilty be,

Except in that drop which it sucked from thee?

Yet thou triumph’st and say’st that thou

Find’st not thy self nor me the weaker now;

?Tis true; then learn how false fears be;

Just so much honor, when you yield’st to me.

Will waste, as this flea’s death took life from thee.

23. A V ALEDICTION FORBIDDING MOURNING. AS virtuous men pass mildly away,

And whisper to their souls to go,

Whilst some of their sad friends do say,

"Now his breath goes," and some say, “No.”

So let us melt, and make no noise,

No tear-floods, nor sigh-tempests move ;

'Twere profanation of our joys

英文诗歌赏析

英文诗歌赏析安全B103班 峥 201010044323

Anaiysis on the poem of------ The most distant way in the world Poet:Tagore The most distant way in the world is not the way from birth to the end. It is when I sit near you that you don’t understand I lov e you. The most distant way in the world is not that you’re not sure I love you. It is when my love is bewildering the soul but I can’t speak it out The most distant way in the world is not that I can’t say I love you. It is after looking into my heart I can’t change my love. The most distant way in the world is not that I’m loving you. It is in our love we are keeping between the distance. The most distant way inthe world is not the distance across us. It is when we’re breaking through the way we deny the existance of love. So the most distant way in the world is not in two distant trees. It is the same rooted branches can’t enjoy the co-existance. So the most distant way in the world is not in the being sepearated branches. It is in the blinking stars they can’t burn the light.

英语诗歌欣赏

1. Nothing gold can stay by Robert Frost Nature's first green is gold, Her hardest hue to hold. Her early leaf's a flower; But only so an hour. Then leaf subsides to leaf, So Eden sank to grief. So dawn goes down to day, Nothing gold can stay. 参照: 简简吟白居易 苏家小女名简简,芙蓉花腮柳叶眼。十一把镜学点妆,十二抽针能绣裳。十三行坐事调品,不肯迷头白地藏。玲珑云髻生花样,飘飖风袖蔷薇香。殊姿异态不可状,忽忽转动如有光。二月繁霜杀桃李,明年欲嫁今年死。丈人阿母勿悲啼,此女不是凡夫妻。恐是天仙谪人世,只合人间十三岁。大都好物不坚牢,彩云易散琉璃脆。 2. The Road Not Taken by Robert Frost Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair,

And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. 3. The farthest distance in the world By Tagore [t?'g?:] The farthest distance in the world is not between life and death but when I stand in front of you yet you don't know that I love you The farthest distance in the world is not when I stand in front of you yet you can't see my love but when undoubtedly knowing the love from both yet cannot be together The farthest distance in the world is not being apart while being in love but when plainly can not resist the yearning yet pretending you have never been in my heart

如何分析英语诗歌

How to Analyze a Poem Going through each poem asking the following questions in an order something like this: 1.Who is the speaker? Is the speaker a male or female? Where is he or she? When does this poem take place? What are the circumstances? Sometimes you'll be able to answer all of these questions: For example, the speaker is a Duke, (eg My last Duchess). Sometimes you'll be able to answer only a few, and sometimes only vaguely: The speaker is unnamed, unplaced, and is addressing an audience that's unknown. No matter. You've begun to understand the poem. 2.What is the structure of the poem? That is, what are the parts of the poem and how are they related to each other? What gives the poem its coherence? What are the structural divisions of the poem? Think about the logic of the poem. Does it ask questions, then answer them? Or develop an argument? Or use a series of analogies to prove a point?

(完整版)英语诗歌鉴赏及名词解释(英文版)

The Basic Elements of Appreciating English Poetry 1.What is poetry? ?Poetry is the expression of Impassioned feeling in language. ?“Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility.” ?“Poetry, in a general sense, may be defined to be the expression of the imagination.” ?Poetry is the rhythmical creation of beauty. ?Poetry is the image of man and nature. ?“诗言志,歌咏言。” ---《虞书》 ?“诗言志之所以也。在心为志,发言为诗。情动于中而行于言,言之不足,则嗟叹之;嗟叹之不足,故咏歌之;咏歌之不足,不知手之舞之,足之蹈之也。情发于声;声成文,谓之音。” ---《诗·大序》 ?“诗是由诗人对外界所引起的感觉,注入了思想与情感,而凝结了形象,终于被表现出来的一种‘完成’的艺术。” ---艾青:《诗论》 2.The Sound System of English Poetry a. The prosodic features ?Prosody (韵律)---the study of the rhythm, pause, tempo, stress and pitch features of a language. ?Chinese poetry is syllable-timed, English poetry is stress-timed. ?Stress: The prosody of English poetry is realized by stress. One stressed syllable always comes together with one or more unstressed syllables. eg. Tiger, /tiger, /burning /bright In the /forest /of the/ night, What im/mortal /hand or /eye Could frame thy/ fearful /symme/try? ---W. Blake Length: it can produce some rhetorical and artistic effect. eg. The curfew tolls the knell of parting day, The lowing herd wind slowly o’er the lea, The Ploughman homeward plods his weary way, And leaves the world to darkness and to me. ---Thomas Gray Long vowels and diphthongs make the poem slow, emotional and solemn; short vowels quick, passionate, tense and exciting. Pause: it serves for the rhythm and musicality of poetry. b. Meter or measure (格律) poem---stanza/strophe---line/verse---foot---arsis + thesis; Meter or measure refers to the formation way of stressed and

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英语诗歌以其独特的文体形式充分调动、发挥语言的各种潜能,使之具有特殊的感染力。读来隽永,富有音韵美。下面是是由带来的关于经典英文诗歌,欢迎阅读! 【篇一】关于经典英文诗歌赏析 I Started Early - Took My Dog Emily Dickinson (1830-86) I started Early - Took my Dog And visited the Sea The Mermaids in the Basement Came out to look at me And Frigates - in the Upper Floor Extended Hempen Hands Presuming Me to be a Mouse Aground - upon the Sands But no Man moved Me - till the Tide Went past my simple Shoe And past my Apron - and my Belt And past my Bodice - too And made as He would eat me up As wholly as a Dew Upon a Dandelion's Sleeve And then - I started - too And He - He followed - close behind I felt His Silver Heel Upon my Ankle - Then my Shoes

Would overflow with Pearl Until We met the Solid Town No One He seemed to know And bowing - with a Mighty look At me - The Sea withdrew 【篇二】关于经典英文诗歌赏析 The Wild Swans At Coole William Butler Yeats (1865-1939) The trees are in their autumn beauty, The woodland paths are dry, Under the October twilight the water Mirror a still sky; Upon the brimming water among the stones Are nine-and-fifty swans. The nineteenth autumn has come upon me Since I first made my count; I saw, before I had well finished, All suddenly mount And scatter wheeling in great broken rings Upon their clamorous wings. I have looked upon those brilliant creatures, And now my heart is sore. All's changed since I, hearing at twilight, The first time on this shore,

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适合朗诵的英文诗歌欣赏 【篇一】适合朗诵的英文诗歌欣赏 The Passionate Shepherd To His Love by Christopher Marlowe 牧羊恋歌克里斯托夫·马洛 Come live with me and be my love, 来与我同住吧,做我的爱人, And we will all the pleasures prove, 我们将共享一切欢乐; That Valleys, groves, hills, and fields, 来自河谷、树丛、山岳、田野, Woods, or steepy mountain yields. 来自森林或陡峭的峻岭。 And we will sit upon the Rocks, 我们将坐在岩石上, Seeing the Shepherds feed their flocks, 看牧人们放羊。 By shallow Rivers to whose falls 浅浅的小河流向瀑布, Melodious birds sing Madrigals. 小鸟唱着甜美的情歌。

And I will make thee beds of Roses 我将为你用玫瑰作床, And a thousand fragrant posies, 还有上千支花束, A cap of flowers, and a kirtle 一顶鲜花编的花冠,一条长裙Embroidered all with leaves of Myrtle;绣满桃金娘的绿叶。 A gown made of the finest wool 用最细的羊毛织一条长袍, Which from our pretty Lambs we pull;羊毛剪自我们最可爱的羊羔, Fair lined slippers for the cold, 一双漂亮的衬绒软鞋为你御寒, With buckles of the purest gold; 上面有纯金的带扣。 A belt of straw and Ivy buds, 麦草和长春藤花蕾编的腰带, With Coral clasps and Amber studs: 珊瑚作钩,琥珀作扣, And if these pleasures may thee move,

英文诗歌赏析方法

英文诗歌赏析方法 英诗的欣赏:诗的格律、诗的押韵、诗的体式、诗的评判。 诗以高度凝结的语言表达着人们的喜怒哀乐,用其特有的节奏与方式影响着人们的精神世界。诗讲究联想,运用象征、比喻、拟人等各种修辞手法,形成了独特的语言艺术。 一、诗的格律 “格律是指可以用脚打拍子的节奏”,是每个音步轻重音节排列的格式,也是朗读时轻重音的依据。而音步是由重读音节和非重读音节构成的诗的分析单位。重读音节为扬(重),在音节上用“-”或“?”标示,非重读音节为抑(轻),在音节上用“?”标示,音步之间可用“/”隔开。以下是五种常见格式: 1. 抑扬格(轻重格)Iambus:是最常见的一种格式,每个音步由一个非重读音节加一个重读音节构成。 As fair / art thou / my bon/nie lass, So deep / in luve / am I : And I / will luve / thee still,/ my dear,Till a` / the seas / gang dry: Robert Burns(1759-1796):My Luve Is like a Red,Red Rose 注;art=are luve=love bonnie=beautiful a`=all gang=go 上例中为四音步与三音步交叉,可标示为:?-/?-/?-/(?-) 2.扬抑格(重轻格)Trochee:每个音步由一个重读音节加一个非重读音节构成。 下例中为四音步扬抑格(少一个轻音节),可标示为:-?/-?/-?/- Tyger!/ Tyger!/ burning / bright In the / forests / of the / night William Blake:The Tyger 3. 抑抑扬格(轻轻重格)Anapaestic foot:每个音步由两个非重读音节加一个重读音节构成。如:三音步抑抑扬格??-/??-/??- Like a child / from the womb, Like a ghost / from the tomb, I arise / and unbuild / it again. 4. 扬抑抑格(重轻轻格)Dactylic foot:每个音步由一个重读音节加两个非重读音节构成。如:两音步扬抑抑格-??/-?? ?Touch her not / ?scornfully, ?Think of her / ?mournfully. - Thomas Hood 5. 抑扬抑格(轻重轻格)Amphibrach:每个音步由一个非重读音节加一个重读音节再加一个非重读音节构成。如:三音步抑扬抑格?-?/?-?/?-?下例中最后一个音步为抑扬格。 O ?hush thee / my ?babie / thy ?sire was / a knight. 在同一首诗中常会出现不同的格律,格律解析对朗读诗歌有一定参考价值。现代诗中常不遵守规范的格律。 二、诗的押韵

英文诗歌赏析翻译

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Perfect Relationship in an Imperfect Way Nobody is perfect. Every person has his unique feature. There is no need to change one’s characteristics to fit another person. People in love always want to change each other so that they can have a better and steadier relationship. But if you love a person, you should love his bright points and drawbacks together. In “To Dorothy”, Marvin Bell talks about this kind of love that you even love each other’s shortcomings. He discusses how he thinks of Dorothy. He discusses what Dorothy did in his life and what his reaction was. He also indicates what he would feel if Dorothy left him. In “To Dorothy”, Marvin Bell tells us we can have a perfect relationship in an imperfect way. This poem obviously talks about the relationship between the poet, Marvin Bell and Dorothy who may be Marvin Bell’s lover, wife, or relative and so on. In the first place, Marvin Bell tells us he thinks Dorothy is not beautiful. I think this may indicate that Dorothy is a not a perfect person in his eyes. “To Dorothy You are not beautiful exactly. You are beautiful, inexactly.” (Marvin Bell, 1) From here on, we can know that Marvin Bell knows clearly that Dorothy is not beautiful and perfect, because he uses two sentences which are the exactly same meaning to express the similar ideas. From anotherperspective, however, maybe there is another meaning that we can conclude from the two sentences. Using two similar sentences may express the poet’s hesitation. In the first sentence, Marvin Bell does think Dorothy is not exactly beautiful, but in the second sentence, in his eyes, Dorothy is

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The commentary of The Passionate Shepherd to His Love This term, we took the English Poem course, in which Mr. Luo guided us fling in the poem world to appreciate the beauty of poems. In all of the poems we have learnt, I appreciate The Passionate Shepherd to His Love most. Yet I really don’t know how to appreciate a poem. Indeed, I haven’t got to the level to appreciate poems. So, I just write my own understanding to this beautiful poem. The Passionate Shepherd to His Love, was written by Christopher Marlowe (1564-1593○)who was an English dramatist and poet,translator of the Elizabethan area, born in Canterbury,England, died in Deptford, England. Marlowe was the foremost Elizabethan tragedian until his mysterious early death. Marlowe greatly influenced William Shakespeare, who was born in the same year as Marlowe and who rose to become the eminent Elizabethan playwright after Marlowe’s death. Marlowe’s plays are known for the use of blank verse, and their overreaching protagonists. Marlowe was the first great English Dramatist. He brought to the English stage a new concept of tragedy, one in which the drama centers around the struggles of a man overwhelmed by his passions and ambitions. ○2This short poem is considered to be one of the most beautiful lyrics in English literature. It derives from the pastoral tradition, in which the shepherd enjoys an ideal country life, cherishing a pastoral and pure affection for his love. Strong emotion is conveyed through the beauty of nature where lovers are not disturbed by worldly concern. The first time I read the poem, I just thought it was too directly for the shepherd to express his love to the girl he loved. For me, if I were the girl, I would not accept the shepherd’s love because his love was so intensely that I don’t know how to respond his love. But the second I read it carefully, almost word by word. I was deeply moved by the shepherd’s real and pure love. In the world he created for himself and his love, the girl lived an ease life like a princess. He showed a picture on what he would promise if she accepts to be his love. There was a heavenly like scene in the picture, he imagined them sitting upon the rocks, watching the other busy shepherd who had to work hard, and they relaxed themselves by listening to the birds' singing, and seeing the river falls. The shepherd also ensured her that he is willing to do whatever it takes to please her. He was so infatuated with the girl that I am a little jealous of her. The girl was so lucky to be loved by such a infatuated and romantic man. The structure of the poem is very clear. The poetry started out with a direct initiation. The speaker showed his purpose clearly, which is asking the woman he admired to be his lover. The following stanza showed a picture on what he would promise if she accepts to be his love. Then he drew different scenes when they were together. The shepherd also ensured her that he is willing to do whatever it takes to please her. This could be seen from the line 9~18. He made promises on difficult mission such as making bed of roses, thousand fragrant posies, and leaves of myrtle, coral clasps and amber studs…ext. From line 19, it responded to the idea of the first stanza that is to persuade the woman to be his love and to live with him. The repeating sentences "come live with me and be my love," may work as the function of emphasizing, and expression of eagerness. The style and writing type of the poem is very good. This poem is a typical pastoral, that is, a type of poem that deals in an idealized way with shepherds and rustic life. It sings

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