Ted new

Ted new
Ted new

PHIL 3032

Picture Theory(draft 2)

Name: Ted Wang Xiao

Student ID: 101446018

May. 2, 2012

Picture theory

Fact Part

In this part, I will explain what a fact is.

First of all, facts are things which are truly exist in the world. Wittgenstein says, “The world is determined by the facts, and by their being all the facts.”(1.11), and that is to say, facts are all the true statements about the world. For example, if I say, “the water can be drunk”, it is a fact because we always drink water when we are thirsty, and it is something true. But if I say, “people drink oil when they are thirsty”, it is not a fact.Because we never drink oil so it is a false statement. Now let’s put it into a model. If “x is y” is true then it is a fact; and if “x is y”is false then it is not a fact. Just as Wittgenstein says, the world is combined by facts, so facts should be things or statements that are true and logical. But maybe you have notice that facts are not the most basic things, so what are facts come from? Now I will explain the composition of facts, objects.

“Objects make up the substance of the world.”(2.021), Wittgenstein says. What is substance? They are the most basic things, or they are things what are something made of. So in another word, objects combine facts as the most basic things. “Subjects are simple.”(2.02), that is to say they cannot be combined and they are to the opposite of complex. Still use people’s drink as an example. In these two statements, “water” and “oil” are objects, because they are the basic thing in that sentence. If “water” is an object, then “water can be drunk” is a fact. But if I say “people can drink water when they are thirsty but they cannot drink oil because oil

cannot be drunk”, what is it?

It will become the states of affairs. Wittgenstein says, “A state of affairs is a combination of objects.”(2.01). and as we have already know that objects are also the composition of facts, so what is the relationship between facts and states of affairs? A s I say above, if I say “people drink water when they are thirsty”, it is a fact; but if I say “people will drink water when they are thirsty and they will never drink oil” is a state of affairs. That is to say, if “x is y” is a fact, “p is q” is also a fa ct, when we put them toge ther as “x is y + p is q = true” it will become a state of affairs.

Now I’m going to make an example to show the relationship between objects, facts, stares of affairs and the world. If we regard the world as a tall building, objects will be the cements, facts will be the bricks, and states of affairs will be rooms in this building. That is to say, objects combine facts, facts combine states of affairs, and if the states of affairs are true, it will combine the world.

Picture Part

Now I’m going to explain what is a picture.

I think maybe in a degree, pictures are the photos of reality. That means pictures show out what is in realty and they are “a model of reality”(2.12) as Wittgenstein says. That is to say, maybe things in picture are not just as the same as things in real world, but they must have some forms, which are the same as real things. For example, when we draw a sun as a picture, we cannot draw the san as the same size as it is, because the real sun is too big. We usually draw a circle on the top of the picture to express the sun is shining in the sky. We can say the circle is the model of the sun, and the picture is the model of reality.

What’s more, Wittgenstein says, “What constitutes a picture is that its elements rel ated to one another in a determinate way.”(2.14). That means, the organization of the picture should also from the reality. For example, we can draw a picture of the sky with a bright sun and some white clouds, because if it is a beautiful weather, the sky may look like that. But we cannot draw the sun with stars in the sky, because we can’t see stars at daytime. Furthermore, we can find pictures have correct and incorrect types. If we can find the content of the picture in the world it will be a correct picture; but if we cannot find it in the world at the present time, it will be an incorrect picture. For example, if there is a pig in the picture it is a correct picture; and if there is a big with wings in the picture it will be an incorrect picture, because we have never seen a flying pig in our real world. But Wittgenstein says, “Every picture is at the same time a logical one.”(2.182). That is to say, no matter the pictures are correct or incorrect, they are all logical pictures. Because even though we have not see flying pigs until now, but we cannot say we will not able to see them in the future.

And how can we find out whether the picture is true or false? The only way is to experience it. Wittgenstein says “It is impossible to tell form the picture alone whether it is true or false”

(2.224), he also says “There are no picture that are true a priori” (2.225). That means we cannot say a picture is correct or incorrect without experience it. Just like, if I say candies are sweet, you cannot say it is true or false unless you taste it. Come to the pictures, if there’s a picture of a forest which the color of the trees are blue, you will say it is an incorrect picture, because we have never seen blue trees before; and in some other situation, such as the trees are yellow or red, we cannot say they are incorrect, because we have experienced that trees will become yellow or red in fall.

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The generation that is remaking China https://https://www.360docs.net/doc/259655716.html,/talks/yang_lan 0:11 The night before I was heading for Scotland, I was invited to host the final of "China's Got Talent" show in Shanghai with the 80,000 live audience in the stadium. Guess who was the performing guest? Susan Boyle. And I told her, "I'm going to Scotland the next day." She sang beautifully, and she even managed to say a few words in Chinese: 送你葱So it's not like "hello" or "thank you," that ordinary stuff. It means "green onion for free." // Why did she say that? Because [∵] it was a line from our Chinese parallel Susan Boyle -- a 50-some year-old woman, a vegetable vendor in Shanghai, who loves singing Western opera, but she didn't understand any English or French or Italian, so she managed to fill in the lyrics with vegetable names in Chinese. (Laughter) And the last sentence of Nessun Dorma that she was singing in the stadium was "green onion for free." So [as] Susan Boyle was saying that, 80,000 [80k] live audience sang together. That was hilarious.// 1:32 So I guess both Susan Boyle and this vegetable vendor in Shanghai [Sh]belonged to otherness. They were the least expected to be successful in the business called entertainment, yet their courage and talent brought them through. And a show and a platform gave them the stage to realize their dreams. Well, being different is not that difficult. We are all different from different perspectives. But I think being different is good, because you present a different point of view. You may have the chance to make a difference.// 2:12 My generation has been very fortunate to witness and participate in the historic transformation of China that has made so many changes in the past 20, 30 years [y]. I remember that in the year of 1990, when I was graduating from college, I was applying for a job in the sales department of the first five-star hotel in Beijing [Bj], Great Wall Sheraton -- it's still there. So after being interrogated by this Japanese [jp] manager for a half an hour, he finally said, "So, Miss Yang, do you have any questions to ask me?" I summoned my courage and poise and said, "Yes, but could you let me know, what actually do you sell?" I didn't have a clue what a sales department was about in a five-star hotel. That was the first day I set my foot in a five-star hotel. // 3:05 Around the same time, I was going through an audition -- the first ever open audition by national television in China -- with another thousand college girls. The producer told us they were looking for some sweet, innocent and beautiful fresh face. So when it was my turn, I stood up and said, "Why [do] women's personalities on television always have to be beautiful, sweet, innocent and, you know, supportive? Why can't they have their own ideas and their own voice?" // I thought I kind of offended them. But actually, they were impressed by my words. And so I was in the second round of competition, and then the third and the fourth. After seven rounds of competition, I was the last one to survive it. So I was on a national television prime-time show. And believe it or not, that was the first show on Chinese television that allowed its hosts to speak out of their own minds without reading an approved script. (Applause) And my weekly audience at that time was between 200 to 300 million people. 4:22 Well after a few years, I decided to go to the U.S. and Columbia University to pursue my postgraduate studies, and then started my own media company, which was unthought of during the years that I started my career. So we do a lot of things. I've interviewed more than a thousand people in the past. And sometimes I have young people approaching me say, "Lan, you changed my life," and I feel proud of that. // But then we are also so fortunate to witness the transformation of the whole country. I was in Beijing's bidding for the Olympic Games. I was representing the Shanghai Expo. I saw China embracing the world and vice versa. But then sometimes I'm thinking, what are today's young generation up to? How are they different, and what are the differences they are going to make to shape the future of China, or at large, the world? //

杨澜 TED 演讲稿

杨澜TED 演讲稿——The generation that's The generation that's remaking China 重塑中国年轻的一代(一) 杨澜——苏格兰TED演讲稿 -------------------------------------------------------------------------------------------------- 里面有许多话还是值得深思的,前段时间在北外的校庆杨澜也有去,可惜没有机会一睹风采。一个很有思想的女性。 -------------------------------------------------------------------------------------------------- The night before I was heading for Scotland, I was invited to host the final of "China's Got Talent" show in Shanghai with the 80,000 live audience in the stadium. Guess who was the performing guest? Susan Boyle. And I told her, "I'm going to Scotland the next day." She sang beautifully, and she even managed to say a few words in Chinese. [Chinese] So it's not like "hello" or "thank you," that ordinary stuff. It means "green onion for free." Why did she say that? Because it was a line from our Chinese parallel Susan Boyle -- a 50-some year-old woman, a vegetable vendor in Shanghai, who loves singing Western opera, but she didn't understand any English or French or Italian, so she managed to fill in the lyrics with vegetable names in Chinese. (Laughter) And the last sentence of Nessun Dorma that she was singing in the stadium was "green onion for free." So [as] Susan Boyle was saying that, 80,000 live audience sang together. That was hilarious. 来苏格兰(做TED讲演)的前夜,我被邀请去上海做“中国达人秀”决赛的评委。在装有八万现场观众的演播厅里,在台上的表演嘉宾居然是(来自苏格兰的,因参加英国达人秀走红的)苏珊大妈(Susan Boyle)。我告诉她,“我明天就要启程去苏格兰。”她唱得很动听,还对观众说了几句中文,她并没有说简单的“你好”或者“谢谢”,她说的是——“送你葱”(Song Ni Cong)。为什么?这句话其实来源于中国版的“苏珊大妈”——一位五十岁的以卖菜为生,却对西方歌剧有出奇爱好的上海中年妇女(蔡洪平)。这位中国的苏珊大妈并不懂英文,法语或意大利文,所以她将歌剧中的词汇都换做中文中的蔬菜名,并且演唱出来。在她口中,歌剧《图兰朵》的最后一句便是“Song Ni Cong”。当真正的英国苏珊大妈唱出这一句“中文的”《图兰朵》时,全场的八万观众也一起高声歌唱,场面的确有些滑稽(hilarious)。

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