美国经典电影观后感

太空漫游

The speaker is Dr Roy Michaels, Chief Scientist at the Clavius Base on the Moon. The audience has been carefully chosen, because it is too soon to tell the world's population that they are not alone in the universe. On the screen behind Dr Michaels is a photograph of a black object about three metres high, of regular shape and with straight edges. It was certainly made by an intelligent form of life, and it was found buried under the surface of the Moon.

If it is a message from another time, from a distant star, why has it been put there ?

A possible answer comes soon afterwards, when the first light of the sun touches the object. It then sends out a powerful radio signal, aimed exactly at Saturn. As one of the scientists says,'You hide a sun-powered object in darkness — only if you want to know when it is brought out into the light.' So, far out in space, there may be intelligent beings who now know that men and women have taken their first steps away from Earth

彗星美人

It is 1950, and Joseph L Mankiewicz's All About Eve has received 14 Academy Award nominations - more than any other film made before or indeed since, until James Cameron's Titanic (1997) came along to sweep the board. Its aging lead Bette Davis, who was effectively attempting to make her comeback with the film after a recent raft of flops, was of course up for Best Actress - but so too was her much younger co-star Anne Baxter, who had let it be known to the Academy that she would not accept a nomination merely as Best Supporting Actress. The result was a split vote, with the award in the end going to Judy Holliday in the more forgettable Born Yesterday.It is a scenario that seems to have modeled itself on the film itself. All About Eve opens near its chronological end, with the announcement that Baxter's character Eve Harrington has beaten her older mentor-turned-rival Margo Channing (Davis) to a dramatic award for Best Performance (which was the film's original title).

后窗

The hero of Alfred Hitchcock's "Rear Window" is trapped in a wheelchair, and we're trapped, too--trapped inside his point of view, inside his lack of freedom and his limited options. When he passes his long days and nights by shamelessly maintaining a secret watch on his neighbors, we share his obsession. It's wrong, we know, to spy on others, but after all, aren't we always voyeurs when we go to the movies? Here's a film about a man who does on the screen what we do in the audience--look through a lens at the private lives of strangers.

The man is a famous photographer named L.B. Jeffries--"Jeff" to his fiancee. He's played by James Stewart as a man of action who has been laid up with a broken leg and a heavy cast that runs all the way up to his hip. He never leaves his apartment and has only two regular visitors. One is his visiting nurse Stella (Thelma Ritter), who predicts trouble ("the New York State sentence for a Peeping Tom is six months in the workhouse"). The other is his fiancee, Lisa Fremont (Grace Kelly), an elegant model and dress designer, who despairs of ever getting him to commit himself. He would rather look at the lives of others than live inside his own skin, and Stella lectures him, "What people ought to do is get outside their own house and look in for a change."

费城故事

There are certain films I like to renew my acquaintance with every few years, and one of these is "The Philadelphia Story" (1940). This is a witty, sophisticated movie that, in addition to dazzling star power, features elegant direction by George Cukor and a brilliant, non-formulaic screenplay.

The film is set among the privileged upper class in Philadelphia, and I would characterize it as a comedy of manners. The protagonist is a high-spirited, spoiled, somewhat arrogant socialite named Tracy Lord (Hepburn), and I am hard-pressed to think of a better matchup between an actress's persona and the character she portrays. Tracy is attractive in many ways, but she's too judgmental and intolerant of the weaknesses of others. As one character tells her, "You'll never be a first-class human being or a first-class woman until you've learned to have some regard for human frailty."

音乐之声

Sound of Music is my favorite move, it told a moving story about World War II. Captain?s family loved music with their heart and soul, which moved me deeply. The sweet and wonderful songs in the movie taught me that music is the common language of human beings, and it is borderless and endless. The song I love best is Edelweiss. It was played at the end of the film. Under the strict supervision by Germans, the atmosphere in the threat was stressed out, and the song by Caption?s family is like a pure flower blooming in the dirty mud. It shows hope and spring to everyone.

沉默的羔羊

Before watching the film, I was so familiar with “the silence of the lamb”. I often see this title in some magazines. In the poster there is a woman?s head and a butterfly which is sticking on the woman?s mouth. I think this woman must be a main char acter of the story, and so it is. She looks beautiful and intelligent, making a good impression on me. It is said that the woman had best-actress award because of this film. And then I had the chance to enjoy this film with several classmates.

Because we w atched the film in English, I couldn?t catch all the meaning quite well. Besides the thrilling scene and the terror, all the part which gave me the deepest impression was the two main characters of this story. One is a young FBI agent and also the figure of the front cover. She is assigned to help find a missing woman and save her from a psychopathic killer with the help of another killer. Another is a psychologist doctor Lector. As for players, they both have superb acting, and the young agent and the doctor also have vivid dispositions in the film.

阿甘正传

In the film Forrest Gump is not only a person born with a lower IQ but also have the muscle problems. Maybe he is so unfortunate and can't be successful in doing anything in our mind. .Instead of that, this unlucky man owned lots of unbelievable achievement in the end. He become a war hero a football star and a businessman with lots of money. His name was known by the whole country.

The two women who influence Forrest?s life most are his mother and Jenny, Jenny is the only one girl he always loves. His mother once told him “Life was like a box of

chocolates, you never know what that smell is the next one.” She is really a good teacher when he was a child. But Gimp seems never thought about that and he did everything with his simple mind and never give u p. Because of his …fool? and his quality he made it on his way. His girlfriend gave him love and also gave him power. Though a strong man like Gump can?t stand someone?s left. After that he did something unbelievable I really admire.

As far as I am concern ed, most of us can?t really understand Gump?s experience. Even though we may look down on them. But when we see that true man on screen, I really shocked by his everything about His pure nature. I want to do something I like all the time like that “fool” u n til I make it.

淘金记

Chaplin's performance, beyond the so-called "character" and the concept of "performance". He's what like what, at the same time keep the style of the others can't replace. Reach this level, don't know actor observations and insights about life reached a kind of breadth and depth. In contrast, the gold rush tramp. See today's film and television works, I feel many big stars play what is playing himself. And subject matter, the vision is also very limited, is always your own circles. I really want to know, how much time they spend in commercials, cut the ribbon at ordinary times, ShangYan, into the thick of life and how much time?

与狼共舞

T he movie "with Wolf Altogether Dance" is the direction maiden work which Kevin · Sikete accepts. This piece is 3 hours, spends 18,000,000 US dollars, has used 3500 reactionary, 300 horses, more than 130 technical personnel and 400 extra's large-scale epic poem type westerns. It is also in the American movie history first has the Indian captions movie. Kevin · Sila Turner thought: “what I must display is the Indian in that time bitter experience, is a aborigines's history.”He insisted that the movie must get the Indian captions, and will be self-confident it definitely to arouse people's strong interest and the attention, the support. Really he succeeded.

This piece acts according to Mi Gao. The Baker novel reorganization of the same name becomes the movie, once included the best picture, the best director on 63 session of Oscar Oscars and so on many prizes. The story occurs in the war of independence time, contacts the contact by First Lieutenant Dunbar and the Indian clansman, gradually the process which assimilates, described a phase of inspiring historical story. First Lieutenant Dunbar is in Civil War's hero, but he wants to seek for one new life style, therefore he rides a horse Siscoe to arrive at the mysterious west. Dunbar quilt “Hayes fort” Fan Brew Major sent the most remote gate house “Secker Wyke”. Dunba r alone stays in nobody's gate house, the prairie sublime has attracted him deeply.

摩登时代

"Modern Times" begins with a shot of sheep going down a runway followed by a shot of workers entering a factory… Charlie is set down in t he midst of industrial civilization, which is dominated by machinery and in which men are organized into mechanical units, Capital and Labor… Charlie's real enemies are no longer the Cop or the Boss, with whom he can always enter into some human relation, but a vast

impersonality, invisible and invulnerable…

"Modern Times" offered a variety of minor attractions: it featured Chaplin's wife, Paulette Goddard; it had wonderful gags; it indulged in tricks of sound which came to the very edge of being dialog… B ut what did the picture mean, what was it trying to say? Because Chaplin charged his usual enormous percentage for it, and because of foreign receipts, "Modern Times" made money, but exhibitors were not happy at the limited audience turnout… For the majori ty, the new Charlie was too serious; for the minority, not serious enough…

Since the picture seemed to be about the dehumanizing effect of machinery, intellectuals called upon Chaplin to join them in reorganizing machine culture to so me more human scale of things…

Off the screen, Chaplin said nothing… On the screen, his anarchic hostility for any kind of machine culture expressed itself in scenes like that in which Charlie is fed by a machine and that in which, crazed by the assembly line, he runs into the street, his arms moving convulsively like two pistons… Charlie the rebel, Charlie the poet, Charlie the invincibly human, had been turned into a machine.