【参考文献翻译】服装设计中独特性的表达.doc

【参考文献翻译】服装设计中独特性的表达.doc
【参考文献翻译】服装设计中独特性的表达.doc

英文翻译:

The unique expression in fashion design

Abstract: With the social progress and people's aesthetic awareness, clothing design requirements are constantly changing, not only beautiful, comfortable, personalized for different purposes, and more and more people started to pay attention the unique design of the clothing. unique expression of the clothing design has something in common, in common, there are three factors most typical one of the means of the use of the plastic arts; is to follow the basic rules of the plastic arts; the pursuit of art content and beauty of form harmony and unity. The face of increasingly fierce competition in society, from clothing unique starting to play to their strengths, so that the costume design perfected.

Key words: aesthetic sense; costume design; uniqueness; expression

Introduction

With the rich substance of social development, improved quality of life, the pursuit of unique clothing is also more than plus strong, the face of the popularity and unity to the mass production of clothing has become a problem to be solved in order to fashion designers. An important design point, then become a unique expression of the costume design costume design costume design unique refers to the characteristics of the presentation of the representative from the clothing on the whole, it is unique content and form unity. China fashion design unique expression as a complete system of disciplines to study the ancient times to now there, but the uniqueness of expression in fashion design is not perfect, therefore, the uniqueness of this study fashion design to express Modern fashion design is of great significance.

1. The unique overview of clothing

In short, The unique nature of the clothing is the clothing unique. In a broad sense refers to the presentation of the representative characteristics from the whole of the clothing works, it is one of the unique form and the objectivity of the unity of the unity of content, costume designer on the subjective aspect of creative and clothing subject matter difficult to find words to express, but it is not difficult to make us feel unique style. The unique nature of the clothing, but also refers to the values, artistic characteristics and inherent character of a nation, an era, a genre or a person's clothing in the content and format of the show out. The unique nature of the appearance of the mind, the pursuit of the realm of fashion design in the final analysis is unique in design and positioning, the unique expression of the costume design also reflects the designer's unique creative thinking and the pursuit of art also reflects the distinctive character.

2. The unique role of fashion design

Either clothing had an important influence on the human economy or culture. And largely dominated people's consumption patterns, consumer attitudes and lifestyles, a direct impact on people's social values and the uniqueness of the role as follows:

(A) In order to achieve the better effect of clothing

A perfect garment is often reflected in its unique design, a good design work which contains a profound national culture, but also social development, a mirror of the progress of the times. Unique expression of the fashion design clothing creativity closer to the "China" or like "Chinese" consumer psychology between them is the complementary role of the costume design of the unique expression of the Chinese traditional elements of mutual restraint, costume design The uniqueness of National Cultural Psychology must be adapted to many different people, to achieve the better results of clothing.

(B) To guide people's aesthetic

Since ancient times ,China have different aesthetics, such as women's aesthetic, summer, business, and Zhou dynasties, soft and delicate sense of aesthetic is very popular in the Tang Dynasty is based on fat is beautiful, to the Ming and Qing also petite for the United States. However, modern aesthetic, but unlike the past, has a strong universality point of view, but mainly based on the individual as a starting point, find a dress to show their own unique aesthetic taste. Fashion is unconventional, unique, and China in the 1980s is unique with no clothing at all, until the 1990s, slowly come into contact with more clothing brand, a preliminary understanding of the skills of some of the dress , but from the aesthetic perspective, many people do not clearly recognize their own style and temperament, wearing more or less have some blindness. Fashion weathervane clothing, the fashion of our country must shoulder the heavy responsibility of the foster a modern aesthetic. China International Fashion Week each season's fashion release, whether auditory, visual, emotional viewer is a very good artistic culture, even if most people can not personally to feel, but through a variety of media media coverage of pictures, music, video, impact on people's hearts and vision, people will be inspired and infection imperceptibly into, in order to bring their own life, combined with their own preferences and conditions, to form a unique aesthetic.

(C) To guide the people's consumption

20 years ago,Chinese market showing a short supply situation at that time we can buy clothes very well, who would carefully pick out the colors and styles. Today's society, society is an overproduction of different fashion brands and different clothing styles that dazzle us, a lot of people driven by impulse and blind followers psychological, may buy some of the clothing are not suitable. At this point, unique clothing like fashion navigator to guide blind people towards the right the other side of the consumer. Of course, this page is the fashion culture of the uniqueness of the totally implantable hearts of the people, the public has cultivated and form their own aesthetic taste, and mastery of the modern fashion symbol, and then they will meet

their own practical purpose to choose consumer goods. Most people can not afford the unique nature of high fashion, they just access to information from the uniqueness of the high fashion, and then to buy similar clothing or apparel goods with this popular elements.

3.The uniqueness of expression in fashion design

(A) China Red in Fashion Design

In recent years, the red can be described as fashion colors, red is a unique, popular in the north and south, whether it is international brands and domestic brands were unanimous in Chinese red. Red means good luck, peace, success, happiness, harmony, health, reunion, etc.; also means abandoning evil and promote good smooth, Pepsi, good luck. The Chinese nation, like the red, for example, in the occasion of the festivals, weddings, Suli, red, red is in our minds the most perfect color. Red is the color of the sport and passion, joy and harmony of color, the color of the folklore and culture, but also the main color of the Beijing Olympic Games emblem color. The red has become the symbolic color of China.

For example,"Green Paper Cranes" (Figure 3-1, 3-2) series, using bold contrast of red, green, two colors, the use of right. The traditional red flowers and green leaves on behalf of the customs of China, has been widespread in the countryside gives auspicious and festive feel. This traditional red and green decorative colors bearing a special mark to convey the beauty and warmth can not be forgotten. It is gratifying that this traditional decorative color patterns - so that we can feel the warmth of the past, but also enjoy modern simplicity and crisp with a modern aesthetic combined into a new artistic charm.

Figure 3-1 Figure 3-2

中文原文:

服装设计中独特性的表达

摘要:随着社会的进步和人们审美意识的提高,对服饰设计的要求在不断变化,不仅要基于美观、舒适、个性化等不同目的,而且越来越多的人开始关注服装的独特设计,服装设计的独特性表达都有其共性,在共性中,有三个因素最具有典型性,一是运用造型艺术的手段;二是遵循造型艺术的基本法则;三是追求艺术的内容与形式美的和谐统一。面对社会日益激烈的竞争,我国要从服装的独特性出发,发挥自身的优势,使服装设计趋于完美。

关键词:审美意识;服装设计;独特性;表达

引言

随着社会的发展物质的丰富、生活质量的提高,人们对服装的独特性追求也逾加强烈,服装的批量生产所出现的大众化和单一性的面貌已成为了服装设计师所要解决的问题。于是对服装设计的独特性表达成为了服装设计的又一个重要设计点,服装设计的独特性是是指从服装整体上所呈现出来的具有代表性的特点,它是由独特的内容与形式相统一。虽然我国把服装设计中独特性的表达作为一个完整的系统的学科来研究是自古至今就有,但对服装设计中独特性的表达都不是很完美,因此,本文研究服装设计的独特性表达对现代服装设计具有重要的意义。

一、服装独特性概述

服装的独特性,简言之就是服装所特有的。在广义上就是指从服装作品整体上所呈现出来的代表性特点,它是由独特的形式与内容相统一,服装设计师在主观方面上的创意和服装题材的客观性相统一所造成的一种难以用语言来表达,却不难能让我们感觉的独特风貌。服装的独特性,也指一个民族、一个时代、一个流派或者一个人的服装在内容及形式方面所展现出来的价值取向、艺术特色和内在品格。独特性是心灵的外观,服装设计追求的境界说到底是独特的设计和定位,服装设计的独特性表达也体现了设计师的独特创作思想和艺术追求,也反映了鲜明的时代特色。

二、服装设计中独特性的作用

服装无论是对人类的经济还是文化都产生了重要的影响。并在很大程度上支配着人们的消费方式、消费观念及生活方式,直接影响着人们的社会价值观,独特性的作用具体如下:

(一)是为了实现服装更好的效果

一件完美的服装往往体现在它的独特设计上,一个好的设计作品都蕴涵深厚的民族文化底蕴,同时也是社会发展、时代进步的一面镜子。服装设计的独特性表达使服装创意更接近“中国”或喜欢“中国“的消费者心理,它们之间是相辅相成的作用,服装设计的独特性表达与中国传统元素是相互制约的,服装设计的独特性必须适应受众多不同人的民族文化心理,实现服装更好的效果。

(二)引导人们的审美

中国自古至今都有着不同的审美观,例如女性的审美,夏、商、周时期柔弱细腻的审美意识比较盛行,唐代则是以胖为美,到了明清又娇小玲珑为美。但是,现代社会的审美却不像过去那样具有很强的普遍性观点,而主要是以个体为出发点,找到适合自身的着装方式,来展现自己的独特审美情趣。时装是标新立异的,具有独特性,而在 20 世纪 80 年代以前中国是没有服装的独特性可言的,到 90 年代以后才慢慢接触到较多的服装品牌,初步了解了一些衣着打扮的技巧,但是从审美的角度来讲,很多人并没有很清楚的认识到自己的风格和气质,使穿着或多或少都有一些盲目性。时尚风向标既然是服装,那么我国的时装必然肩负着培养大众现代的审美观的重任。中国在国际时装周上每一季的时装发布,无论是从听觉、视觉、还是情感上都对观者是一次很好的艺术熏陶,即便是大多数人并不能亲自去感受,但是通过各种媒介的宣传报道,不断的有图片、音乐、视频冲击着人们的心灵和视觉,人们就会在潜移默化之中受到启发和感染,从而带入自身的生活,并结合自身的喜好和条件,形成独特的审美观。

(三)引导人们的消费

在20 年前,中国市场所呈现出的供不应求的局面,那个时候我们能买到衣服就很不错了,谁还会仔细的去挑颜色和款式呢。现今社会是一个生产过剩的社会,不同的时装品牌及不同的服装款式令我们眼花缭乱,很多人在一时的冲动和盲目随从心理的驱使下,极有可能会买一些不适合自己的服装。此时,独特性服装的出现仿佛就是时装的领航员,引导着盲目的人们驶向正确的消费彼岸。当然,这页是基于时装独特性的文化已经完全植入人民的心中,民众也已经培育且形成自己的审美情趣,并掌握了现代的时尚流行符号,然后,他们才会切合自身的实际而有目的性的去选择消费品。大多数人并消费不起那些独特性的高级时装,他们只是从独特性的高级时装中获取信息,然后去购买具有此流行要素的类似成衣或服饰品。

三、服装设计中的独特性的表达

(一)中国红在服装设计中的运用

近年来,红色可谓是流行色,中国红是中国所特有的,红遍了大江南北,无论是国际品牌还是国内品牌都不约而同的使用了中国红。中国红意味着吉祥、和平、成功、快乐、和谐、健康、团圆等;也意味着弃恶扬善、百事顺利、逢凶化吉。中华民族喜欢用红色,例如,在节日庆贺、婚礼、俗礼等场合使用红色,同时,红色也是我们心目中最完美的色彩。红色是运动和激情的颜色,是欢乐与祥和的颜色,是民俗与文化的颜色,同时也是北京奥运会会徽颜色的主色。红色已成为中国的象征颜色。

例如,《绿纸鹤》(图3-1、3-2)系列大胆的采用红绿两种颜色的对比,运用的恰到好处。传统的红花与绿叶代表着中国的风俗习惯,一直在农村广为流传给人吉祥如意和喜气的感觉。这种大红大绿的传统装饰色彩所承载的特殊印记,传达出的美好与温暖是不能磨灭的。令人欣喜的是这种传统装饰色彩的纹样,已经与现代的审美结合成新的艺术魅力——让我们即能感受往日的温馨,又能享受现代的简洁和明快。

图3-1 图3-2

外文文献翻译中性化服装设计

外文文献原文+译文 原文 The study on the design of neuter clothing H ous e W Abstract Social and economic development, social thought, opening up and the progress of science and technology, men and women style presented the diversified pattern of neuter the fuzzy gender differences in style, from the beginning of non-mainstream des ign till n ow has develop ed i nt o on e of the mains t ream fas hi on d es ign style. Fashion brands have launched in recent years, the neutral flavor of fashion, neuter clothing market share of more and more, neutral fashion, with its broad group of sex leads the urban street fashion. Neutralization of free and open way of life style, gave people a comfortable and enjoyable. K ey words: Neut e r; Cl ot hing; Gender roles; Design 1 Introduction The beginning of the 20th century the rise of the feminist movement, make the neutral clothing as a kind of style into the line of sight of people. In the 90 s, the neutral clothing has used by each big brand clothing as one of the fashionable e lement s, s uc h a s dust coa t w i th a ne ut ral style, s ui ts, t-shirt s and j e ans have bec om e people like everyday clothes. Neuter clothing style is a simple, pure; reject all multifarious mincing, personalized style. As a special kind of clothing style, neuter clothing fashion has been intensified in the social life, so it is necessary for us to study the clothing neutralization phenomenon, to study its causes and the development of sociology. This article mainly from the sociological association as well as the relationship between men and women clothing and gender status in the society, which is based on analyzing the change of the study the social basis of the neutral clothing appear; Again from the social system, economic development, cultural trend and fashion designers to the influence of the neutral clothing style, etc., it is concluded that the neuter clothing phenomenon is the development of social consciousness, the sexual role transformation, the new clothing design trends are affecting the results.

【参考文献翻译】服装设计中独特性的表达.doc

英文翻译: The unique expression in fashion design Abstract: With the social progress and people's aesthetic awareness, clothing design requirements are constantly changing, not only beautiful, comfortable, personalized for different purposes, and more and more people started to pay attention the unique design of the clothing. unique expression of the clothing design has something in common, in common, there are three factors most typical one of the means of the use of the plastic arts; is to follow the basic rules of the plastic arts; the pursuit of art content and beauty of form harmony and unity. The face of increasingly fierce competition in society, from clothing unique starting to play to their strengths, so that the costume design perfected. Key words: aesthetic sense; costume design; uniqueness; expression Introduction With the rich substance of social development, improved quality of life, the pursuit of unique clothing is also more than plus strong, the face of the popularity and unity to the mass production of clothing has become a problem to be solved in order to fashion designers. An important design point, then become a unique expression of the costume design costume design costume design unique refers to the characteristics of the presentation of the representative from the clothing on the whole, it is unique content and form unity. China fashion design unique expression as a complete system of disciplines to study the ancient times to now there, but the uniqueness of expression in fashion design is not perfect, therefore, the uniqueness of this study fashion design to express Modern fashion design is of great significance. 1. The unique overview of clothing In short, The unique nature of the clothing is the clothing unique. In a broad sense refers to the presentation of the representative characteristics from the whole of the clothing works, it is one of the unique form and the objectivity of the unity of the unity of content, costume designer on the subjective aspect of creative and clothing subject matter difficult to find words to express, but it is not difficult to make us feel unique style. The unique nature of the clothing, but also refers to the values, artistic characteristics and inherent character of a nation, an era, a genre or a person's clothing in the content and format of the show out. The unique nature of the appearance of the mind, the pursuit of the realm of fashion design in the final analysis is unique in design and positioning, the unique expression of the costume design also reflects the designer's unique creative thinking and the pursuit of art also reflects the distinctive character.

服装设计与高科技外文翻译文献

文献信息: 文献标题:Evolution of Fashion Design in the Era of High-Tech Culture (高科技文化时代服装设计的演变) 国外作者:Galina Mihaleva,C.Koh 文献出处:《International Scholarly and Scientific Research and Innovation》,2016,10(7):2447-2451 字数统计:英文2079单词,11462字符;中文3549汉字 外文文献: Evolution of Fashion Design in the Era of High-Tech Culture Abstract Fashion, like many other design fields, undergoes numerous evolutions throughout the ages. This paper aims to recognize and evaluate the significance of advance technology in fashion design and examine how it changes the role of modern fashion designers by modifying the creation process. It also touches on how modern culture is involved in such developments and how it affects fashion design in terms of conceptualizing and fabrication. By comparing case studies, existing fashion design examples and crafting method experimentations; we then spot patterns in which to predict the direction of future developments in the field. A breakdown on the elements of technology in fashion design helps us understand the driving force behind such a trend. The results from explorations in the paper have shown that there is an observed pattern of a distinct increase in interest and progress in the field of fashion technology, which leads to the birth of hybrid crafting methods. In conclusion, it is shown that as fashion technology continues to evolve, their role in clothing crafting becomes more prominent and grows far beyond the humble sewing machine. Keywords: Fashion design, functional aesthetics, smart textiles, 3D printing. INTRODUCTION It is common knowledge that the environment we live in greatly influences the

【最新推荐】印花在服装设计中的应用外文文献

文献出处:A Dehghani. The application of digital printing in fashion design [J]. International Journal of Clothing Science and Technology, 2015, 16(2): 263-271. 原文 The application of digital printing in fashion design A Dehghani Abstract The appearance of digital printing for textiles printing provides a new train of thought, digital printing with the current textile fabric printing a variety of requirements of the market of printing technology, including high quality printing precision, high efficiency of printing on reaction time and the printing of the diverse demand, these advantages directly promoted the digital ink jet printing in the rapid development of textile fabric printing direction. In this paper, the design method of the digital printing design of different style and means of decoration and design method in the fabrics for summary, it is concluded that digital printing design cuttings in fabric printing, clothing apparel printing method and the application of the traditional fabric secondary design and decorative effect. Through the above research, digital printing and garment design and garment style between the relationships between the shapes, thereby further to bring into full play the advantages of

江南大学服装设计与工程专业参考文献

课程名称:纺织材料学 一、考试的总体要求 纺织材料学是一门纺织工程专业的重要专业基础课,它既传授一些重要的专业知识同时又是后续专业课必需的基础课程。通过学习可以为合理使用原料和提高产品质量打好基础,同时还为纺织工程专业课的学习准备必要的专业知识。要求掌握主要纺织纤维和纱线的基本结构及对性能的影响;掌握织物的基本结构及对性能的影响;掌握主要纺织纤维的性能特点及其工艺意义;掌握纤维、纱线及织物结构的测试方法、原理和指标。 二、考试的内容及比例 考试内容比例(%) 第一章绪论(分类、内部结构概述) 5 第二章天然纤维15 第三章化学纤维10 第四章纺织材料的吸湿性质 5 第五章纺织材料的热、光、电学性质10 第六章纱线的分类与结构 5 第七章纱线的结构参数与性能指标15 第八章织物的组成、分类与结构10 第九章纺织材料的基本力学性质10 第十章纺织品的服用性能15 合计100 三、试题类型及比例 如:1、名词解释:20~30% 2、论述题:70~80% 四、考试形式及时间 考试形式为笔试。考试时间为三小时。 五、主要参考教材 1.《《纺织材料学》,姚穆主编,中国纺织出版社,第三版 2.《《纺织材料学》,于伟东主编,中国纺织出版社,第一版 课程名称:服装材料学 一、考试的总体要求 《服装材料学》课程是高等教育服装艺术设计专业的专业基础理论课程,通过本课程的学习,要求学生能够系统地掌握服装材料对服装的外观、形态、性能、加工、保养和成本的影响,了解服装材料的服用性能对服装功能的影响,为服装面料选择和结构设计打下良好的理论基础。 二、考试的内容及比例 考试内容比例(%)

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参考文献 [1]李平.面料再造的艺术表现力[J].服装设计师,2009,10 [2]艺术与设计[J].2011.05 [3]马慧颖,肖圣颖.浅谈环保主义影响下的服装设计[J].才智,2009,06 [4]李苏君,彭景荣.三宅一生与解构主义服装[J]. 美与时代2010, 01 [5]余建春.服装市场调查与预测[M]. 北京:中国纺织出版社,2002 [6]服装设计师.月刊.[J] .服装设计师杂志社,2008.01 [7]肖文陵,李迎军.服装设计[M].北京:清华大学出版社,2006 [8]许星.服饰配件艺术[M]. 北京:中国纺织出版社,2005 [9]罗森.魅力先生[J].青年与社会,2006,04 [10]李霞云.服装造型设计[M].上海:上海纺织工业专科学校,2008 [11]刘瑞璞.服装纸样设计原理与技术(男装编)[M].中国纺织出版社,2003 [12]尹定邦.设计学概论[M].衡阳:湖南科学科技出版社,2001.10 [13]原研哉. 设计中的设计[M],济南:山东人民出版社,2006 [14]吴静芳. 服装配饰学[M].上海:东华大学出版社,2004.1 [15]刘元凤. 服装设计学[M],北京:高等教育出版社,2005 [16]肖文陵.李迎军.北京:服装设计[M]. 北京:清华大学出版社.2006 [17]谢锋.时尚之旅(第二版)[M]. 北京:中国纺织出版社,2007 [18]李采姣.时尚服装设计[M]. 北京:中国纺织出版社,2007 [19](美)多丽丝·普瑟.穿出影响力[M]. 北京:中国纺织出版社,2006 [20]袁利.打破思维的界限[M]. 北京:中国纺织出版社,2005

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